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<m179>Andrew Alfers</m179>
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<b203>History of Music in Western Culture, Volume 2</b203>
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<b035>A01</b035>
<b037>Bonds, Mark Evan</b037>
<b039>Mark Evan</b039>
<b040>Bonds</b040>
<b046>University of North Carolina at Chapel Hill</b046>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Table of Contents for Volume II</B></P>  <P style="MARGIN: 0px">Preface</P>  <P style="MARGIN: 0px">Part IV The Classical Era </P>  <P style="MARGIN: 0px">Prelude to Part IV </P>  <P style="MARGIN: 0px">The Age of Enlightenment </P>  <P style="MARGIN: 0px">War and Revolution </P>  <P style="MARGIN: 0px">The Industrial Revolution </P>  <P style="MARGIN: 0px">Music in Enlightenment Society</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Chapter 11: The Art of the Natural Music and the Idea of Nature</P>  <P style="MARGIN: 0px">Music in the Classical Era: A Stylistic Overview </P>  <P style="MARGIN: 0px">The Elements of Classical Style </P>  <P style="MARGIN: 0px">The Illusion of Order </P>  <P style="MARGIN: 0px">Form and Style in the Mid-18<SUP>TH</SUP> Century </P>  <P style="MARGIN: 0px">The Emergence of Sonata Form </P>  <P style="MARGIN: 0px">The Fantasia </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 12: Instrumental Music in the Classical Era </P>  <P style="MARGIN: 0px">The Language of Instrumental Music </P>  <P style="MARGIN: 0px">Form and Genre in the Instrumental Music of the Classical Era </P>  <P style="MARGIN: 0px">Sonata </P>  <P style="MARGIN: 0px">String Quartet </P>  <P style="MARGIN: 0px">Symphony </P>  <P style="MARGIN: 0px">Concerto </P>  <P style="MARGIN: 0px">CHAPTER 13: Vocal Music in the Classical Era </P>  <P style="MARGIN: 0px">The Rise of Opera Buff </P>  <P style="MARGIN: 0px">Opera Wars </P>  <P style="MARGIN: 0px">Gluck and the Reform of Opera</P>  <P style="MARGIN: 0px">Mozart and the Synthesis of Operatic Styles </P>  <P style="MARGIN: 0px">Sacred Music </P>  <P style="MARGIN: 0px">Song </P>  <P style="MARGIN: 0px">Discussion Questions </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Major Composers of the Classical Era </P>  <P style="MARGIN: 0px">France</P>  <P style="MARGIN: 0px">Great Britain </P>  <P style="MARGIN: 0px">Italy </P>  <P style="MARGIN: 0px">The Austrian Empire </P>  <P style="MARGIN: 0px">Germany </P>  <P style="MARGIN: 0px">North America </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Part V The 19th Century </P>  <P style="MARGIN: 0px">Prelude to Part V </P>  <P style="MARGIN: 0px">Progress and Dislocation</P>  <P style="MARGIN: 0px">Ideas and Ideologies </P>  <P style="MARGIN: 0px">Reaction, Reform, and Revolution </P>  <P style="MARGIN: 0px">The Musical World of the 19th Century </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Chapter 14: The Age of the Tone Poet </P>  <P style="MARGIN: 0px">Romanticism and the New Prestige of Instrumental Music </P>  <P style="MARGIN: 0px">The Composer as High Priest </P>  <P style="MARGIN: 0px">Originality and Historical Self-Consciousness </P>  <P style="MARGIN: 0px">The New Dichotomy between Absolute and Program Music </P>  <P style="MARGIN: 0px">Nationalism </P>  <P style="MARGIN: 0px">The Growing Division between Art and Popular Music </P>  <P style="MARGIN: 0px">Music in the 19th Century: A Stylistic Overview </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Chapter 15: Orchestral Music, 1800&mdash;1850 </P>  <P style="MARGIN: 0px">Bigger Halls, Bigger Audiences, and Louder Instruments</P>  <P style="MARGIN: 0px">The Symphony </P>  <P style="MARGIN: 0px">Beethoven&rsquo;s Symphonies </P>  <P style="MARGIN: 0px">The Symphony after Beethoven </P>  <P style="MARGIN: 0px">The Concert Overture </P>  <P style="MARGIN: 0px">The Concerto </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 16: Piano Music, Chamber Music, Song </P>  <P style="MARGIN: 0px">Beethoven&rsquo;s Piano Sonatas and String Quartets </P>  <P style="MARGIN: 0px">Song </P>  <P style="MARGIN: 0px">The Character Piece </P>  <P style="MARGIN: 0px">The Virtuoso Showpiece </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Chapter 17: Dramatic and Choral Music </P>  <P style="MARGIN: 0px">Opera </P>  <P style="MARGIN: 0px">Italy in the Early 19th Century: Rossini </P>  <P style="MARGIN: 0px">Italy at Mid-century: Verdi </P>  <P style="MARGIN: 0px">Opera and Politics </P>  <P style="MARGIN: 0px">France: Grand Op&eacute;ra and Op&eacute;ra Comique </P>  <P style="MARGIN: 0px">Germany: Weber to Wagner </P>  <P style="MARGIN: 0px">The Elements of Wagnerian</P>  <P style="MARGIN: 0px">Music Drama </P>  <P style="MARGIN: 0px">Operetta </P>  <P style="MARGIN: 0px">Choral Music </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 18: Orchestral Music, 1850&mdash;1900 </P>  <P style="MARGIN: 0px">Music for Dancing and Marching </P>  <P style="MARGIN: 0px">The Ballet </P>  <P style="MARGIN: 0px">The Symphonic Poem</P>  <P style="MARGIN: 0px">The Symphony</P>  <P style="MARGIN: 0px">The Challenge of the Past: Brahms </P>  <P style="MARGIN: 0px">Nationalism: Dvo&Ccedil;r&aacute;k </P>  <P style="MARGIN: 0px">The Collision of High and Low: Mahler </P>  <P style="MARGIN: 0px">Discussion Questions</P>  <P style="MARGIN: 0px">Major Composers of the 19th Century </P>  <P style="MARGIN: 0px">France </P>  <P style="MARGIN: 0px">Great Britain</P>  <P style="MARGIN: 0px">Italy</P>  <P style="MARGIN: 0px">Spain</P>  <P style="MARGIN: 0px">Germany and Austria </P>  <P style="MARGIN: 0px">Scandinavia </P>  <P style="MARGIN: 0px">Bohemia</P>  <P style="MARGIN: 0px">Russia</P>  <P style="MARGIN: 0px">United States</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Part VI The 20th Century </P>  <P style="MARGIN: 0px">Prelude to Part VI </P>  <P style="MARGIN: 0px">The Impact of Recorded Sound </P>  <P style="MARGIN: 0px">Modernism: The Shock of the New </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 19: The Growth of Pluralism from Homogeneity to Diversity</P>  <P style="MARGIN: 0px">The Past Confronts the Present </P>  <P style="MARGIN: 0px">Recorded Versus Live Music </P>  <P style="MARGIN: 0px">Authenticity </P>  <P style="MARGIN: 0px">The Uses of Music in the 20th-Century</P>  <P style="MARGIN: 0px">Society</P>  <P style="MARGIN: 0px">Music and the State </P>  <P style="MARGIN: 0px">Music and Race </P>  <P style="MARGIN: 0px">Music and Protest </P>  <P style="MARGIN: 0px">Music Therapy </P>  <P style="MARGIN: 0px">Ambient Music </P>  <P style="MARGIN: 0px">Music in the 20th Century: A Stylistic Overview</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 20: The Search for New Sounds, 1890&mdash;1945 </P>  <P style="MARGIN: 0px">Impressionism </P>  <P style="MARGIN: 0px">Challenges to Tonality </P>  <P style="MARGIN: 0px">Radical Primitivism </P>  <P style="MARGIN: 0px">Nationalism </P>  <P style="MARGIN: 0px">New Timbres </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Chapter 21: Beyond Tonality </P>  <P style="MARGIN: 0px">Atonality </P>  <P style="MARGIN: 0px">Serial Composition </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 22: The Tonal Tradition </P>  <P style="MARGIN: 0px">Neoclassicalism and the &ldquo;New Objectivity&rdquo;</P>  <P style="MARGIN: 0px">Orchestral Music </P>  <P style="MARGIN: 0px">Film Music</P>  <P style="MARGIN: 0px">Ballet</P>  <P style="MARGIN: 0px">Chamber Music</P>  <P style="MARGIN: 0px">Opera and Musical Theatre </P>  <P style="MARGIN: 0px">The Oratorio</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 23: New Currents after 1945 </P>  <P style="MARGIN: 0px">The Quest for Innovation </P>  <P style="MARGIN: 0px">Combinarotiality</P>  <P style="MARGIN: 0px">Dissonant Counterpart </P>  <P style="MARGIN: 0px">Integral Serialism </P>  <P style="MARGIN: 0px">Aleatory Music </P>  <P style="MARGIN: 0px">Electronic Music </P>  <P style="MARGIN: 0px">Minimalism</P>  <P style="MARGIN: 0px">Postmodernism</P>  <P style="MARGIN: 0px">Major Composers of the 20th Century</P>  <P style="MARGIN: 0px">France</P>  <P style="MARGIN: 0px">Great Britain</P>  <P style="MARGIN: 0px">Italy</P>  <P style="MARGIN: 0px">Spain</P>  <P style="MARGIN: 0px">Greece</P>  <P style="MARGIN: 0px">Germany and Austria</P>  <P style="MARGIN: 0px">Scandinavia</P>  <P style="MARGIN: 0px">Hungary</P>  <P style="MARGIN: 0px">Czechoslovakia/Czech Republic</P>  <P style="MARGIN: 0px">Poland</P>  <P style="MARGIN: 0px">Russia and the Soviet Union</P>  <P style="MARGIN: 0px">Latin America</P>  <P style="MARGIN: 0px">United States</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">CHAPTER 24: The Popular Music of America and Its Influence </P>  <P style="MARGIN: 0px">Before 1900 </P>  <P style="MARGIN: 0px">Ragtime and Blues </P>  <P style="MARGIN: 0px">Ragtime</P>  <P style="MARGIN: 0px">Blues </P>  <P style="MARGIN: 0px">Popular Song</P>  <P style="MARGIN: 0px">Jazz: to 1945 </P>  <P style="MARGIN: 0px">Jazz: after 1945 </P>  <P style="MARGIN: 0px">Country Music</P>  <P style="MARGIN: 0px">The Folk Revival</P>  <P style="MARGIN: 0px">Rhythm, Rock and Rap</P>  <P style="MARGIN: 0px">Discussion Questions</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Epilogue: Music at the Beginning of a New Century </P>  <P style="MARGIN: 0px">Appendices </P>  <P style="MARGIN: 0px">Glossary </P>  <P style="MARGIN: 0px">Index </P>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>PART 1. WRITING</B> </P>  <P style="MARGIN: 0px"><B>1. Thinking, Reading, and Viewing</B> <B>Critically</B></P>  <P style="MARGIN: 0px">a. Think critically</P>  <P style="MARGIN: 0px">b. Read actively and critically </P>  <P style="MARGIN: 0px">c. View actively and critically </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>2. Preparing</B></P>  <P style="MARGIN: 0px">a. Experiment and explore</P>  <P style="MARGIN: 0px">b. Invent and prewrite.</P>  <P style="MARGIN: 0px">c. Gather information while avoiding plagiarism</P>  <P style="MARGIN: 0px">d. Plan and organize</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>3. Composing</B></P>  <P style="MARGIN: 0px">a. Review your electronic journal</P>  <P style="MARGIN: 0px">b. Draft on a computer</P>  <P style="MARGIN: 0px">c. Collaborate</P>  <P style="MARGIN: 0px">d. Be flexible about your writing process</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>4. Rewriting</B></P>  <P style="MARGIN: 0px">a. Shift from writer to reader</P>  <P style="MARGIN: 0px">b. Revise</P>  <P style="MARGIN: 0px">c. Edit</P>  <P style="MARGIN: 0px">d. Proofread</P>  <P style="MARGIN: 0px">e. Give and receive feedback electronically</P>  <P style="MARGIN: 0px">f. STUDENT SAMPLE: Final paper.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>5. Structuring Paragraphs</B> </P>  <P style="MARGIN: 0px">a. Unified paragraphs</P>  <P style="MARGIN: 0px">b. Organizational patterns </P>  <P style="MARGIN: 0px">c. Sentence-linking techniques</P>  <P style="MARGIN: 0px">d. Verb tense, person, and number</P>  <P style="MARGIN: 0px">e. Parallelism and coherence</P>  <P style="MARGIN: 0px">f. Appropriate paragraph length</P>  <P style="MARGIN: 0px">g. Link paragraphs with key words</P>  <P style="MARGIN: 0px">h. Effective introductions and conclusions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>6. Constructing and Evaluating Arguments</B></P>  <P style="MARGIN: 0px">a. Arguable thesis</P>  <P style="MARGIN: 0px">b. Supporting evidence</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Annotated argument paper</P>  <P style="MARGIN: 0px">c. Understand alternative views.</P>  <P style="MARGIN: 0px">d. Test your main points</P>  <P style="MARGIN: 0px">e. Build a compelling case</P>  <P style="MARGIN: 0px">f. Structure your argument</P>  <P style="MARGIN: 0px">g. Avoid fallacies</P>  <P style="MARGIN: 0px">h. Electronic argument</P>  <P style="MARGIN: 0px">i. Visual argument</P>  <P style="MARGIN: 0px"><B>PART 2. RESEARCH</B> </P>  <P style="MARGIN: 0px"><B>7. The Research Project</B></P>  <P style="MARGIN: 0px">a. Become a researcher</P>  <P style="MARGIN: 0px">b. Make a Schedule</P>  <P style="MARGIN: 0px">c. Research notebook</P>  <P style="MARGIN: 0px">d. Working bibliography</P>  <P style="MARGIN: 0px">e. Background information</P>  <P style="MARGIN: 0px">f. Focused research</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>8. Using the Internet for Research</B></P>  <P style="MARGIN: 0px">a. Use Internet sources </P>  <P style="MARGIN: 0px">b. Know the Internet and Web</P>  <P style="MARGIN: 0px">c. Search the Internet and Web</P>  <P style="MARGIN: 0px">d. STUDENT SAMPLE:&nbsp; Database searches</P>  <P style="MARGIN: 0px">e. STUDENT SAMPLE:&nbsp; Internet searches &nbsp;</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>9. Evaluating Electronic and Print Sources</B></P>  <P style="MARGIN: 0px">a. Legitimate sources</P>  <P style="MARGIN: 0px">b. STUDENT SAMPLE: Web links evaluation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>10. Using Sources and Avoiding Plagiarism.</B> </P>  <P style="MARGIN: 0px">a. Use sources responsibly.</P>  <P style="MARGIN: 0px">b. Avoid plagiarism in using sources</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Inadvertent plagiarism</P>  <P style="MARGIN: 0px">c.&nbsp; Paraphrase accurately.</P>  <P style="MARGIN: 0px">d.&nbsp; Avoid plagiarism in paraphrasing</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Intentional plagiarism</P>  <P style="MARGIN: 0px">e.&nbsp; Summarize briefly</P>  <P style="MARGIN: 0px">f.&nbsp; Avoid plagiarism in summarizing</P>  <P style="MARGIN: 0px">g.&nbsp; Quote sparingly</P>  <P style="MARGIN: 0px">h.&nbsp; Avoid plagiarism in quoting</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>11. Writing the Research Paper</B></P>  <P style="MARGIN: 0px">a. Rhetorical stance and thesis</P>  <P style="MARGIN: 0px">b. Plan your structure</P>  <P style="MARGIN: 0px">c. Write a draft</P>  <P style="MARGIN: 0px">d. Review and revise your draft</P>  <P style="MARGIN: 0px">e. Follow formatting conventions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 3. MLA DOCUMENTATION</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>12. MLA Documentation </B></P>  <P style="MARGIN: 0px">A DIRECTORY TO MLA STYLE</P>  <P style="MARGIN: 0px">a. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">b. In-text citations</P>  <P style="MARGIN: 0px">c. Bibliographic footnotes and endnotes</P>  <P style="MARGIN: 0px">d. Works Cited Page</P>  <P style="MARGIN: 0px">e. STUDENT SAMPLE: Annotated research paper in MLA format</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 4. APA, CMS, AND CSE DOCUMENTATION</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>13. APA, CMS, and CSE Documentation</B></P>  <P style="MARGIN: 0px"><I>APA System</I></P>  <P style="MARGIN: 0px">a. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">b. In-text citations</P>  <P style="MARGIN: 0px">c. Content notes</P>  <P style="MARGIN: 0px">d. References Page</P>  <P style="MARGIN: 0px">e. STUDENT SAMPLE: Annotated research report in APA format</P>  <P style="MARGIN: 0px"><I>CMS System</I></P>  <P style="MARGIN: 0px">f. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">g. In-text citations</P>  <P style="MARGIN: 0px">h. Notes</P>  <P style="MARGIN: 0px">i. Bibliography entries</P>  <P style="MARGIN: 0px"><I>CSE System</I></P>  <P style="MARGIN: 0px">j. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">k. In-text citations</P>  <P style="MARGIN: 0px">l. References list</P>  <P style="MARGIN: 0px"><B>PART 5. DESIGN IN PRINT AND ON THE WEB</B></P>  <P style="MARGIN: 0px"><B>14. Design Principles</B> <B>and Graphics</B></P>  <P style="MARGIN: 0px">a. Three design principles</P>  <P style="MARGIN: 0px">b. Formatting tools</P>  <P style="MARGIN: 0px">c. Graphics</P>  <P style="MARGIN: 0px">d. Review your document</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>15. Designing Web Documents</B></P>  <P style="MARGIN: 0px">a. Basic design </P>  <P style="MARGIN: 0px">b. Planning </P>  <P style="MARGIN: 0px">c. Writing </P>  <P style="MARGIN: 0px"><B>PART 6. WRITING FOR DIFFERENT PURPOSES</B></P>  <P style="MARGIN: 0px"><B>16. Electronic Communications</B> </P>  <P style="MARGIN: 0px">a. The rhetoric of etools</P>  <P style="MARGIN: 0px">b. Email </P>  <P style="MARGIN: 0px">c. Online networks </P>  <P style="MARGIN: 0px">d. Instant communication (IMs, TMs)</P>  <P style="MARGIN: 0px">e. Web course tools &nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>17. Writing in the Disciplines</B> </P>  <P style="MARGIN: 0px">a. Disciplinary research</P>  <P style="MARGIN: 0px">b. Disciplinary discourse</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>18. Writing about Literature</B> </P>  <P style="MARGIN: 0px">a. Read literature critically </P>  <P style="MARGIN: 0px">b. Purpose, persona, and audience</P>  <P style="MARGIN: 0px">c. Claim and thesis</P>  <P style="MARGIN: 0px">d. Appropriate person and tense</P>  <P style="MARGIN: 0px">e. Write your literature paper</P>  <P style="MARGIN: 0px">STUDENT SAMPLE (MLA): Literary interpretation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>19. Writing in the Natural and Social Sciences</B></P>  <P style="MARGIN: 0px">a. Types of writing</P>  <P style="MARGIN: 0px">b. Purpose and audience </P>  <P style="MARGIN: 0px">c. STUDENT SAMPLES (APA and CSE): Research reports</P>  <P style="MARGIN: 0px"><B>20. Business Writing </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Business letters</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Business letter</P>  <P style="MARGIN: 0px">b. Letters of application</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Letters of application</P>  <P style="MARGIN: 0px">c. R&eacute;sum&eacute;s</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: R&eacute;sum&eacute;</P>  <P style="MARGIN: 0px">d. Memos</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Memo</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>21. Oral Presentations </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Preparing </P>  <P style="MARGIN: 0px">b. Select visual aids </P>  <P style="MARGIN: 0px">c. Practice, practice, practice</P>  <P style="MARGIN: 0px">d. Speak with enthusiasm and focus</P>  <P style="MARGIN: 0px">e. Design overhead transparencies</P>  <P style="MARGIN: 0px">c. Use PowerPoint<SUP>TM</SUP> </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>22. Essay Exams and Portfolios</B></P>  <P style="MARGIN: 0px">a. Preparing</P>  <P style="MARGIN: 0px">b. The essay writing process</P>  <P style="MARGIN: 0px">c. STUDENT SAMPLES: Essay exam responses</P>  <P style="MARGIN: 0px">d. Prepare a writing portfolio</P>  <P style="MARGIN: 0px"><B>PART 7. CORRECT SENTENCES</B> </P>  <P style="MARGIN: 0px"><B>23. Sentence Structure</B></P>  <P style="MARGIN: 0px">a. Parts of speech</P>  <P style="MARGIN: 0px">b. Basic sentence patterns</P>  <P style="MARGIN: 0px">c. Expanding sentences</P>  <P style="MARGIN: 0px">d. Classifying sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>24. Pronoun Problems</B> </P>  <P style="MARGIN: 0px">a. Number and gender agreement</P>  <P style="MARGIN: 0px">b. Noun antecedents</P>  <P style="MARGIN: 0px">c. <I>This, that, which, </I>and<I> it</I></P>  <P style="MARGIN: 0px">d. <I>That </I>and <I>which</I></P>  <P style="MARGIN: 0px">e. Subjective case</P>  <P style="MARGIN: 0px">f. Objective case</P>  <P style="MARGIN: 0px">g. Compound constructions</P>  <P style="MARGIN: 0px">h. Interrogative pronouns &amp; relative pronouns</P>  <P style="MARGIN: 0px">i. Possessive pronouns</P>  <P style="MARGIN: 0px">j. Comparisons </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>25. Verbs</B></P>  <P style="MARGIN: 0px">a. Regular verb forms</P>  <P style="MARGIN: 0px">b. Common irregular verb forms</P>  <P style="MARGIN: 0px">c. Auxiliary verbs</P>  <P style="MARGIN: 0px">d. Tenses</P>  <P style="MARGIN: 0px">e. Sequence of tenses</P>  <P style="MARGIN: 0px">f. Transitive and intransitive verbs</P>  <P style="MARGIN: 0px">g. Active and passive voice</P>  <P style="MARGIN: 0px">h. Mood</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>26. Subject-Verb Agreement</B></P>  <P style="MARGIN: 0px">a. Plural and singular subjects and verbs</P>  <P style="MARGIN: 0px">b. Compound subjects </P>  <P style="MARGIN: 0px">c. Disjunctive subjects</P>  <P style="MARGIN: 0px">d. Indefinite pronouns </P>  <P style="MARGIN: 0px">e. Collective nouns </P>  <P style="MARGIN: 0px">f. Plural form but singular meaning</P>  <P style="MARGIN: 0px">g. Linking verbs</P>  <P style="MARGIN: 0px">h. With <I>there</I> or <I>here</I> <I>&nbsp;</I></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>27. Adjectives and Adverbs</B></P>  <P style="MARGIN: 0px">a. Adjectives </P>  <P style="MARGIN: 0px">b. Overuse of nouns as modifiers.</P>  <P style="MARGIN: 0px">c. Adverbs .</P>  <P style="MARGIN: 0px">d. Commonly confused adjectives and adverbs</P>  <P style="MARGIN: 0px">e. Comparative and superlative forms </P>  <P style="MARGIN: 0px"><B>PART 8. &nbsp;COMMON GRAMMAR PROBLEMS</B> </P>  <P style="MARGIN: 0px"><B>28. Sentence Fragments</B></P>  <P style="MARGIN: 0px">a. Grammatically complete sentences </P>  <P style="MARGIN: 0px">b. Connect dependent clauses</P>  <P style="MARGIN: 0px">c. Connect phrases</P>  <P style="MARGIN: 0px">d. Sentence fragments for special effect</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>29. Comma Splices and Run-On Sentences</B></P>  <P style="MARGIN: 0px">a. Creating a subordinate clause</P>  <P style="MARGIN: 0px">b. Separating clauses (comma, conjunction)</P>  <P style="MARGIN: 0px">c. Separating clauses (semicolon)</P>  <P style="MARGIN: 0px">d. Separating clauses (period)</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>30. Misplaced and Dangling Modifiers</B></P>  <P style="MARGIN: 0px">a. Positioning modifiers</P>  <P style="MARGIN: 0px">b. Avoid ambiguity</P>  <P style="MARGIN: 0px">c. Lengthy modifiers </P>  <P style="MARGIN: 0px">d. Disruptive modifiers</P>  <P style="MARGIN: 0px">e. Dangling modifiers</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>31. Faulty Shifts</B></P>  <P style="MARGIN: 0px">a. Focus</P>  <P style="MARGIN: 0px">b. Verb tense and mood</P>  <P style="MARGIN: 0px">c. Tone</P>  <P style="MARGIN: 0px">d. Mixed constructions</P>  <P style="MARGIN: 0px">e. Subjects and predicates</P>  <P style="MARGIN: 0px">f. Direct and indirect discourse</P>  <P style="MARGIN: 0px"><B>PART 9. EFFECTIVE SENTENCES AND WORDS</B> </P>  <P style="MARGIN: 0px"><B>32. Clarity and Conciseness</B></P>  <P style="MARGIN: 0px">a. Length</P>  <P style="MARGIN: 0px">b. Repetition and redundancy</P>  <P style="MARGIN: 0px">c. Expletives </P>  <P style="MARGIN: 0px">d. Passive voice </P>  <P style="MARGIN: 0px">e. Wordiness</P>  <P style="MARGIN: 0px">f. Noun-heavy style</P>  <P style="MARGIN: 0px">g. Express meaning precisely</P>  <P style="MARGIN: 0px">h. <I>That</I> to clarify sentence structure</P>  <P style="MARGIN: 0px">i. Comparisons </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>33. Coordination and Subordination</B></P>  <P style="MARGIN: 0px">a. Combine closely related sentences</P>  <P style="MARGIN: 0px">b. Coordinate related sentences </P>  <P style="MARGIN: 0px">c. Subordinate less important ideas</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>34. Parallelism</B></P>  <P style="MARGIN: 0px">a. Parallel content in parallel form</P>  <P style="MARGIN: 0px">b. Lists and series</P>  <P style="MARGIN: 0px">c. With correlative conjunctions</P>  <P style="MARGIN: 0px">d. Comparisons or contrasts</P>  <P style="MARGIN: 0px">e. Complete, clear parallel constructions </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>35. Variety</B> </P>  <P style="MARGIN: 0px">a. Length.</P>  <P style="MARGIN: 0px">b. Structure</P>  <P style="MARGIN: 0px">c. Repetition</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>36. Choosing the Right Words</B></P>  <P style="MARGIN: 0px">a. Denotation</P>  <P style="MARGIN: 0px">b. Connotation </P>  <P style="MARGIN: 0px">c. Level of formality </P>  <P style="MARGIN: 0px">d. Jargon, slang, or dialect </P>  <P style="MARGIN: 0px">e. Pretentiousness</P>  <P style="MARGIN: 0px">f. Figurative language </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>37. Language and Power</B> </P>  <P style="MARGIN: 0px">a. "Correctness" </P>  <P style="MARGIN: 0px">b. Language and identity </P>  <P style="MARGIN: 0px">c. Gender </P>  <P style="MARGIN: 0px">d. Race and ethnicity </P>  <P style="MARGIN: 0px">e. Age and other differences</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>38. Using a Thesaurus and Dictionary</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 10. PUNCTUATION</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>39. End Punctuation</B></P>  <P style="MARGIN: 0px">THE PERIOD</P>  <P style="MARGIN: 0px">THE QUESTION MARK</P>  <P style="MARGIN: 0px">THE EXCLAMATION POINT</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>40. The Comma</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>41. The Semicolon</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>42. The Colon</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>43. The Apostrophe</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>44. Quotation Marks</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>45. Other Punctuation Marks</B> </P>  <P style="MARGIN: 0px">PARENTHESES</P>  <P style="MARGIN: 0px">DASHES</P>  <P style="MARGIN: 0px">BRACKETS </P>  <P style="MARGIN: 0px">ELLIPSES</P>  <P style="MARGIN: 0px">SLASHES</P>  <P style="MARGIN: 0px"><B>PART 11. MECHANICS AND SPELLING</B></P>  <P style="MARGIN: 0px"><B>46. Capital Letters and Italics</B></P>  <P style="MARGIN: 0px">CAPITAL LETTERS</P>  <P style="MARGIN: 0px">ITALICS</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>47. Abbreviations and Numbers.</B></P>  <P style="MARGIN: 0px">ABBREVIATIONS</P>  <P style="MARGIN: 0px">NUMBERS</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>48. The Hyphen</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>49. Spelling</B> </P>  <P style="MARGIN: 0px"><B>PART 12. ESL ISSUES</B></P>  <P style="MARGIN: 0px"><B>50. Tips on Nouns and Articles</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>51. Tips on Verbs</B></P>  <P style="MARGIN: 0px">PHRASAL VERBS </P>  <P style="MARGIN: 0px">VERB COMPLEMENTS </P>  <P style="MARGIN: 0px">VERBS OF STATE</P>  <P style="MARGIN: 0px">MODAL AUXILIARY VERBS </P>  <P style="MARGIN: 0px">CONDITIONAL SENTENCES</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>52. Tips on Word Order</B> </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>53. Tips on Vocabulary</B> </P>  <P style="MARGIN: 0px">&nbsp; </P>  <P style="MARGIN: 0px"><B>Glossary of Usage</B></P>  <P style="MARGIN: 0px"><B>Cross-Curricular Resource Atlas</B></P>  <P style="MARGIN: 0px">&nbsp;<B>Index</B></P></DIV>]]></d104>
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<b037>Huckin, Thomas N.</b037>
<b039>Thomas N.</b039>
<b040>Huckin</b040>
<b046>University of Utah</b046>
</contributor>
<b057>4</b057>
<language>
<b253>01</b253>
<b252>eng</b252>
</language>
<b061>608</b061>
<b064>LAN005000</b064>
<b073>05</b073>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>PART 1. WRITING</B> </P>  <P style="MARGIN: 0px"><B>1. Thinking, Reading, and Viewing</B> <B>Critically</B></P>  <P style="MARGIN: 0px">a. Think critically</P>  <P style="MARGIN: 0px">b. Read actively and critically </P>  <P style="MARGIN: 0px">c. View actively and critically </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>2. Preparing</B></P>  <P style="MARGIN: 0px">a. Experiment and explore</P>  <P style="MARGIN: 0px">b. Invent and prewrite.</P>  <P style="MARGIN: 0px">c. Gather information while avoiding plagiarism</P>  <P style="MARGIN: 0px">d. Plan and organize</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>3. Composing</B></P>  <P style="MARGIN: 0px">a. Review your electronic journal</P>  <P style="MARGIN: 0px">b. Draft on a computer</P>  <P style="MARGIN: 0px">c. Collaborate</P>  <P style="MARGIN: 0px">d. Be flexible about your writing process</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>4. Rewriting</B></P>  <P style="MARGIN: 0px">a. Shift from writer to reader</P>  <P style="MARGIN: 0px">b. Revise</P>  <P style="MARGIN: 0px">c. Edit</P>  <P style="MARGIN: 0px">d. Proofread</P>  <P style="MARGIN: 0px">e. Give and receive feedback electronically</P>  <P style="MARGIN: 0px">f. STUDENT SAMPLE: Final paper.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>5. Structuring Paragraphs</B> </P>  <P style="MARGIN: 0px">a. Unified paragraphs</P>  <P style="MARGIN: 0px">b. Organizational patterns </P>  <P style="MARGIN: 0px">c. Sentence-linking techniques</P>  <P style="MARGIN: 0px">d. Verb tense, person, and number</P>  <P style="MARGIN: 0px">e. Parallelism and coherence</P>  <P style="MARGIN: 0px">f. Appropriate paragraph length</P>  <P style="MARGIN: 0px">g. Link paragraphs with key words</P>  <P style="MARGIN: 0px">h. Effective introductions and conclusions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>6. Constructing and Evaluating Arguments</B></P>  <P style="MARGIN: 0px">a. Arguable thesis</P>  <P style="MARGIN: 0px">b. Supporting evidence</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Annotated argument paper</P>  <P style="MARGIN: 0px">c. Understand alternative views.</P>  <P style="MARGIN: 0px">d. Test your main points</P>  <P style="MARGIN: 0px">e. Build a compelling case</P>  <P style="MARGIN: 0px">f. Structure your argument</P>  <P style="MARGIN: 0px">g. Avoid fallacies</P>  <P style="MARGIN: 0px">h. Electronic argument</P>  <P style="MARGIN: 0px">i. Visual argument</P>  <P style="MARGIN: 0px"><B>PART 2. RESEARCH</B> </P>  <P style="MARGIN: 0px"><B>7. The Research Project</B></P>  <P style="MARGIN: 0px">a. Become a researcher</P>  <P style="MARGIN: 0px">b. Make a Schedule</P>  <P style="MARGIN: 0px">c. Research notebook</P>  <P style="MARGIN: 0px">d. Working bibliography</P>  <P style="MARGIN: 0px">e. Background information</P>  <P style="MARGIN: 0px">f. Focused research</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>8. Using the Internet for Research</B></P>  <P style="MARGIN: 0px">a. Use Internet sources </P>  <P style="MARGIN: 0px">b. Know the Internet and Web</P>  <P style="MARGIN: 0px">c. Search the Internet and Web</P>  <P style="MARGIN: 0px">d. STUDENT SAMPLE:&nbsp; Database searches</P>  <P style="MARGIN: 0px">e. STUDENT SAMPLE:&nbsp; Internet searches &nbsp;</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>9. Evaluating Electronic and Print Sources</B></P>  <P style="MARGIN: 0px">a. Legitimate sources</P>  <P style="MARGIN: 0px">b. STUDENT SAMPLE: Web links evaluation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>10. Using Sources and Avoiding Plagiarism.</B> </P>  <P style="MARGIN: 0px">a. Use sources responsibly.</P>  <P style="MARGIN: 0px">b. Avoid plagiarism in using sources</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Inadvertent plagiarism</P>  <P style="MARGIN: 0px">c.&nbsp; Paraphrase accurately.</P>  <P style="MARGIN: 0px">d.&nbsp; Avoid plagiarism in paraphrasing</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Intentional plagiarism</P>  <P style="MARGIN: 0px">e.&nbsp; Summarize briefly</P>  <P style="MARGIN: 0px">f.&nbsp; Avoid plagiarism in summarizing</P>  <P style="MARGIN: 0px">g.&nbsp; Quote sparingly</P>  <P style="MARGIN: 0px">h.&nbsp; Avoid plagiarism in quoting</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>11. Writing the Research Paper</B></P>  <P style="MARGIN: 0px">a. Rhetorical stance and thesis</P>  <P style="MARGIN: 0px">b. Plan your structure</P>  <P style="MARGIN: 0px">c. Write a draft</P>  <P style="MARGIN: 0px">d. Review and revise your draft</P>  <P style="MARGIN: 0px">e. Follow formatting conventions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 3. MLA DOCUMENTATION</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>12. MLA Documentation </B></P>  <P style="MARGIN: 0px">A DIRECTORY TO MLA STYLE</P>  <P style="MARGIN: 0px">a. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">b. In-text citations</P>  <P style="MARGIN: 0px">c. Bibliographic footnotes and endnotes</P>  <P style="MARGIN: 0px">d. Works Cited Page</P>  <P style="MARGIN: 0px">e. STUDENT SAMPLE: Annotated research paper in MLA format</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 4. APA, CMS, AND CSE DOCUMENTATION</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>13. APA, CMS, and CSE Documentation</B></P>  <P style="MARGIN: 0px"><I>APA System</I></P>  <P style="MARGIN: 0px">a. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">b. In-text citations</P>  <P style="MARGIN: 0px">c. Content notes</P>  <P style="MARGIN: 0px">d. References Page</P>  <P style="MARGIN: 0px">e. STUDENT SAMPLE: Annotated research report in APA format</P>  <P style="MARGIN: 0px"><I>CMS System</I></P>  <P style="MARGIN: 0px">f. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">g. In-text citations</P>  <P style="MARGIN: 0px">h. Notes</P>  <P style="MARGIN: 0px">i. Bibliography entries</P>  <P style="MARGIN: 0px"><I>CSE System</I></P>  <P style="MARGIN: 0px">j. Integrate sources and avoid plagiarism</P>  <P style="MARGIN: 0px">k. In-text citations</P>  <P style="MARGIN: 0px">l. References list</P>  <P style="MARGIN: 0px"><B>PART 5. DESIGN IN PRINT AND ON THE WEB</B></P>  <P style="MARGIN: 0px"><B>14. Design Principles</B> <B>and Graphics</B></P>  <P style="MARGIN: 0px">a. Three design principles</P>  <P style="MARGIN: 0px">b. Formatting tools</P>  <P style="MARGIN: 0px">c. Graphics</P>  <P style="MARGIN: 0px">d. Review your document</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>15. Designing Web Documents</B></P>  <P style="MARGIN: 0px">a. Basic design </P>  <P style="MARGIN: 0px">b. Planning </P>  <P style="MARGIN: 0px">c. Writing </P>  <P style="MARGIN: 0px"><B>PART 6. WRITING FOR DIFFERENT PURPOSES</B></P>  <P style="MARGIN: 0px"><B>16. Electronic Communications</B> </P>  <P style="MARGIN: 0px">a. The rhetoric of etools</P>  <P style="MARGIN: 0px">b. Email </P>  <P style="MARGIN: 0px">c. Online networks </P>  <P style="MARGIN: 0px">d. Instant communication (IMs, TMs)</P>  <P style="MARGIN: 0px">e. Web course tools &nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>17. Writing in the Disciplines</B> </P>  <P style="MARGIN: 0px">a. Disciplinary research</P>  <P style="MARGIN: 0px">b. Disciplinary discourse</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>18. Writing about Literature</B> </P>  <P style="MARGIN: 0px">a. Read literature critically </P>  <P style="MARGIN: 0px">b. Purpose, persona, and audience</P>  <P style="MARGIN: 0px">c. Claim and thesis</P>  <P style="MARGIN: 0px">d. Appropriate person and tense</P>  <P style="MARGIN: 0px">e. Write your literature paper</P>  <P style="MARGIN: 0px">STUDENT SAMPLE (MLA): Literary interpretation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>19. Writing in the Natural and Social Sciences</B></P>  <P style="MARGIN: 0px">a. Types of writing</P>  <P style="MARGIN: 0px">b. Purpose and audience </P>  <P style="MARGIN: 0px">c. STUDENT SAMPLES (APA and CSE): Research reports</P>  <P style="MARGIN: 0px"><B>20. Business Writing </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Business letters</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Business letter</P>  <P style="MARGIN: 0px">b. Letters of application</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Letters of application</P>  <P style="MARGIN: 0px">c. R&eacute;sum&eacute;s</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: R&eacute;sum&eacute;</P>  <P style="MARGIN: 0px">d. Memos</P>  <P style="MARGIN: 0px">STUDENT SAMPLE: Memo</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>21. Oral Presentations </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Preparing </P>  <P style="MARGIN: 0px">b. Select visual aids </P>  <P style="MARGIN: 0px">c. Practice, practice, practice</P>  <P style="MARGIN: 0px">d. Speak with enthusiasm and focus</P>  <P style="MARGIN: 0px">e. Design overhead transparencies</P>  <P style="MARGIN: 0px">c. Use PowerPoint<SUP>TM</SUP> </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>22. Essay Exams and Portfolios</B></P>  <P style="MARGIN: 0px">a. Preparing</P>  <P style="MARGIN: 0px">b. The essay writing process</P>  <P style="MARGIN: 0px">c. STUDENT SAMPLES: Essay exam responses</P>  <P style="MARGIN: 0px">d. Prepare a writing portfolio</P>  <P style="MARGIN: 0px"><B>PART 7. CORRECT SENTENCES</B> </P>  <P style="MARGIN: 0px"><B>23. Sentence Structure</B></P>  <P style="MARGIN: 0px">a. Parts of speech</P>  <P style="MARGIN: 0px">b. Basic sentence patterns</P>  <P style="MARGIN: 0px">c. Expanding sentences</P>  <P style="MARGIN: 0px">d. Classifying sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>24. Pronoun Problems</B> </P>  <P style="MARGIN: 0px">a. Number and gender agreement</P>  <P style="MARGIN: 0px">b. Noun antecedents</P>  <P style="MARGIN: 0px">c. <I>This, that, which, </I>and<I> it</I></P>  <P style="MARGIN: 0px">d. <I>That </I>and <I>which</I></P>  <P style="MARGIN: 0px">e. Subjective case</P>  <P style="MARGIN: 0px">f. Objective case</P>  <P style="MARGIN: 0px">g. Compound constructions</P>  <P style="MARGIN: 0px">h. Interrogative pronouns &amp; relative pronouns</P>  <P style="MARGIN: 0px">i. Possessive pronouns</P>  <P style="MARGIN: 0px">j. Comparisons </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>25. Verbs</B></P>  <P style="MARGIN: 0px">a. Regular verb forms</P>  <P style="MARGIN: 0px">b. Common irregular verb forms</P>  <P style="MARGIN: 0px">c. Auxiliary verbs</P>  <P style="MARGIN: 0px">d. Tenses</P>  <P style="MARGIN: 0px">e. Sequence of tenses</P>  <P style="MARGIN: 0px">f. Transitive and intransitive verbs</P>  <P style="MARGIN: 0px">g. Active and passive voice</P>  <P style="MARGIN: 0px">h. Mood</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>26. Subject-Verb Agreement</B></P>  <P style="MARGIN: 0px">a. Plural and singular subjects and verbs</P>  <P style="MARGIN: 0px">b. Compound subjects </P>  <P style="MARGIN: 0px">c. Disjunctive subjects</P>  <P style="MARGIN: 0px">d. Indefinite pronouns </P>  <P style="MARGIN: 0px">e. Collective nouns </P>  <P style="MARGIN: 0px">f. Plural form but singular meaning</P>  <P style="MARGIN: 0px">g. Linking verbs</P>  <P style="MARGIN: 0px">h. With <I>there</I> or <I>here</I> <I>&nbsp;</I></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>27. Adjectives and Adverbs</B></P>  <P style="MARGIN: 0px">a. Adjectives </P>  <P style="MARGIN: 0px">b. Overuse of nouns as modifiers.</P>  <P style="MARGIN: 0px">c. Adverbs .</P>  <P style="MARGIN: 0px">d. Commonly confused adjectives and adverbs</P>  <P style="MARGIN: 0px">e. Comparative and superlative forms </P>  <P style="MARGIN: 0px"><B>PART 8. &nbsp;COMMON GRAMMAR PROBLEMS</B> </P>  <P style="MARGIN: 0px"><B>28. Sentence Fragments</B></P>  <P style="MARGIN: 0px">a. Grammatically complete sentences </P>  <P style="MARGIN: 0px">b. Connect dependent clauses</P>  <P style="MARGIN: 0px">c. Connect phrases</P>  <P style="MARGIN: 0px">d. Sentence fragments for special effect</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>29. Comma Splices and Run-On Sentences</B></P>  <P style="MARGIN: 0px">a. Creating a subordinate clause</P>  <P style="MARGIN: 0px">b. Separating clauses (comma, conjunction)</P>  <P style="MARGIN: 0px">c. Separating clauses (semicolon)</P>  <P style="MARGIN: 0px">d. Separating clauses (period)</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>30. Misplaced and Dangling Modifiers</B></P>  <P style="MARGIN: 0px">a. Positioning modifiers</P>  <P style="MARGIN: 0px">b. Avoid ambiguity</P>  <P style="MARGIN: 0px">c. Lengthy modifiers </P>  <P style="MARGIN: 0px">d. Disruptive modifiers</P>  <P style="MARGIN: 0px">e. Dangling modifiers</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>31. Faulty Shifts</B></P>  <P style="MARGIN: 0px">a. Focus</P>  <P style="MARGIN: 0px">b. Verb tense and mood</P>  <P style="MARGIN: 0px">c. Tone</P>  <P style="MARGIN: 0px">d. Mixed constructions</P>  <P style="MARGIN: 0px">e. Subjects and predicates</P>  <P style="MARGIN: 0px">f. Direct and indirect discourse</P>  <P style="MARGIN: 0px"><B>PART 9. EFFECTIVE SENTENCES AND WORDS</B> </P>  <P style="MARGIN: 0px"><B>32. Clarity and Conciseness</B></P>  <P style="MARGIN: 0px">a. Length</P>  <P style="MARGIN: 0px">b. Repetition and redundancy</P>  <P style="MARGIN: 0px">c. Expletives </P>  <P style="MARGIN: 0px">d. Passive voice </P>  <P style="MARGIN: 0px">e. Wordiness</P>  <P style="MARGIN: 0px">f. Noun-heavy style</P>  <P style="MARGIN: 0px">g. Express meaning precisely</P>  <P style="MARGIN: 0px">h. <I>That</I> to clarify sentence structure</P>  <P style="MARGIN: 0px">i. Comparisons </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>33. Coordination and Subordination</B></P>  <P style="MARGIN: 0px">a. Combine closely related sentences</P>  <P style="MARGIN: 0px">b. Coordinate related sentences </P>  <P style="MARGIN: 0px">c. Subordinate less important ideas</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>34. Parallelism</B></P>  <P style="MARGIN: 0px">a. Parallel content in parallel form</P>  <P style="MARGIN: 0px">b. Lists and series</P>  <P style="MARGIN: 0px">c. With correlative conjunctions</P>  <P style="MARGIN: 0px">d. Comparisons or contrasts</P>  <P style="MARGIN: 0px">e. Complete, clear parallel constructions </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>35. Variety</B> </P>  <P style="MARGIN: 0px">a. Length.</P>  <P style="MARGIN: 0px">b. Structure</P>  <P style="MARGIN: 0px">c. Repetition</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>36. Choosing the Right Words</B></P>  <P style="MARGIN: 0px">a. Denotation</P>  <P style="MARGIN: 0px">b. Connotation </P>  <P style="MARGIN: 0px">c. Level of formality </P>  <P style="MARGIN: 0px">d. Jargon, slang, or dialect </P>  <P style="MARGIN: 0px">e. Pretentiousness</P>  <P style="MARGIN: 0px">f. Figurative language </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>37. Language and Power</B> </P>  <P style="MARGIN: 0px">a. "Correctness" </P>  <P style="MARGIN: 0px">b. Language and identity </P>  <P style="MARGIN: 0px">c. Gender </P>  <P style="MARGIN: 0px">d. Race and ethnicity </P>  <P style="MARGIN: 0px">e. Age and other differences</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>38. Using a Thesaurus and Dictionary</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 10. PUNCTUATION</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>39. End Punctuation</B></P>  <P style="MARGIN: 0px">THE PERIOD</P>  <P style="MARGIN: 0px">THE QUESTION MARK</P>  <P style="MARGIN: 0px">THE EXCLAMATION POINT</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>40. The Comma</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>41. The Semicolon</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>42. The Colon</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>43. The Apostrophe</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>44. Quotation Marks</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>45. Other Punctuation Marks</B> </P>  <P style="MARGIN: 0px">PARENTHESES</P>  <P style="MARGIN: 0px">DASHES</P>  <P style="MARGIN: 0px">BRACKETS </P>  <P style="MARGIN: 0px">ELLIPSES</P>  <P style="MARGIN: 0px">SLASHES</P>  <P style="MARGIN: 0px"><B>PART 11. MECHANICS AND SPELLING</B></P>  <P style="MARGIN: 0px"><B>46. Capital Letters and Italics</B></P>  <P style="MARGIN: 0px">CAPITAL LETTERS</P>  <P style="MARGIN: 0px">ITALICS</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>47. Abbreviations and Numbers.</B></P>  <P style="MARGIN: 0px">ABBREVIATIONS</P>  <P style="MARGIN: 0px">NUMBERS</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>48. The Hyphen</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>49. Spelling</B> </P>  <P style="MARGIN: 0px"><B>PART 12. ESL ISSUES</B></P>  <P style="MARGIN: 0px"><B>50. Tips on Nouns and Articles</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>51. Tips on Verbs</B></P>  <P style="MARGIN: 0px">PHRASAL VERBS </P>  <P style="MARGIN: 0px">VERB COMPLEMENTS </P>  <P style="MARGIN: 0px">VERBS OF STATE</P>  <P style="MARGIN: 0px">MODAL AUXILIARY VERBS </P>  <P style="MARGIN: 0px">CONDITIONAL SENTENCES</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>52. Tips on Word Order</B> </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>53. Tips on Vocabulary</B> </P>  <P style="MARGIN: 0px">&nbsp; </P>  <P style="MARGIN: 0px"><B>Glossary of Usage</B></P>  <P style="MARGIN: 0px"><B>Cross-Curricular Resource Atlas</B></P>  <P style="MARGIN: 0px">&nbsp;<B>Index</B></P></DIV>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Hult, Christine A.</b037>
<b039>Christine A.</b039>
<b040>Hult</b040>
<b046>Utah State University</b046>
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<b035>A01</b035>
<b037>Huckin, Thomas N.</b037>
<b039>Thomas N.</b039>
<b040>Huckin</b040>
<b046>University of Utah</b046>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>I. WRITING.</B> </P>  <P style="MARGIN: 0px"><B>1. Writing to Learn</B></P>  <P style="MARGIN: 0px">a. Why do we write?</P>  <P style="MARGIN: 0px">b. How important is writing to success?</P>  <P style="MARGIN: 0px">c. How do we communicate effectively?</P>  <P style="MARGIN: 0px">d. Has technology changed how we write?</P>  <P style="MARGIN: 0px">e. How can this handbook help?</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>2. Critical Thinking, Reading, and Viewing.</B> </P>  <P style="MARGIN: 0px">a. Think critically</P>  <P style="MARGIN: 0px">b. Read actively and critically </P>  <P style="MARGIN: 0px">c. View actively and critically </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>3. Preparing.</B> </P>  <P style="MARGIN: 0px">a. Overview of the writing process.</P>  <P style="MARGIN: 0px">b. Experiment and explore</P>  <P style="MARGIN: 0px">c. Invent and prewrite.</P>  <P style="MARGIN: 0px">d. Gather information</P>  <P style="MARGIN: 0px">e. Plan and organize.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>4. Composing.</B> </P>  <P style="MARGIN: 0px">a. Review </P>  <P style="MARGIN: 0px">b. Draft </P>  <P style="MARGIN: 0px">c. Collaborate</P>  <P style="MARGIN: 0px">d. <B>STUDENT SAMPLE: Draft</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>5. Rewriting.</B> </P>  <P style="MARGIN: 0px">a. Shift from writer to reader</P>  <P style="MARGIN: 0px">b. Revise</P>  <P style="MARGIN: 0px">c. Edit</P>  <P style="MARGIN: 0px">d. Proofread</P>  <P style="MARGIN: 0px">e. Give and receive feedback</P>  <P style="MARGIN: 0px">f. <B>STUDENT SAMPLE: Final paper.</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>6. Structuring Paragraphs</B> </P>  <P style="MARGIN: 0px">a. Unified paragraphs</P>  <P style="MARGIN: 0px">b. Organizational patterns </P>  <P style="MARGIN: 0px">c. Sentence-linking techniques</P>  <P style="MARGIN: 0px">d. Verb tense, person, and number.</P>  <P style="MARGIN: 0px">e. Parallelism and coherence</P>  <P style="MARGIN: 0px">f. Appropriate length.</P>  <P style="MARGIN: 0px">g. Link with key words</P>  <P style="MARGIN: 0px">h. Effective introductions and conclusions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>7. Formulating Arguments.</B> </P>  <P style="MARGIN: 0px">a. Arguable thesis</P>  <P style="MARGIN: 0px">b. Purpose and audience.</P>  <P style="MARGIN: 0px">c. Supporting evidence</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Argument paper</B></P>  <P style="MARGIN: 0px">d. Understand alternative views.</P>  <P style="MARGIN: 0px">e. Test your main points</P>  <P style="MARGIN: 0px">f. Build a compelling case</P>  <P style="MARGIN: 0px">g. Avoid fallacies</P>  <P style="MARGIN: 0px">h. Structure your argument</P>  <P style="MARGIN: 0px">i. Electronic argument.</P>  <P style="MARGIN: 0px">j. Visual argument.</P>  <P style="MARGIN: 0px"><B>II. RESEARCH.</B> </P>  <P style="MARGIN: 0px"><B>8. The Research Project</B></P>  <P style="MARGIN: 0px">a. Become a researcher.</P>  <P style="MARGIN: 0px">b. Scheduling</P>  <P style="MARGIN: 0px">c. Research notebook</P>  <P style="MARGIN: 0px">d. Working bibliography</P>  <P style="MARGIN: 0px">e. Background information</P>  <P style="MARGIN: 0px">f. Focused research</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>9. Using the Internet for research</B></P>  <P style="MARGIN: 0px">a. Use Internet sources </P>  <P style="MARGIN: 0px">b. Know the Internet and Web</P>  <P style="MARGIN: 0px">c. Search the Internet and Web</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLES:&nbsp; Database and Internet searches&nbsp; </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>10. Evaluating Electronic and Print Sources.</B> </P>  <P style="MARGIN: 0px">a. Legitimate sources.</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Web links evaluation</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>11. Using Sources and Avoiding Plagiarism.</B> </P>  <P style="MARGIN: 0px">a. Use sources responsibly.</P>  <P style="MARGIN: 0px">b. Avoid plagiarism in using sources</P>  <P style="MARGIN: 0px">c.&nbsp; Paraphrase accurately.</P>  <P style="MARGIN: 0px">d.&nbsp; Avoid plagiarism in paraphrasing</P>  <P style="MARGIN: 0px">e.&nbsp; Summarize briefly</P>  <P style="MARGIN: 0px">f.&nbsp; Avoid plagiarism in summarizing</P>  <P style="MARGIN: 0px">g.&nbsp; Quote sparingly</P>  <P style="MARGIN: 0px">h.&nbsp; Avoid plagiarism in quoting</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>12. Writing the Research Paper.</B> </P>  <P style="MARGIN: 0px">a. Rhetorical stance and thesis.</P>  <P style="MARGIN: 0px">b. Plan your structure.</P>  <P style="MARGIN: 0px">c. Write a draft.</P>  <P style="MARGIN: 0px">d. Review and revise your draft.</P>  <P style="MARGIN: 0px">e. Follow formatting conventions.</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Annotated research paper.</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>13. MLA Documentation Format.</B> </P>  <P style="MARGIN: 0px">A DIRECTORY TO MLA STYLE</P>  <P style="MARGIN: 0px"><B>14. APA Documentation Format.</B> </P>  <P style="MARGIN: 0px">A DIRECTORY TO APA STYLE</P>  <P style="MARGIN: 0px">.</P>  <P style="MARGIN: 0px"><B>15. CMS and CSE Formats.</B> </P>  <P style="MARGIN: 0px">A DIRECTORY TO Chicago Manual STYLE</P>  <P style="MARGIN: 0px">A DIRECTORY TO CSE STYLE</P>  <P style="MARGIN: 0px"><B>III. WRITING IN THE DISCIPLINES</B></P>  <P style="MARGIN: 0px"><B>16. Writing in the Disciplines</B> </P>  <P style="MARGIN: 0px">a. Disciplinary research</P>  <P style="MARGIN: 0px">b. Disciplinary discourse</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>17. Writing in the Humanities.</B> </P>  <P style="MARGIN: 0px">a. Types of writing </P>  <P style="MARGIN: 0px">b. Literary interpretation and analysis</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (MLA):Literary interpretation</B></P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (MLA): Literary analysis </B></P>  <P style="MARGIN: 0px">d. Internet and library resources.</P>  <P style="MARGIN: 0px">A DIRECTORY FOR THE HUMANITIES</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>18. Writing in the Natural Sciences.</B> </P>  <P style="MARGIN: 0px">a. Types of writing</P>  <P style="MARGIN: 0px">b. Write objectively </P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (CSE): Research report.</B></P>  <P style="MARGIN: 0px">d. Internet and library resources.</P>  <P style="MARGIN: 0px">A DIRECTORY FOR THE SCIENCES AND TECHNOLGY</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>19. Writing in the Social Sciences</B> </P>  <P style="MARGIN: 0px">a. Types of writing</P>  <P style="MARGIN: 0px">b. Write persuasively </P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (APA): Research report</B></P>  <P style="MARGIN: 0px">d. Internet and library resources</P>  <P style="MARGIN: 0px">A DIRECTORY FOR THE SOCIAL SCIENCES.</P>  <P style="MARGIN: 0px"><B>IV. DESIGN IN PRINT AND ON THE WEB.</B> </P>  <P style="MARGIN: 0px"><B>20. Design Principles</B> </P>  <P style="MARGIN: 0px">a. Three design principles</P>  <P style="MARGIN: 0px">b. Formatting tools</P>  <P style="MARGIN: 0px">c. Graphics</P>  <P style="MARGIN: 0px">d. Downloading images </P>  <P style="MARGIN: 0px">e. Different norms and preferences.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>21. Designing Print Documents.</B> </P>  <P style="MARGIN: 0px">a. A simple brochure</P>  <P style="MARGIN: 0px">b. A simple newsletter</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>22. Designing Web Documents.</B> </P>  <P style="MARGIN: 0px">a. Basic design </P>  <P style="MARGIN: 0px">b. Planning </P>  <P style="MARGIN: 0px">c. Writing </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>V. WRITING FOR DIFFERENT PURPOSES.</B> </P>  <P style="MARGIN: 0px"><B>23. Electronic Communication</B> </P>  <P style="MARGIN: 0px">a. The rhetoric of etools</P>  <P style="MARGIN: 0px">b. Email </P>  <P style="MARGIN: 0px">c. Online networks </P>  <P style="MARGIN: 0px">d. Instant communication (IMs, TMs)</P>  <P style="MARGIN: 0px">e. Web course tools &nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>24. Business Writing </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Business letters.</P>  <P style="MARGIN: 0px">b. Letters of application.</P>  <P style="MARGIN: 0px">c. R&eacute;sum&eacute;s</P>  <P style="MARGIN: 0px">d. Reports</P>  <P style="MARGIN: 0px">b. Memos.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>25. Oral Presentations </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Preparing </P>  <P style="MARGIN: 0px">b. Select visual aids .</P>  <P style="MARGIN: 0px">c. Practice, practice, practice.</P>  <P style="MARGIN: 0px">d. Speak with enthusiasm and focus.</P>  <P style="MARGIN: 0px">e. Design overhead transparencies.</P>  <P style="MARGIN: 0px">c. Use PowerPoint<SUP>TM</SUP> effectively.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>26. Essay Exams.</B> </P>  <P style="MARGIN: 0px">a. Preparing</P>  <P style="MARGIN: 0px">b. The essay writing process</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLES: Essay exam responses</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>27. Writing Portfolios.</B> </P>  <P style="MARGIN: 0px">a. Learn about portfolios</P>  <P style="MARGIN: 0px">b. Develop a writing portfolio</P>  <P style="MARGIN: 0px">c. Prepare the final document.</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Cover letter</B></P>  <P style="MARGIN: 0px"><B>VI. SENTENCE GRAMMAR.</B> </P>  <P style="MARGIN: 0px"><B>28. Sentence Structure.</B> </P>  <P style="MARGIN: 0px">a. Parts of speech.</P>  <P style="MARGIN: 0px">b. Basic sentence patterns.</P>  <P style="MARGIN: 0px">c. Expanding sentences.</P>  <P style="MARGIN: 0px">d. Classifying sentences.</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>29. Pronoun Case.</B> </P>  <P style="MARGIN: 0px">a. Subjects and complements </P>  <P style="MARGIN: 0px">b. Objects </P>  <P style="MARGIN: 0px">c. Compound constructions </P>  <P style="MARGIN: 0px">d. W<I>ho</I> or <I>whom</I> </P>  <P style="MARGIN: 0px">e. Possessive adjectives and pronouns.</P>  <P style="MARGIN: 0px">f. Comparisons </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>30. Verbs.</B> </P>  <P style="MARGIN: 0px">a. Regular verb forms.</P>  <P style="MARGIN: 0px">b. Common irregular verb forms.</P>  <P style="MARGIN: 0px">c. Auxiliary verbs.</P>  <P style="MARGIN: 0px">d. Tenses.</P>  <P style="MARGIN: 0px">e. Sequence of tenses.</P>  <P style="MARGIN: 0px">f. Transitive and intransitive verbs</P>  <P style="MARGIN: 0px">g. Active and passive voice.</P>  <P style="MARGIN: 0px">h. Mood.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>31. Agreement.</B> </P>  <P style="MARGIN: 0px">a. Plural and singular subjects and verbs</P>  <P style="MARGIN: 0px">b. Modified subjects.</P>  <P style="MARGIN: 0px">c. Compound subjects </P>  <P style="MARGIN: 0px">d. Subjects joined by <I>or</I> or <I>nor </I></P>  <P style="MARGIN: 0px">e. Indefinite pronouns </P>  <P style="MARGIN: 0px">f. Collective nouns </P>  <P style="MARGIN: 0px">g. Plural form but singular meaning</P>  <P style="MARGIN: 0px">h. Linking verbs</P>  <P style="MARGIN: 0px">i. With <I>there</I> or <I>here</I> and <I>to be </I></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>32. Adjectives and Adverbs.</B> </P>  <P style="MARGIN: 0px">a. Adjectives </P>  <P style="MARGIN: 0px">b. Overuse of nouns as modifiers.</P>  <P style="MARGIN: 0px">c. Adverbs .</P>  <P style="MARGIN: 0px">d. <I>Good</I> and <I>well</I> or <I>bad</I> and <I>badly</I></P>  <P style="MARGIN: 0px">e. Comparative and superlative forms </P>  <P style="MARGIN: 0px"><B>VII. CORRECT SENTENCES.</B> </P>  <P style="MARGIN: 0px"><B>33. Sentence Fragments.</B> </P>  <P style="MARGIN: 0px">a. Grammatically complete sentences </P>  <P style="MARGIN: 0px">b. Connect dependent clauses.</P>  <P style="MARGIN: 0px">c. Connect phrases.</P>  <P style="MARGIN: 0px">d. Sentence fragments for special effect.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>34. Comma Splices and Run-On Sentences.</B> </P>  <P style="MARGIN: 0px">a. Creating a subordinate clause.</P>  <P style="MARGIN: 0px">b. Separating clauses (comma, conjunction)</P>  <P style="MARGIN: 0px">c. Separating clauses (semicolon)</P>  <P style="MARGIN: 0px">d. Separating clauses (period)</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>35. Pronoun Reference.</B> </P>  <P style="MARGIN: 0px">a. Noun antecedents.</P>  <P style="MARGIN: 0px">b. Agreement</P>  <P style="MARGIN: 0px">c. <I>This, that, which, </I>and<I> it</I>.</P>  <P style="MARGIN: 0px">d. Mixed uses of <I>it</I>.</P>  <P style="MARGIN: 0px">e. <I>That, which, </I>and<I> who</I>.</P>  <P style="MARGIN: 0px">f. Sexist pronouns</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>36. Misplaced and Dangling Modifiers.</B> </P>  <P style="MARGIN: 0px">a. Positioning modifiers.</P>  <P style="MARGIN: 0px">b. Avoid ambiguity.</P>  <P style="MARGIN: 0px">c. Lengthy modifiers </P>  <P style="MARGIN: 0px">d. Disruptive modifiers.</P>  <P style="MARGIN: 0px">e. Dangling modifiers.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>37. Faulty Shifts.</B> </P>  <P style="MARGIN: 0px">a. Person and number.</P>  <P style="MARGIN: 0px">b. Verb tense, mood, subject, and voice.</P>  <P style="MARGIN: 0px">c. Tone.</P>  <P style="MARGIN: 0px">d. Mixed constructions.</P>  <P style="MARGIN: 0px">e. Subjects and predicates.</P>  <P style="MARGIN: 0px">f. Direct and indirect discourse.</P>  <P style="MARGIN: 0px"><B>VIII. EFFECTIVE SENTENCES.</B> </P>  <P style="MARGIN: 0px"><B>38. Clarity and Conciseness.</B> </P>  <P style="MARGIN: 0px">a. Length.</P>  <P style="MARGIN: 0px">b. Repetition and redundancy.</P>  <P style="MARGIN: 0px">c. Expletives </P>  <P style="MARGIN: 0px">d. Passive voice .</P>  <P style="MARGIN: 0px">e. Wordiness</P>  <P style="MARGIN: 0px">f. Noun-heavy style.</P>  <P style="MARGIN: 0px">g. Express meaning precisely.</P>  <P style="MARGIN: 0px">h. <I>That</I> to clarify sentence structure.</P>  <P style="MARGIN: 0px">i. Comparisons .</P>  <P style="MARGIN: 0px">j. Multiple negation.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>39. Coordination and Subordination.</B> </P>  <P style="MARGIN: 0px">a. Combine closely related sentences.</P>  <P style="MARGIN: 0px">b. Coordinate related sentences </P>  <P style="MARGIN: 0px">c. Subordinate less important ideas.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>40. Parallelism.</B> </P>  <P style="MARGIN: 0px">a. Parallel content in parallel form.</P>  <P style="MARGIN: 0px">b. Lists and series.</P>  <P style="MARGIN: 0px">c. With correlative conjunctions.</P>  <P style="MARGIN: 0px">d. Comparisons or contrasts.</P>  <P style="MARGIN: 0px">e. Complete, clear parallel constructions </P>  <P style="MARGIN: 0px">f. Coherence.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>41. Emphasis.</B> </P>  <P style="MARGIN: 0px">a. End-weight.</P>  <P style="MARGIN: 0px">b. Selective repetition.</P>  <P style="MARGIN: 0px">c. Contrast.</P>  <P style="MARGIN: 0px">d. Careful word choice.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>42. Variety.</B> </P>  <P style="MARGIN: 0px">a. Length.</P>  <P style="MARGIN: 0px">b. Structure.</P>  <P style="MARGIN: 0px">c. Repetition.</P>  <P style="MARGIN: 0px">d. Different standards and purposes.</P>  <P style="MARGIN: 0px"><B>IX. EFFECTIVE WORDS.</B> </P>  <P style="MARGIN: 0px"><B>43. Choosing the Right Words.</B> </P>  <P style="MARGIN: 0px">a. Denotation. </P>  <P style="MARGIN: 0px">b. Connotation. </P>  <P style="MARGIN: 0px">c. Level of formality. </P>  <P style="MARGIN: 0px">d. Jargon, slang, or dialect. </P>  <P style="MARGIN: 0px">e. Pretentiousness. </P>  <P style="MARGIN: 0px">f. Figurative language </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>44. Language And Power.</B> </P>  <P style="MARGIN: 0px">a. "Correctness." </P>  <P style="MARGIN: 0px">b. Language and identity. </P>  <P style="MARGIN: 0px">c. Gender . </P>  <P style="MARGIN: 0px">d. Race and ethnicity. </P>  <P style="MARGIN: 0px">e. Age. </P>  <P style="MARGIN: 0px">f. Other differences. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>45. Building a Powerful Vocabulary.</B> </P>  <P style="MARGIN: 0px">a. Roots, prefixes, and suffixes. </P>  <P style="MARGIN: 0px">b. Denotations and connotations. </P>  <P style="MARGIN: 0px">c. Related words. </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>46. Using a Thesaurus and a Dictionary.</B> </P>  <P style="MARGIN: 0px">a. A thesaurus to find the exact word. </P>  <P style="MARGIN: 0px">b. A dictionary to learn about words.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>47. Spelling.</B> </P>  <P style="MARGIN: 0px">a. Spell checker. </P>  <P style="MARGIN: 0px">b. Homophones.</P>  <P style="MARGIN: 0px">c. Common spelling errors. </P>  <P style="MARGIN: 0px">d. General spelling rules and patterns. </P>  <P style="MARGIN: 0px"><B>X. PUNCTUATION.</B> </P>  <P style="MARGIN: 0px"><B>48. End Punctuation.</B> </P>  <P style="MARGIN: 0px">THE PERIOD</P>  <P style="MARGIN: 0px">THE QUESTION MARK</P>  <P style="MARGIN: 0px">THE EXCLAMATION POINT. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>49. The Comma.</B> </P>  <P style="MARGIN: 0px">a. After an introductory phrase or clause. </P>  <P style="MARGIN: 0px">b. To separate independent clauses. </P>  <P style="MARGIN: 0px">c. Between items in a series. </P>  <P style="MARGIN: 0px">d. To separate coordinate adjectives. </P>  <P style="MARGIN: 0px">e. To set off nonessential elements. </P>  <P style="MARGIN: 0px">f. To set off conjunctive adverbs. </P>  <P style="MARGIN: 0px">g. With dates, places, titles and numbers. </P>  <P style="MARGIN: 0px">h. With speaker tags. </P>  <P style="MARGIN: 0px">i. With markers of direct address. </P>  <P style="MARGIN: 0px">j. Misuse of commas. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>50. The Semicolon.</B> </P>  <P style="MARGIN: 0px">a. With independent clauses&nbsp; </P>  <P style="MARGIN: 0px">b. With a conjunctive adverb. </P>  <P style="MARGIN: 0px">c. In a series&nbsp; </P>  <P style="MARGIN: 0px">d. Placement </P>  <P style="MARGIN: 0px">e. Common semicolon errors. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>51. The Colon.</B> </P>  <P style="MARGIN: 0px">a. &nbsp;In lists or appositives </P>  <P style="MARGIN: 0px">b. &nbsp;With independent clauses&nbsp; </P>  <P style="MARGIN: 0px">c. To introduce quotations. </P>  <P style="MARGIN: 0px">d. In titles. </P>  <P style="MARGIN: 0px">e. In business correspondence </P>  <P style="MARGIN: 0px">f. In numbers and addresses. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>52 The Apostrophe.</B> </P>  <P style="MARGIN: 0px">a. Possession. </P>  <P style="MARGIN: 0px">b. Contractions and omitted letters. </P>  <P style="MARGIN: 0px">c. Plural forms. </P>  <P style="MARGIN: 0px">d. Misusing the apostrophe. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>53 Quotation Marks.</B> </P>  <P style="MARGIN: 0px">a. For exact direct quotations. </P>  <P style="MARGIN: 0px">b. To suggest skepticism&nbsp; </P>  <P style="MARGIN: 0px">c. To indicate shifts in register. </P>  <P style="MARGIN: 0px">d. With titles of short works. </P>  <P style="MARGIN: 0px">e. Standard punctuation practice&nbsp; </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>54 Other Punctuation Marks.</B> </P>  <P style="MARGIN: 0px">PARENTHESES</P>  <P style="MARGIN: 0px">DASHES</P>  <P style="MARGIN: 0px">BRACKETS </P>  <P style="MARGIN: 0px">ELLIPSES. </P>  <P style="MARGIN: 0px">SLASHES</P>  <P style="MARGIN: 0px"><B>XI. MECHANICS.</B> </P>  <P style="MARGIN: 0px"><B>55. Capital Letters and Italics</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>56. Abbreviations and Numbers.</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>57. The Hyphen.</B> </P>  <P style="MARGIN: 0px">a. In compounds. </P>  <P style="MARGIN: 0px">b. In adjectives before nouns. </P>  <P style="MARGIN: 0px">c. In spelled-out fractions and numbers&nbsp; </P>  <P style="MARGIN: 0px">d. To avoid ambiguity&nbsp; </P>  <P style="MARGIN: 0px">e. For end-of-line word division. </P>  <P style="MARGIN: 0px"><B>XII. ESL ISSUES.</B> </P>  <P style="MARGIN: 0px"><B>58. Tips on Nouns and Articles.</B> </P>  <P style="MARGIN: 0px"><B>59. Tips on Verbs.</B></P>  <P style="MARGIN: 0px">PHRASAL VERBS </P>  <P style="MARGIN: 0px">VERB COMPLEMENTS </P>  <P style="MARGIN: 0px">VERBS OF STATE. </P>  <P style="MARGIN: 0px">MODAL AUXILIARY VERBS </P>  <P style="MARGIN: 0px">CONDITIONAL SENTENCES. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>60. Tips on Word Order.</B> </P>  <P style="MARGIN: 0px"><B>61. Tips on Vocabulary.</B> </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Glossary of Grammatical and Rhetorical Terms.</B> </P>  <P style="MARGIN: 0px"><B>Glossary of Usage.</B> </P>  <P style="MARGIN: 0px">&nbsp; </P>  <P style="MARGIN: 0px"><B>CROSS-CURRICULAR RESOURCE ATLAS</B></P>  <P style="MARGIN: 0px">&nbsp; </P><B>Index.</B> </DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>I. WRITING.</B> </P>  <P style="MARGIN: 0px"><B>1. Writing to Learn</B></P>  <P style="MARGIN: 0px">a. Why do we write?</P>  <P style="MARGIN: 0px">b. How important is writing to success?</P>  <P style="MARGIN: 0px">c. How do we communicate effectively?</P>  <P style="MARGIN: 0px">d. Has technology changed how we write?</P>  <P style="MARGIN: 0px">e. How can this handbook help?</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>2. Critical Thinking, Reading, and Viewing.</B> </P>  <P style="MARGIN: 0px">a. Think critically</P>  <P style="MARGIN: 0px">b. Read actively and critically </P>  <P style="MARGIN: 0px">c. View actively and critically </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>3. Preparing.</B> </P>  <P style="MARGIN: 0px">a. Overview of the writing process.</P>  <P style="MARGIN: 0px">b. Experiment and explore</P>  <P style="MARGIN: 0px">c. Invent and prewrite.</P>  <P style="MARGIN: 0px">d. Gather information</P>  <P style="MARGIN: 0px">e. Plan and organize.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>4. Composing.</B> </P>  <P style="MARGIN: 0px">a. Review </P>  <P style="MARGIN: 0px">b. Draft </P>  <P style="MARGIN: 0px">c. Collaborate</P>  <P style="MARGIN: 0px">d. <B>STUDENT SAMPLE: Draft</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>5. Rewriting.</B> </P>  <P style="MARGIN: 0px">a. Shift from writer to reader</P>  <P style="MARGIN: 0px">b. Revise</P>  <P style="MARGIN: 0px">c. Edit</P>  <P style="MARGIN: 0px">d. Proofread</P>  <P style="MARGIN: 0px">e. Give and receive feedback</P>  <P style="MARGIN: 0px">f. <B>STUDENT SAMPLE: Final paper.</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>6. Structuring Paragraphs</B> </P>  <P style="MARGIN: 0px">a. Unified paragraphs</P>  <P style="MARGIN: 0px">b. Organizational patterns </P>  <P style="MARGIN: 0px">c. Sentence-linking techniques</P>  <P style="MARGIN: 0px">d. Verb tense, person, and number.</P>  <P style="MARGIN: 0px">e. Parallelism and coherence</P>  <P style="MARGIN: 0px">f. Appropriate length.</P>  <P style="MARGIN: 0px">g. Link with key words</P>  <P style="MARGIN: 0px">h. Effective introductions and conclusions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>7. Formulating Arguments.</B> </P>  <P style="MARGIN: 0px">a. Arguable thesis</P>  <P style="MARGIN: 0px">b. Purpose and audience.</P>  <P style="MARGIN: 0px">c. Supporting evidence</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Argument paper</B></P>  <P style="MARGIN: 0px">d. Understand alternative views.</P>  <P style="MARGIN: 0px">e. Test your main points</P>  <P style="MARGIN: 0px">f. Build a compelling case</P>  <P style="MARGIN: 0px">g. Avoid fallacies</P>  <P style="MARGIN: 0px">h. Structure your argument</P>  <P style="MARGIN: 0px">i. Electronic argument.</P>  <P style="MARGIN: 0px">j. Visual argument.</P>  <P style="MARGIN: 0px"><B>II. RESEARCH.</B> </P>  <P style="MARGIN: 0px"><B>8. The Research Project</B></P>  <P style="MARGIN: 0px">a. Become a researcher.</P>  <P style="MARGIN: 0px">b. Scheduling</P>  <P style="MARGIN: 0px">c. Research notebook</P>  <P style="MARGIN: 0px">d. Working bibliography</P>  <P style="MARGIN: 0px">e. Background information</P>  <P style="MARGIN: 0px">f. Focused research</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>9. Using the Internet for research</B></P>  <P style="MARGIN: 0px">a. Use Internet sources </P>  <P style="MARGIN: 0px">b. Know the Internet and Web</P>  <P style="MARGIN: 0px">c. Search the Internet and Web</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLES:&nbsp; Database and Internet searches&nbsp; </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>10. Evaluating Electronic and Print Sources.</B> </P>  <P style="MARGIN: 0px">a. Legitimate sources.</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Web links evaluation</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>11. Using Sources and Avoiding Plagiarism.</B> </P>  <P style="MARGIN: 0px">a. Use sources responsibly.</P>  <P style="MARGIN: 0px">b. Avoid plagiarism in using sources</P>  <P style="MARGIN: 0px">c.&nbsp; Paraphrase accurately.</P>  <P style="MARGIN: 0px">d.&nbsp; Avoid plagiarism in paraphrasing</P>  <P style="MARGIN: 0px">e.&nbsp; Summarize briefly</P>  <P style="MARGIN: 0px">f.&nbsp; Avoid plagiarism in summarizing</P>  <P style="MARGIN: 0px">g.&nbsp; Quote sparingly</P>  <P style="MARGIN: 0px">h.&nbsp; Avoid plagiarism in quoting</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>12. Writing the Research Paper.</B> </P>  <P style="MARGIN: 0px">a. Rhetorical stance and thesis.</P>  <P style="MARGIN: 0px">b. Plan your structure.</P>  <P style="MARGIN: 0px">c. Write a draft.</P>  <P style="MARGIN: 0px">d. Review and revise your draft.</P>  <P style="MARGIN: 0px">e. Follow formatting conventions.</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Annotated research paper.</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>13. MLA Documentation Format.</B> </P>  <P style="MARGIN: 0px">A DIRECTORY TO MLA STYLE</P>  <P style="MARGIN: 0px"><B>14. APA Documentation Format.</B> </P>  <P style="MARGIN: 0px">A DIRECTORY TO APA STYLE</P>  <P style="MARGIN: 0px">.</P>  <P style="MARGIN: 0px"><B>15. CMS and CSE Formats.</B> </P>  <P style="MARGIN: 0px">A DIRECTORY TO Chicago Manual STYLE</P>  <P style="MARGIN: 0px">A DIRECTORY TO CSE STYLE</P>  <P style="MARGIN: 0px"><B>III. WRITING IN THE DISCIPLINES</B></P>  <P style="MARGIN: 0px"><B>16. Writing in the Disciplines</B> </P>  <P style="MARGIN: 0px">a. Disciplinary research</P>  <P style="MARGIN: 0px">b. Disciplinary discourse</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>17. Writing in the Humanities.</B> </P>  <P style="MARGIN: 0px">a. Types of writing </P>  <P style="MARGIN: 0px">b. Literary interpretation and analysis</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (MLA):Literary interpretation</B></P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (MLA): Literary analysis </B></P>  <P style="MARGIN: 0px">d. Internet and library resources.</P>  <P style="MARGIN: 0px">A DIRECTORY FOR THE HUMANITIES</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>18. Writing in the Natural Sciences.</B> </P>  <P style="MARGIN: 0px">a. Types of writing</P>  <P style="MARGIN: 0px">b. Write objectively </P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (CSE): Research report.</B></P>  <P style="MARGIN: 0px">d. Internet and library resources.</P>  <P style="MARGIN: 0px">A DIRECTORY FOR THE SCIENCES AND TECHNOLGY</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>19. Writing in the Social Sciences</B> </P>  <P style="MARGIN: 0px">a. Types of writing</P>  <P style="MARGIN: 0px">b. Write persuasively </P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE (APA): Research report</B></P>  <P style="MARGIN: 0px">d. Internet and library resources</P>  <P style="MARGIN: 0px">A DIRECTORY FOR THE SOCIAL SCIENCES.</P>  <P style="MARGIN: 0px"><B>IV. DESIGN IN PRINT AND ON THE WEB.</B> </P>  <P style="MARGIN: 0px"><B>20. Design Principles</B> </P>  <P style="MARGIN: 0px">a. Three design principles</P>  <P style="MARGIN: 0px">b. Formatting tools</P>  <P style="MARGIN: 0px">c. Graphics</P>  <P style="MARGIN: 0px">d. Downloading images </P>  <P style="MARGIN: 0px">e. Different norms and preferences.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>21. Designing Print Documents.</B> </P>  <P style="MARGIN: 0px">a. A simple brochure</P>  <P style="MARGIN: 0px">b. A simple newsletter</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>22. Designing Web Documents.</B> </P>  <P style="MARGIN: 0px">a. Basic design </P>  <P style="MARGIN: 0px">b. Planning </P>  <P style="MARGIN: 0px">c. Writing </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>V. WRITING FOR DIFFERENT PURPOSES.</B> </P>  <P style="MARGIN: 0px"><B>23. Electronic Communication</B> </P>  <P style="MARGIN: 0px">a. The rhetoric of etools</P>  <P style="MARGIN: 0px">b. Email </P>  <P style="MARGIN: 0px">c. Online networks </P>  <P style="MARGIN: 0px">d. Instant communication (IMs, TMs)</P>  <P style="MARGIN: 0px">e. Web course tools &nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>24. Business Writing </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Business letters.</P>  <P style="MARGIN: 0px">b. Letters of application.</P>  <P style="MARGIN: 0px">c. R&eacute;sum&eacute;s</P>  <P style="MARGIN: 0px">d. Reports</P>  <P style="MARGIN: 0px">b. Memos.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>25. Oral Presentations </B>&nbsp;</P>  <P style="MARGIN: 0px">a. Preparing </P>  <P style="MARGIN: 0px">b. Select visual aids .</P>  <P style="MARGIN: 0px">c. Practice, practice, practice.</P>  <P style="MARGIN: 0px">d. Speak with enthusiasm and focus.</P>  <P style="MARGIN: 0px">e. Design overhead transparencies.</P>  <P style="MARGIN: 0px">c. Use PowerPoint<SUP>TM</SUP> effectively.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>26. Essay Exams.</B> </P>  <P style="MARGIN: 0px">a. Preparing</P>  <P style="MARGIN: 0px">b. The essay writing process</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLES: Essay exam responses</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>27. Writing Portfolios.</B> </P>  <P style="MARGIN: 0px">a. Learn about portfolios</P>  <P style="MARGIN: 0px">b. Develop a writing portfolio</P>  <P style="MARGIN: 0px">c. Prepare the final document.</P>  <P style="MARGIN: 0px"><B>STUDENT SAMPLE: Cover letter</B></P>  <P style="MARGIN: 0px"><B>VI. SENTENCE GRAMMAR.</B> </P>  <P style="MARGIN: 0px"><B>28. Sentence Structure.</B> </P>  <P style="MARGIN: 0px">a. Parts of speech.</P>  <P style="MARGIN: 0px">b. Basic sentence patterns.</P>  <P style="MARGIN: 0px">c. Expanding sentences.</P>  <P style="MARGIN: 0px">d. Classifying sentences.</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>29. Pronoun Case.</B> </P>  <P style="MARGIN: 0px">a. Subjects and complements </P>  <P style="MARGIN: 0px">b. Objects </P>  <P style="MARGIN: 0px">c. Compound constructions </P>  <P style="MARGIN: 0px">d. W<I>ho</I> or <I>whom</I> </P>  <P style="MARGIN: 0px">e. Possessive adjectives and pronouns.</P>  <P style="MARGIN: 0px">f. Comparisons </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>30. Verbs.</B> </P>  <P style="MARGIN: 0px">a. Regular verb forms.</P>  <P style="MARGIN: 0px">b. Common irregular verb forms.</P>  <P style="MARGIN: 0px">c. Auxiliary verbs.</P>  <P style="MARGIN: 0px">d. Tenses.</P>  <P style="MARGIN: 0px">e. Sequence of tenses.</P>  <P style="MARGIN: 0px">f. Transitive and intransitive verbs</P>  <P style="MARGIN: 0px">g. Active and passive voice.</P>  <P style="MARGIN: 0px">h. Mood.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>31. Agreement.</B> </P>  <P style="MARGIN: 0px">a. Plural and singular subjects and verbs</P>  <P style="MARGIN: 0px">b. Modified subjects.</P>  <P style="MARGIN: 0px">c. Compound subjects </P>  <P style="MARGIN: 0px">d. Subjects joined by <I>or</I> or <I>nor </I></P>  <P style="MARGIN: 0px">e. Indefinite pronouns </P>  <P style="MARGIN: 0px">f. Collective nouns </P>  <P style="MARGIN: 0px">g. Plural form but singular meaning</P>  <P style="MARGIN: 0px">h. Linking verbs</P>  <P style="MARGIN: 0px">i. With <I>there</I> or <I>here</I> and <I>to be </I></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>32. Adjectives and Adverbs.</B> </P>  <P style="MARGIN: 0px">a. Adjectives </P>  <P style="MARGIN: 0px">b. Overuse of nouns as modifiers.</P>  <P style="MARGIN: 0px">c. Adverbs .</P>  <P style="MARGIN: 0px">d. <I>Good</I> and <I>well</I> or <I>bad</I> and <I>badly</I></P>  <P style="MARGIN: 0px">e. Comparative and superlative forms </P>  <P style="MARGIN: 0px"><B>VII. CORRECT SENTENCES.</B> </P>  <P style="MARGIN: 0px"><B>33. Sentence Fragments.</B> </P>  <P style="MARGIN: 0px">a. Grammatically complete sentences </P>  <P style="MARGIN: 0px">b. Connect dependent clauses.</P>  <P style="MARGIN: 0px">c. Connect phrases.</P>  <P style="MARGIN: 0px">d. Sentence fragments for special effect.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>34. Comma Splices and Run-On Sentences.</B> </P>  <P style="MARGIN: 0px">a. Creating a subordinate clause.</P>  <P style="MARGIN: 0px">b. Separating clauses (comma, conjunction)</P>  <P style="MARGIN: 0px">c. Separating clauses (semicolon)</P>  <P style="MARGIN: 0px">d. Separating clauses (period)</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>35. Pronoun Reference.</B> </P>  <P style="MARGIN: 0px">a. Noun antecedents.</P>  <P style="MARGIN: 0px">b. Agreement</P>  <P style="MARGIN: 0px">c. <I>This, that, which, </I>and<I> it</I>.</P>  <P style="MARGIN: 0px">d. Mixed uses of <I>it</I>.</P>  <P style="MARGIN: 0px">e. <I>That, which, </I>and<I> who</I>.</P>  <P style="MARGIN: 0px">f. Sexist pronouns</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>36. Misplaced and Dangling Modifiers.</B> </P>  <P style="MARGIN: 0px">a. Positioning modifiers.</P>  <P style="MARGIN: 0px">b. Avoid ambiguity.</P>  <P style="MARGIN: 0px">c. Lengthy modifiers </P>  <P style="MARGIN: 0px">d. Disruptive modifiers.</P>  <P style="MARGIN: 0px">e. Dangling modifiers.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>37. Faulty Shifts.</B> </P>  <P style="MARGIN: 0px">a. Person and number.</P>  <P style="MARGIN: 0px">b. Verb tense, mood, subject, and voice.</P>  <P style="MARGIN: 0px">c. Tone.</P>  <P style="MARGIN: 0px">d. Mixed constructions.</P>  <P style="MARGIN: 0px">e. Subjects and predicates.</P>  <P style="MARGIN: 0px">f. Direct and indirect discourse.</P>  <P style="MARGIN: 0px"><B>VIII. EFFECTIVE SENTENCES.</B> </P>  <P style="MARGIN: 0px"><B>38. Clarity and Conciseness.</B> </P>  <P style="MARGIN: 0px">a. Length.</P>  <P style="MARGIN: 0px">b. Repetition and redundancy.</P>  <P style="MARGIN: 0px">c. Expletives </P>  <P style="MARGIN: 0px">d. Passive voice .</P>  <P style="MARGIN: 0px">e. Wordiness</P>  <P style="MARGIN: 0px">f. Noun-heavy style.</P>  <P style="MARGIN: 0px">g. Express meaning precisely.</P>  <P style="MARGIN: 0px">h. <I>That</I> to clarify sentence structure.</P>  <P style="MARGIN: 0px">i. Comparisons .</P>  <P style="MARGIN: 0px">j. Multiple negation.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>39. Coordination and Subordination.</B> </P>  <P style="MARGIN: 0px">a. Combine closely related sentences.</P>  <P style="MARGIN: 0px">b. Coordinate related sentences </P>  <P style="MARGIN: 0px">c. Subordinate less important ideas.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>40. Parallelism.</B> </P>  <P style="MARGIN: 0px">a. Parallel content in parallel form.</P>  <P style="MARGIN: 0px">b. Lists and series.</P>  <P style="MARGIN: 0px">c. With correlative conjunctions.</P>  <P style="MARGIN: 0px">d. Comparisons or contrasts.</P>  <P style="MARGIN: 0px">e. Complete, clear parallel constructions </P>  <P style="MARGIN: 0px">f. Coherence.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>41. Emphasis.</B> </P>  <P style="MARGIN: 0px">a. End-weight.</P>  <P style="MARGIN: 0px">b. Selective repetition.</P>  <P style="MARGIN: 0px">c. Contrast.</P>  <P style="MARGIN: 0px">d. Careful word choice.</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>42. Variety.</B> </P>  <P style="MARGIN: 0px">a. Length.</P>  <P style="MARGIN: 0px">b. Structure.</P>  <P style="MARGIN: 0px">c. Repetition.</P>  <P style="MARGIN: 0px">d. Different standards and purposes.</P>  <P style="MARGIN: 0px"><B>IX. EFFECTIVE WORDS.</B> </P>  <P style="MARGIN: 0px"><B>43. Choosing the Right Words.</B> </P>  <P style="MARGIN: 0px">a. Denotation. </P>  <P style="MARGIN: 0px">b. Connotation. </P>  <P style="MARGIN: 0px">c. Level of formality. </P>  <P style="MARGIN: 0px">d. Jargon, slang, or dialect. </P>  <P style="MARGIN: 0px">e. Pretentiousness. </P>  <P style="MARGIN: 0px">f. Figurative language </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>44. Language And Power.</B> </P>  <P style="MARGIN: 0px">a. "Correctness." </P>  <P style="MARGIN: 0px">b. Language and identity. </P>  <P style="MARGIN: 0px">c. Gender . </P>  <P style="MARGIN: 0px">d. Race and ethnicity. </P>  <P style="MARGIN: 0px">e. Age. </P>  <P style="MARGIN: 0px">f. Other differences. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>45. Building a Powerful Vocabulary.</B> </P>  <P style="MARGIN: 0px">a. Roots, prefixes, and suffixes. </P>  <P style="MARGIN: 0px">b. Denotations and connotations. </P>  <P style="MARGIN: 0px">c. Related words. </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>46. Using a Thesaurus and a Dictionary.</B> </P>  <P style="MARGIN: 0px">a. A thesaurus to find the exact word. </P>  <P style="MARGIN: 0px">b. A dictionary to learn about words.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>47. Spelling.</B> </P>  <P style="MARGIN: 0px">a. Spell checker. </P>  <P style="MARGIN: 0px">b. Homophones.</P>  <P style="MARGIN: 0px">c. Common spelling errors. </P>  <P style="MARGIN: 0px">d. General spelling rules and patterns. </P>  <P style="MARGIN: 0px"><B>X. PUNCTUATION.</B> </P>  <P style="MARGIN: 0px"><B>48. End Punctuation.</B> </P>  <P style="MARGIN: 0px">THE PERIOD</P>  <P style="MARGIN: 0px">THE QUESTION MARK</P>  <P style="MARGIN: 0px">THE EXCLAMATION POINT. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>49. The Comma.</B> </P>  <P style="MARGIN: 0px">a. After an introductory phrase or clause. </P>  <P style="MARGIN: 0px">b. To separate independent clauses. </P>  <P style="MARGIN: 0px">c. Between items in a series. </P>  <P style="MARGIN: 0px">d. To separate coordinate adjectives. </P>  <P style="MARGIN: 0px">e. To set off nonessential elements. </P>  <P style="MARGIN: 0px">f. To set off conjunctive adverbs. </P>  <P style="MARGIN: 0px">g. With dates, places, titles and numbers. </P>  <P style="MARGIN: 0px">h. With speaker tags. </P>  <P style="MARGIN: 0px">i. With markers of direct address. </P>  <P style="MARGIN: 0px">j. Misuse of commas. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>50. The Semicolon.</B> </P>  <P style="MARGIN: 0px">a. With independent clauses&nbsp; </P>  <P style="MARGIN: 0px">b. With a conjunctive adverb. </P>  <P style="MARGIN: 0px">c. In a series&nbsp; </P>  <P style="MARGIN: 0px">d. Placement </P>  <P style="MARGIN: 0px">e. Common semicolon errors. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>51. The Colon.</B> </P>  <P style="MARGIN: 0px">a. &nbsp;In lists or appositives </P>  <P style="MARGIN: 0px">b. &nbsp;With independent clauses&nbsp; </P>  <P style="MARGIN: 0px">c. To introduce quotations. </P>  <P style="MARGIN: 0px">d. In titles. </P>  <P style="MARGIN: 0px">e. In business correspondence </P>  <P style="MARGIN: 0px">f. In numbers and addresses. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>52 The Apostrophe.</B> </P>  <P style="MARGIN: 0px">a. Possession. </P>  <P style="MARGIN: 0px">b. Contractions and omitted letters. </P>  <P style="MARGIN: 0px">c. Plural forms. </P>  <P style="MARGIN: 0px">d. Misusing the apostrophe. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>53 Quotation Marks.</B> </P>  <P style="MARGIN: 0px">a. For exact direct quotations. </P>  <P style="MARGIN: 0px">b. To suggest skepticism&nbsp; </P>  <P style="MARGIN: 0px">c. To indicate shifts in register. </P>  <P style="MARGIN: 0px">d. With titles of short works. </P>  <P style="MARGIN: 0px">e. Standard punctuation practice&nbsp; </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>54 Other Punctuation Marks.</B> </P>  <P style="MARGIN: 0px">PARENTHESES</P>  <P style="MARGIN: 0px">DASHES</P>  <P style="MARGIN: 0px">BRACKETS </P>  <P style="MARGIN: 0px">ELLIPSES. </P>  <P style="MARGIN: 0px">SLASHES</P>  <P style="MARGIN: 0px"><B>XI. MECHANICS.</B> </P>  <P style="MARGIN: 0px"><B>55. Capital Letters and Italics</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>56. Abbreviations and Numbers.</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>57. The Hyphen.</B> </P>  <P style="MARGIN: 0px">a. In compounds. </P>  <P style="MARGIN: 0px">b. In adjectives before nouns. </P>  <P style="MARGIN: 0px">c. In spelled-out fractions and numbers&nbsp; </P>  <P style="MARGIN: 0px">d. To avoid ambiguity&nbsp; </P>  <P style="MARGIN: 0px">e. For end-of-line word division. </P>  <P style="MARGIN: 0px"><B>XII. ESL ISSUES.</B> </P>  <P style="MARGIN: 0px"><B>58. Tips on Nouns and Articles.</B> </P>  <P style="MARGIN: 0px"><B>59. Tips on Verbs.</B></P>  <P style="MARGIN: 0px">PHRASAL VERBS </P>  <P style="MARGIN: 0px">VERB COMPLEMENTS </P>  <P style="MARGIN: 0px">VERBS OF STATE. </P>  <P style="MARGIN: 0px">MODAL AUXILIARY VERBS </P>  <P style="MARGIN: 0px">CONDITIONAL SENTENCES. </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>60. Tips on Word Order.</B> </P>  <P style="MARGIN: 0px"><B>61. Tips on Vocabulary.</B> </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Glossary of Grammatical and Rhetorical Terms.</B> </P>  <P style="MARGIN: 0px"><B>Glossary of Usage.</B> </P>  <P style="MARGIN: 0px">&nbsp; </P>  <P style="MARGIN: 0px"><B>CROSS-CURRICULAR RESOURCE ATLAS</B></P>  <P style="MARGIN: 0px">&nbsp; </P><B>Index.</B> </DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>I. THE WRITING PROCESS.</B></P>  <P style="MARGIN: 0px"><B>1. What Is Academic Writing?</B></P>  <P style="MARGIN: 0px">What is the proper subject of academic writing?</P>  <P style="MARGIN: 0px">Characteristics of academic writing.</P>  <P style="MARGIN: 0px"><I>The Academic Writer&rsquo;s Handbook</I>.</P>  <P style="MARGIN: 0px"><B>2. Preparing to Write in an Academic Setting.</B></P>  <P style="MARGIN: 0px">Understanding your assignment.</P>  <P style="MARGIN: 0px">Generating ideas and information.</P>  <P style="MARGIN: 0px">Selecting, organizing, expanding information.</P>  <P style="MARGIN: 0px"><B>3. Writing a Working Thesis and a First Draft.</B></P>  <P style="MARGIN: 0px">Writing a working thesis.</P>  <P style="MARGIN: 0px">Writing a first draft.</P>  <P style="MARGIN: 0px">Sample student paper: first draft.</P>  <P style="MARGIN: 0px"><B>4. Revising the Paper.</B></P>  <P style="MARGIN: 0px">Global revision: bringing your main ideas into focus.</P>  <P style="MARGIN: 0px">Section-level revision: developing your main idea.</P>  <P style="MARGIN: 0px">Sentence-level revision.</P>  <P style="MARGIN: 0px">Responding to editorial advice from peers and instructors.</P>  <P style="MARGIN: 0px">Sample student paper: final draft &ldquo;keep the laptops, change the teaching&rdquo;</P>  <P style="MARGIN: 0px"><B>5. Paragraphs: Building Blocks of Academic Writing.</B></P>  <P style="MARGIN: 0px">Unity: giving each paragraph a controlling idea and sticking to it.</P>  <P style="MARGIN: 0px">Coherence: moving from sentence to sentence with a plan.</P>  <P style="MARGIN: 0px">Developing the content of paragraphs.</P>  <P style="MARGIN: 0px">Writing and revising introductions and conclusions.</P>  <P style="MARGIN: 0px"><B>6. Document Design.</B></P>  <P style="MARGIN: 0px">Text and document design.</P>  <P style="MARGIN: 0px">Images and document design.</P>  <P style="MARGIN: 0px">The importance of document design.</P>  <P style="MARGIN: 0px"><B>II. WORKING WITH INDIVIDUAL SOURCES.</B></P>  <P style="MARGIN: 0px"><B>7. Understanding and Evaluating Print Sources.</B></P>  <P style="MARGIN: 0px">Understanding print sources.</P>  <P style="MARGIN: 0px">Evaluating print sources.</P>  <P style="MARGIN: 0px">Example evaluation.</P>  <P style="MARGIN: 0px">Reading sources carefully.</P>  <P style="MARGIN: 0px"><B>8. Understanding and Evaluating Web Sites and Images.</B></P>  <P style="MARGIN: 0px">Understanding web sites.</P>  <P style="MARGIN: 0px">Evaluating web sites.</P>  <P style="MARGIN: 0px">Understanding images.</P>  <P style="MARGIN: 0px">Evaluating images.</P>  <P style="MARGIN: 0px"><B>9. Summarizing, Paraphrasing, and Quoting Sources.</B></P>  <P style="MARGIN: 0px">Referring to sources.</P>  <P style="MARGIN: 0px">Summarizing and paraphrasing sources.</P>  <P style="MARGIN: 0px">Quoting sources.</P>  <P style="MARGIN: 0px">Altering quotations.</P>  <P style="MARGIN: 0px">Weaving summaries, paraphrases, and quotations into your paragraphs.</P>  <P style="MARGIN: 0px"><B>10. Avoiding Plagiarism.</B></P>  <P style="MARGIN: 0px">Citing sources.</P>  <P style="MARGIN: 0px">Causes of plagiarism.</P>  <P style="MARGIN: 0px">Rules for avoiding plagiarism.</P>  <P style="MARGIN: 0px">Determining common knowledge.</P>  <P style="MARGIN: 0px">Plagiarism and the internet.</P>  <P style="MARGIN: 0px">Collaborating and plagiarism.</P>  <P style="MARGIN: 0px"><B>III. RESEARCH: LOCATING AND SYNTHESIZING MULTIPLE SOURCES.</B></P>  <P style="MARGIN: 0px"><B>11. &nbsp;The Research Process.</B></P>  <P style="MARGIN: 0px">Defining the task: topic, purpose, and audience.</P>  <P style="MARGIN: 0px">Identifying your research question.</P>  <P style="MARGIN: 0px">Generating a plan for research.</P>  <P style="MARGIN: 0px">Devising a working thesis and writing a draft.</P>  <P style="MARGIN: 0px">Record-keeping: creating a working bibliography.</P>  <P style="MARGIN: 0px"><B>12. Locating Electronic and Print Sources.</B></P>  <P style="MARGIN: 0px">Reviewing sources for preliminary research and reading.</P>  <P style="MARGIN: 0px">Focusing your research.</P>  <P style="MARGIN: 0px">Locating sources on the web.</P>  <P style="MARGIN: 0px">Additional web sites for researchers.</P>  <P style="MARGIN: 0px">Bringing your research to an end.</P>  <P style="MARGIN: 0px"><B>13. Synthesizing Sources.</B></P>  <P style="MARGIN: 0px">Understanding your purpose for synthesizing sources.</P>  <P style="MARGIN: 0px">Creating an index to your sources.</P>  <P style="MARGIN: 0px">Building the paper by working with your index.</P>  <P style="MARGIN: 0px">Demonstration synthesis: building a source-based paper</P>  <P style="MARGIN: 0px"><B>IV. MLA DOCUMENTATION.</B></P>  <P style="MARGIN: 0px"><B>14. Using the MLA System of Documentation.</B></P>  <P style="MARGIN: 0px">Quick index&ndash;MLA documentation basics.</P>  <P style="MARGIN: 0px">In-text citations in MLA format.</P>  <P style="MARGIN: 0px">Entries in the MLA works cited list.</P>  <P style="MARGIN: 0px"><B>V. APA, CMS, CSE DOCUMENTATION.</B></P>  <P style="MARGIN: 0px"><B>15. Using the APA, CMS, and CSE Systems of Documentation.</B></P>  <P style="MARGIN: 0px">Quick index&ndash;APA documentation basics.</P>  <P style="MARGIN: 0px">In-text citations in the APA style format.</P>  <P style="MARGIN: 0px">Entries in the APA references list.</P>  <P style="MARGIN: 0px">CMS system of documentation.</P>  <P style="MARGIN: 0px">First and subsequent references in CMS notes.</P>  <P style="MARGIN: 0px">CMS note style.</P>  <P style="MARGIN: 0px">CSE system of documentation.</P>  <P style="MARGIN: 0px">In-text citations in the CSE format.</P>  <P style="MARGIN: 0px">Entries in the CSE references list.</P>  <P style="MARGIN: 0px"><B>VI. WRITING IN THE DISCIPLINES.</B></P>  <P style="MARGIN: 0px"><B>16. Writing in the Humanities.</B></P>  <P style="MARGIN: 0px">Areas of interest.</P>  <P style="MARGIN: 0px">Writing in the humanities.</P>  <P style="MARGIN: 0px"><B>17. Writing in the Social Sciences.</B></P>  <P style="MARGIN: 0px">Areas of interest.</P>  <P style="MARGIN: 0px">Writing in the social sciences.</P>  <P style="MARGIN: 0px"><B>18. Writing in the Sciences.</B></P>  <P style="MARGIN: 0px">Areas of interest.</P>  <P style="MARGIN: 0px">Writing in the sciences.</P>  <P style="MARGIN: 0px"><B>19. Applying Principles of Academic Writing to Business Settings.</B></P>  <P style="MARGIN: 0px">The fundamentals of business communication.</P>  <P style="MARGIN: 0px">Writing e-mails and instant messages.</P>  <P style="MARGIN: 0px">Writing letters of inquiry, complaint, and application.</P>  <P style="MARGIN: 0px">Writing resumes (paper and web-based).</P>  <P style="MARGIN: 0px">Making oral presentations.</P>  <P style="MARGIN: 0px"><B>VII. LIBRARY OF ACADEMIC WRITING.</B></P>  <P style="MARGIN: 0px"><B>20. Summary.</B></P>  <P style="MARGIN: 0px">Summary defined.</P>  <P style="MARGIN: 0px">Preparing for summary.</P>  <P style="MARGIN: 0px">Writing the summary.</P>  <P style="MARGIN: 0px">Example summary in the humanities: the grapes of wrath by John Steinbeck (as written by student Josh Harris).</P>  <P style="MARGIN: 0px">Example summary in the social sciences: nickel and dimed: on (not) getting by in America by Barbara Ehrenreich (as written by student Anna Chin).</P>  <P style="MARGIN: 0px"><B>21. Explanation.</B></P>  <P style="MARGIN: 0px">Explanation defined.</P>  <P style="MARGIN: 0px">Planning and writing the paper.</P>  <P style="MARGIN: 0px">A note on audience.</P>  <P style="MARGIN: 0px">Example explanation in the social sciences: the &lsquo;idea&rsquo; of money by Aaron Cooper.</P>  <P style="MARGIN: 0px">Example explanation in the sciences: North American elk by Michael Maya.</P>  <P style="MARGIN: 0px"><B>22. Argument.</B></P>  <P style="MARGIN: 0px">Academic argument defined</P>  <P style="MARGIN: 0px">Making a claim.</P>  <P style="MARGIN: 0px">Establishing yourself as trustworthy.</P>  <P style="MARGIN: 0px">Supporting your claim with logical reasons.</P>  <P style="MARGIN: 0px">Supporting your claim with emotional reasons.</P>  <P style="MARGIN: 0px">Avoiding fallacies of evidence and logic.</P>  <P style="MARGIN: 0px">Responding to counterarguments.</P>  <P style="MARGIN: 0px">Writing your argument.</P>  <P style="MARGIN: 0px">Example argument in the sciences: comparison of two strains of wine-producing yeasts by Clarence S. Ivie III.</P>  <P style="MARGIN: 0px">Example argument in the humanities: the role of in Kate Chopin&rsquo;s &ldquo;a shameful affair&rdquo; by Brandy Brooks.</P>  <P style="MARGIN: 0px"><B>23. Analysis.</B></P>  <P style="MARGIN: 0px">Analysis defined.</P>  <P style="MARGIN: 0px">Planning and writing the paper.</P>  <P style="MARGIN: 0px">Measures of a successful analysis.</P>  <P style="MARGIN: 0px">Example analysis in the social sciences: the coming Apart of a dorm society by Edward Peselman.</P>  <P style="MARGIN: 0px">Example analysis in the sciences: earthworms as indicators of toxicity by Jennifer Smith.</P>  <P style="MARGIN: 0px"><B>24. Critique.</B></P>  <P style="MARGIN: 0px">Critique defined.</P>  <P style="MARGIN: 0px">Critiques as part of a larger paper.</P>  <P style="MARGIN: 0px">Planning and writing a paper-length critique.</P>  <P style="MARGIN: 0px">Example critique in the humanities: continue teaching heart of darkness by Eleanor Russell.</P>  <P style="MARGIN: 0px">Example critique in the social sciences: television and attention disorders by Paulo Ludivici.</P>  <P style="MARGIN: 0px"><B>25. Writing Essay Exams.</B></P>  <P style="MARGIN: 0px">Essay exam writing defined.</P>  <P style="MARGIN: 0px">Planning and writing the essay.</P>  <P style="MARGIN: 0px">A note on &ldquo;big ideas&rdquo;.</P>  <P style="MARGIN: 0px">Example essay in the humanities by Alex Sigorsky.</P>  <P style="MARGIN: 0px">Example essay in the sciences by Michael Theoharides.</P>  <P style="MARGIN: 0px"><B>26. Web Pages.</B></P>  <P style="MARGIN: 0px">The unique qualities of web-based documents.</P>  <P style="MARGIN: 0px">Planning the content.</P>  <P style="MARGIN: 0px">Creating the web site&rsquo;s structure.</P>  <P style="MARGIN: 0px">Designing the pages.</P>  <P style="MARGIN: 0px">Building the site.</P>  <P style="MARGIN: 0px">Example website: the Ndebele wallpainting project by students at the Evergreen State College-Tacoma.</P>  <P style="MARGIN: 0px"><B>VIII. EDITING FOR CORRECTNESS.</B></P>  <P style="MARGIN: 0px"><B>27. Constructing Sentences.</B></P>  <P style="MARGIN: 0px">The five basic sentence patterns.</P>  <P style="MARGIN: 0px">Sentence parts.</P>  <P style="MARGIN: 0px">Phrases.</P>  <P style="MARGIN: 0px">Clauses.</P>  <P style="MARGIN: 0px">Sentence clarification.</P>  <P style="MARGIN: 0px"><B>28. Correcting Sentence Fragments.</B></P>  <P style="MARGIN: 0px">Dependent clauses.</P>  <P style="MARGIN: 0px">Phrases.</P>  <P style="MARGIN: 0px">Repeating structures or compound predicates.</P>  <P style="MARGIN: 0px"><B>29. Correcting Comma Splices and Fused Sentences.</B></P>  <P style="MARGIN: 0px">Common circumstances for fused sentences and comma splices.</P>  <P style="MARGIN: 0px">Five ways of correcting fused sentences and comma splices.</P>  <P style="MARGIN: 0px"><B>30. Using Verbs.</B></P>  <P style="MARGIN: 0px">Consistent use of principal verb parts.</P>  <P style="MARGIN: 0px">Irregular verb forms.</P>  <P style="MARGIN: 0px">Auxiliary verbs.</P>  <P style="MARGIN: 0px">Transitive and intransitive verbs.</P>  <P style="MARGIN: 0px">Verb tense.</P>  <P style="MARGIN: 0px; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto" soNormal>Verb tense sequencing.</P>  <P style="MARGIN: 0px">Active and passive voices.</P>  <P style="MARGIN: 0px">The uses of mood.</P>  <P style="MARGIN: 0px"><B>31. Correcting Errors in Subject-Verb Agreement.</B></P>  <P style="MARGIN: 0px">Third-person subject number and verb agreement.</P>  <P style="MARGIN: 0px">Singular or plural third-person subject and verb.</P>  <P style="MARGIN: 0px"><B>32. Using Adjectives and Adverbs.</B></P>  <P style="MARGIN: 0px">Adjectives and adverbs.</P>  <P style="MARGIN: 0px">Adjectives and linking verbs.</P>  <P style="MARGIN: 0px">Comparative and superlative forms of adjectives and adverbs.</P>  <P style="MARGIN: 0px">Comparative and superlative relationships.</P>  <P style="MARGIN: 0px">Double comparisons, double superlatives, and double negatives.</P>  <P style="MARGIN: 0px">Past and present participles as adjectives</P>  <P style="MARGIN: 0px"><B>33. Correcting Misplaced and Dangling Modifiers.</B></P>  <P style="MARGIN: 0px">Modifiers and the words they should modify.</P>  <P style="MARGIN: 0px">Limiting modifiers.</P>  <P style="MARGIN: 0px">Squinting modifiers.</P>  <P style="MARGIN: 0px">Disruptive modifiers.</P>  <P style="MARGIN: 0px">Avoiding dangling modifiers.</P>  <P style="MARGIN: 0px"><B>34. Using Nouns and Pronouns.</B></P>  <P style="MARGIN: 0px">Pronouns as subjects.</P>  <P style="MARGIN: 0px">Pronouns as objects.</P>  <P style="MARGIN: 0px">Possessive nouns and pronouns.</P>  <P style="MARGIN: 0px">Pronouns in the objective or subjective case in compound constructions&nbsp;&nbsp;&nbsp;&nbsp; .</P>  <P style="MARGIN: 0px">Pronouns paired with a noun.</P>  <P style="MARGIN: 0px">Appropriate pronoun case (whose, who, whom, whoever, whomever).</P>  <P style="MARGIN: 0px">Pronoun case and comparison.</P>  <P style="MARGIN: 0px"><B>35. Correcting Errors in Pronoun-Antecedent Agreement.</B></P>  <P style="MARGIN: 0px">Pronouns-antecedent agreement.</P>  <P style="MARGIN: 0px">Clear pronoun reference.</P>  <P style="MARGIN: 0px"><B>36. Correcting Errors in Consistency.</B></P>  <P style="MARGIN: 0px">Shifts in person and number.</P>  <P style="MARGIN: 0px">Shifts in tense, mood, and voice.</P>  <P style="MARGIN: 0px">Consistent use of direct or indirect discourse.</P>  <P style="MARGIN: 0px">Clear, grammatical relations between sentence parts.</P>  <P style="MARGIN: 0px">Consistent relations between subjects and predicates</P>  <P style="MARGIN: 0px">Constructions with missing words.</P>  <P style="MARGIN: 0px">Consistent, complete, and clear comparisons.</P>  <P style="MARGIN: 0px"><B>37. Correcting Faulty Parallelism.</B></P>  <P style="MARGIN: 0px">Parallel words, phrases, and clauses with coordinating conjunctions: and, but, for, or, nor, so, yet.</P>  <P style="MARGIN: 0px">Parallelism with correlative conjunctions: either/or, neither/nor, both/and, not only/but also.</P>  <P style="MARGIN: 0px">Parallelism in sentences with compared and contrasted elements.</P>  <P style="MARGIN: 0px"><B>IX. EDITING FOR CLARITY AND EMPHASIS.</B></P>  <P style="MARGIN: 0px"><B>38. Clear, Concise, and Direct Sentences.</B></P>  <P style="MARGIN: 0px">Wordiness.</P>  <P style="MARGIN: 0px; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto" soNormal>Strong verbs.</P>  <P style="MARGIN: 0px"><B>39. Building Emphasis with Coordination and Subordination.</B></P>  <P style="MARGIN: 0px">Coordinating conjunctions (and/but) and conjunctive adverbs (consequently).</P>  <P style="MARGIN: 0px">Subordinating conjunctions (while, when, because).</P>  <P style="MARGIN: 0px">Mixing coordination and subordination for sentence variety.</P>  <P style="MARGIN: 0px"><B>40. Choosing the Right Word.</B></P>  <P style="MARGIN: 0px">Dictionary entries.</P>  <P style="MARGIN: 0px">Vocabulary building.</P>  <P style="MARGIN: 0px">The impact of word choices.</P>  <P style="MARGIN: 0px">Setting a tone for your papers.</P>  <P style="MARGIN: 0px">Biased, dehumanizing language.</P>  <P style="MARGIN: 0px"><B>X. PUNCTUATION.</B></P>  <P style="MARGIN: 0px"><B>41. Using End Punctuation.</B></P>  <P style="MARGIN: 0px">The period.</P>  <P style="MARGIN: 0px; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto" soNormal>The question mark.</P>  <P style="MARGIN: 0px">The exclamation point.</P>  <P style="MARGIN: 0px"><B>42. Using Commas.</B></P>  <P style="MARGIN: 0px">Commas with introductory and concluding expressions.</P>  <P style="MARGIN: 0px">Commas before a coordinating conjunctions.</P>  <P style="MARGIN: 0px">Commas between items in a series.</P>  <P style="MARGIN: 0px">Commas to set off nonsequential elements.</P>  <P style="MARGIN: 0px">Conventions of quoting, naming, and various forms of separation.</P>  <P style="MARGIN: 0px">Misuse or overuse of commas.</P>  <P style="MARGIN: 0px"><B>43. Using Semicolons.</B></P>  <P style="MARGIN: 0px">Linking independent clauses.</P>  <P style="MARGIN: 0px">Linking independent clauses with a conjunctive adverb (however, therefore).</P>  <P style="MARGIN: 0px">Linking independent clauses with a coordinating conjunction (and, but).</P>  <P style="MARGIN: 0px">Separating items in a series.</P>  <P style="MARGIN: 0px">Quotation marks and semicolons.</P>  <P style="MARGIN: 0px"><B>44. Using Apostrophes.</B></P>  <P style="MARGIN: 0px">Possession with nouns and pronouns.</P>  <P style="MARGIN: 0px">Contractions marking the omission of letters and numbers.</P>  <P style="MARGIN: 0px">Plural forms of letters, numbers, and symbols.</P>  <P style="MARGIN: 0px"><B>45. Using Quotation Marks.</B></P>  <P style="MARGIN: 0px">Direct quotations.</P>  <P style="MARGIN: 0px">Dialogue and other material.</P>  <P style="MARGIN: 0px">Misuse or overuse of quotation marks.</P>  <P style="MARGIN: 0px"><B>46. Using Other Marks.</B></P>  <P style="MARGIN: 0px">The colon.</P>  <P style="MARGIN: 0px; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto" soNormal>Dashes for emphasis.</P>  <P style="MARGIN: 0px">Parentheses to set off nonessential information.</P>  <P style="MARGIN: 0px">Brackets for editorial clarification.</P>  <P style="MARGIN: 0px">Ellipses to indicate a break in continuity.</P>  <P style="MARGIN: 0px">The slash.</P>  <P style="MARGIN: 0px; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1" soNormal><B>XI. MECHANICS AND SPELLING.</B></P>  <P style="MARGIN: 0px"><B>47. Using Capitals.</B></P>  <P style="MARGIN: 0px">The first letter of the first word in every sentence.</P>  <P style="MARGIN: 0px">Words of significance in a title.</P>  <P style="MARGIN: 0px">The first word in every line of poetry, according to conventions.</P>  <P style="MARGIN: 0px">Proper nouns.</P>  <P style="MARGIN: 0px"><B>48. Using Italics.</B></P>  <P style="MARGIN: 0px">Words for specific emphasis.</P>  <P style="MARGIN: 0px">Words, letters, and numbers to be defined or identified.</P>  <P style="MARGIN: 0px">Titles of book-length works.</P>  <P style="MARGIN: 0px">The internet.</P>  <P style="MARGIN: 0px"><B>49. Using Abbreviations.</B></P>  <P style="MARGIN: 0px">Titles of rank both before and after proper names.</P>  <P style="MARGIN: 0px">Specific dates and numbers.</P>  <P style="MARGIN: 0px">Acronyms, uppercase abbreviations, and corporate abbreviations.</P>  <P style="MARGIN: 0px">Parenthetical and bibliographic references.</P>  <P style="MARGIN: 0px">Misuse of abbreviations.</P>  <P style="MARGIN: 0px"><B>50. Using Numbers in Writing.</B></P>  <P style="MARGIN: 0px">Numbers that begin sentences and one- or two-word numbers.</P>  <P style="MARGIN: 0px">Conventional use of numbers.</P>  <P style="MARGIN: 0px"><B>51. Using Hyphens.</B></P>  <P style="MARGIN: 0px">Compound words.</P>  <P style="MARGIN: 0px">Word divisions at the end of a line.</P>  <P style="MARGIN: 0px"><B>52. Making Spelling Decisions.</B></P>  <P style="MARGIN: 0px">Homonyms and commonly confused words.</P>  <P style="MARGIN: 0px">Basic rules for ie/ei.</P>  <P style="MARGIN: 0px">Rules for using prefixes.</P>  <P style="MARGIN: 0px">Rules for using suffixes.</P>  <P style="MARGIN: 0px">Rules for forming plurals.</P>  <P style="MARGIN: 0px"><B>XII. ESL REFERENCE GUIDE.</B></P>  <P style="MARGIN: 0px"><B>53.&nbsp; Using English Nouns, Pronouns, and Articles.</B></P>  <P style="MARGIN: 0px">Using different classes of English nouns.</P>  <P style="MARGIN: 0px">Using articles with nouns.</P>  <P style="MARGIN: 0px">Using nouns with prepositions.</P>  <P style="MARGIN: 0px"><B><BR>54.&nbsp; Using English Verbs.</B></P>  <P style="MARGIN: 0px">Distinguishing different types of verbs and verb constructions.</P>  <P style="MARGIN: 0px">Changing verb forms.</P>  <P style="MARGIN: 0px">Changing word order with verbs.</P>  <P style="MARGIN: 0px">Using the helping verbs: auxiliaries and modal auxiliaries.</P>  <P style="MARGIN: 0px">Choosing gerunds and infinitives with verbs.</P>  <P style="MARGIN: 0px">Using two- and three-word verbs, or phrasal verbs, with particles. </P>  <P style="MARGIN: 0px"><B><BR>55.&nbsp; Using Modifiers and Connectors in English Sentences.</B></P>  <P style="MARGIN: 0px">Using single-word adjectives and nouns as modifiers of nouns.</P>  <P style="MARGIN: 0px">Using adjectival modifiers with linking verbs and prepositions.</P>  <P style="MARGIN: 0px">Positioning adverbial modifiers.</P>  <P style="MARGIN: 0px">Using phrases and clauses to modify nouns and pronouns.</P>  <P style="MARGIN: 0px">Combining phrases and clauses with connecting words.</P>  <P style="MARGIN: 0px">Arranging cumulative modifiers.</P>  <P style="MARGIN: 0px"><B>Glossary of Usage.</B>&nbsp;</P>  <P style="MARGIN: 0px">Index</P></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>Leonard J. Rosen<BR>Academic Writer&rsquo;s Handbook, Second Edition</P></B>  <UL>  <LI>Complete coverage of the writing and research process, and guidance on writing for every course, with 14 model student papers.   <LI>A focus on source-based writing with an emphasis on avoiding plagiarism. The book gives you clear instructions for properly locating and evaluating sources, as well as summarizing, paraphrasing, and quoting the work of others.   <LI>Comprehensive grammar, punctuation, and mechanics sections help you write better with clear instructions. Helpful across-the-curriculum examples explain the rules behind the instructions and exercises allow you to put your skills into practice. </LI></UL>  <P style="MARGIN: 0px">Key material available only in the second edition:</P>  <UL>  <LI>New, extended coverage of academic writing teaches you <B>how to create papers for all of your courses that are informed, clear, well structured, and based on evidence</B>.   <LI>New tools for <B>getting exactly what you need out of your research and becoming comfortable using your library&rsquo;s subscription databases</B> (Chapter 12).   <LI>New source samples show you <B>how to correctly cite books, online periodicals, and articles from a library subscription service</B> (Chapters 14 to 15). </LI></UL>  <P style="MARGIN: 0px">Visit us at www.ablongman.com</P></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent><B>With its unique focus on source-based writing and writing across the curriculum, <I>The Academic Writer&rsquo;s Handbook</I> contains all the features of a traditional handbook combined with the tools students need in order to read, write, and conduct research in the disciplines. </B></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<!--[if gte mso 9]><xml> Normal 0 false false false MicrosoftInternetExplorer4 </xml><![endif]--><!--[if gte mso 9]><xml> </xml><![endif]--><!--[if !mso]> <![endif]--><!--[if gte mso 10]> <![endif]--> <p style="margin: 0px;" text-align="left" align="left"><b>Jeffrey Reiman</b> is the William Fraser McDowell Professor of Philosophy at American University in Washington, D.C. He was born in Brooklyn, New York, in 1942. He received his B.A. in philosophy from Queens College in 1963, and his Ph.D. in philosophy from Pennsylvania State University in 1968. He was a Fulbright Scholar in India during 1966&ndash;1967. He joined the American University faculty in 1970, in the Center for the Administration of Justice (now called the Department of Justice, Law and Society of the School of Public Affairs). After several years of holding a joint appointment in the Justice program and the Department of Philosophy and Religion, Dr. Reiman joined the Department of Philosophy and Religion full-time in 1988, becoming director of the Master&rsquo;s Program in Philosophy and Social Policy. He was named William Fraser McDowell Professor of Philosophy in 1990. He is a member of the Phi Beta Kappa and Phi Kappa Phi honor societies, and past president of the American University Phi Beta Kappa chapter. In addition to <i>The Rich Get Richer and the Poor Get Prison: Ideology, Class, and Criminal Justice,</i> Dr. Reiman is the author of <i>In Defense of Political Philosophy</i> (1972), <i>Justice and Modern Moral Philosophy</i> (1990), <i>Critical Moral Liberalism: Theory and Practice</i> (1997), <i>The Death Penalty: For and Against</i> (with Louis P. Pojman, 1998), <i>Abortion and the Ways We Value Human Life</i> (1999), and more than 60 articles in philosophy and criminal justice journals and anthologies. He is also coeditor, with Paul Leighton, of the anthology <i>Criminal Justice Ethics</i> (2001).</p> <p style="margin: 0px;" text-align="left" align="left">&nbsp;</p> <p style="margin: 0px;" text-align="left" align="left"><b>Paul Leighton</b> is a Professor in the Department of Sociology, Anthropology and Criminology at Eastern Michigan University. He received his B.A. in Criminal Justice from the State University of New York at Albany in 1986, and is indebted to Graeme Newman for helping to direct him away from law school to the Justice, Law and Society program at American University. While at American University, he met Jeffrey Reiman and assisted with revisions of the fourth edition of <i>The</i> <i>Rich Get Richer and the Poor Get Prison</i>. He has worked on every edition since then. Dr Leighton received his Ph.D. in Sociology and Justice from American University in 1995. He has been the North American Editor of <i>Critical Criminology: An International Journal,</i> and was named Critical Criminologist of the Year by the American Society of Criminology&rsquo;s Division on Critical Criminology. Dr. Leighton is the co-author of <i>Punishment for Sale</i> (with Donna Selman, 2010) and <i>Class, Race, Gender and Crime</i> (with Gregg Barak and Jeanne Flavin, 2<sup>nd</sup> edition, 2007). He is also coeditor, with Jeffrey Reiman, of the anthology <i>Criminal Justice Ethics</i> (2001). In addition to his publications, Dr Leighton is webmaster for StopViolence.com, PaulsJusticePage.com and PaulsJusticeBlog.com. He is Vice President of the local chapter of the American Association of University Professors (AAUP) and is Vice President of the Board of SafeHouse, the local shelter and advocacy center for victims of domestic violence and sexual assault.</p> 					 				]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<!--[if gte mso 9]><xml> Normal 0 false false false MicrosoftInternetExplorer4 </xml><![endif]--><!--[if gte mso 9]><xml> </xml><![endif]--><!--[if !mso]> <![endif]--><!--[if gte mso 10]> <![endif]--> <p style="margin: 0px;"><b><u>COMPREHENSIVE TABLE OF CONTENTS </u></b></p> <p style="margin: 0px;">&nbsp;</p> <p style="margin: 0px;"><b>Chapter 1: Crime Control in America</b></p> <p style="margin: 0px;">Editors&rsquo; introduction</p> <p style="margin: 0px;">Albert Blumstein, &nbsp;<i>Why Is Crime Falling &mdash; Or Is It?</i></p> <p style="margin: 0px;">Michael A. Fletcher, <i>High Incarceration Rate May Fuel Community Crime </i></p> <p style="margin: 0px;">Charles Terry, <i>From C-Block to Academia: You Can&rsquo;t Get There From Here </i></p> <p style="margin: 0px;">Jamison Colburn, <i>A New Suit by Farmers Against the DEA Illustrates Why the War on Drugs Should Not Include a War on Hemp</i></p> <p style="margin: 0px;">&nbsp;</p> <p style="margin: 0px;"><b>Chapter 2: A Crime by Any Other Name&hellip;</b></p> <p style="margin: 0px;">Editors&rsquo; introduction </p> <p style="margin: 0px;">David Barstow, <i>When Workers Die: U.S. Rarely Seeks Charges for Death in Workplace </i></p> <p style="margin: 0px;">Anthony J. Sebok, <i>The U.K.&#39;s &lsquo;Corporate Manslaughter&rsquo; Statute: British Versus American Approaches to Making Firms Responsible for Deaths Resulting from Gross Negligence </i></p> <p style="margin: 0px;">Atul Gawande, <i>The Checklist </i></p> <p style="margin: 0px;">David Michaels, <i>Popcorn Lung Coming to Your Kitchen? The FDA Doesn&rsquo;t Want to&nbsp;Know</i> </p> <p style="margin: 0px;">David Barboza, <i>Death Sentences in Chinese Milk Case </i></p> <p style="margin: 0px;">David Barboza, <i>Ex-Chief of China Food and Drug Unit Sentenced to Death for Graft</i></p> <p style="margin: 0px;">&nbsp;</p> <p style="margin: 0px;"><b>Chapter 3:&nbsp; &hellip;and the Poor Get Prison</b></p> <p style="margin: 0px;">Editors&rsquo; introduction </p> <p style="margin: 0px;">Devah Pager and Bruce Western, <i>Race at Work: Realities of Race and Criminal Record in the New York City Job Market</i></p> <p style="margin: 0px;">David A. Harris, <i>Why It Matters: The Connection Of &lsquo;Driving While Black&rsquo; To Other Issues Of Criminal Justice And Race</i></p> <p style="margin: 0px;">Adam Liptak, <i>Illegal Globally, Bail for Profit Remains in U.S.</i></p> <p style="margin: 0px;">Paul Leighton Ebbers, <i>25 Year Sentence for WorldCom Fraud Upheld. Good.</i></p> <p style="margin: 0px;">Barry Ritholtz,&nbsp; <i>A Memo Found in the Street: Uncle Sam The Enabler</i></p> <p style="margin: 0px;">Transcript of This American Life, &nbsp;<i>The Giant Pool of Money</i></p> <p style="margin: 0px;">Matt Apuzzo, <i>They Warned Us: US was told to &#39;expect foreclosures, expect horror stories&#39;</i></p> <p style="margin: 0px;">&nbsp;</p> <p style="margin: 0px;"><b>Chapter 4: To the Vanquished Belong the Spoils</b></p> <p style="margin: 0px;">Editors&rsquo; introduction </p> <p style="margin: 0px;">Glenn C. Loury, <i>Why Are So Many Americans in Prison?</i></p> <p style="margin: 0px;">Jeffrey Reiman, <i>The Moral Ambivalence of Crime in an Unjust Society</i></p> <p style="margin: 0px;">Paul Butler, <i>Much Respect: Toward a Hip-Hop Theory of Punishment</i></p> <p style="margin: 0px;">Robert Johnson, <i>Wheel of Torture</i></p> <p style="margin: 0px;">&nbsp;</p> <p style="margin: 0px;"><b>Conclusion:&nbsp; Criminal <i>Justice</i> or <i>Criminal</i> Justice</b></p> <p style="margin: 0px;">Editors&rsquo; introduction</p> <p style="margin: 0px;">Alfred Blumstein and Alex Piquero, <i>Restore Rationality to Sentencing Policy</i></p> <p style="margin: 0px;">John Braithwaite, <i>Encourage Restorative Justice</i></p> <p style="margin: 0px;">Francis Cullen, <i>Make Rehabilitation Corrections&rsquo; Guiding Paradigm</i></p> <p style="margin: 0px;">Brandon Welsh and David Farrington, <i>Save Children from a Life of Crime</i></p>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><U>The Rich get Richer and the Poor get Prison: A Reader</U> is a selection of 25 articles ranging from newspaper stories that highlight issues to articles in professional journals. Articles cover the following topics:</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;Crime Control in America</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;A Crime by Any other Name...</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;...and the Poor get Prison</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;To the Vanquished belong the Spoils</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;Criminal <I>Justice</I> or <I>Criminal&nbsp; </I>Justice</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Professors who use the best-selling book written by Reiman and Leighton, <U>The Rich Get Richer and the Poor Get Prison </U>, now in a ninth edition,&nbsp;&nbsp;have frequently asked for&nbsp;a reader. Where appropriate, articles have been edited to highlight the parts most relevant for the thesis of <U>The Rich Get Richer</U>. </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">This book of readings can be used stand-alone, or as an accompaniment to the main text.&nbsp; </P>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Anatomy of the Sacred: An Introduction to Religion, 6th Edition</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART I) THE STUDY OF RELIGION:</B></P>  <P style="MARGIN: 0px"><B>1)</B> What is Religion?</P>  <P style="MARGIN: 0px"><B>2)</B> Ways of Studying Religion</P>  <P style="MARGIN: 0px"><I>&nbsp;</I><BR><B>PART II) UNIVERSAL FORMS OF RELIGIOUS EXPERIENCE AND EXPRESSION</B></P>  <P style="MARGIN: 0px"><B>3)</B> The Sacred and the Holy<BR><B>4) </B>Sacred Symbol, Myth, and Doctrine</P>  <P style="MARGIN: 0px"><B>5)</B> Sacred Ritual<BR><B>6)</B> Sacred Scripture<BR><B>7) </B>Society and the Sacred: The Social Formations and Transformations of Religion</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART III) UNIVERSAL COMPONENTS OF A RELIGIOUS WORLDVIEW</B><BR><B>8)</B> Deity: Concepts of the Divine and Ultimate Reality<BR><B>9)</B> Cosmogony: Origins of the Natural and Social Order<BR><B>10)</B> Views of the Human Problem<BR><B>11)</B> Theodicy: Encountering Evil</P>  <P style="MARGIN: 0px"><B>12)</B> Ethics: Patterns of Moral Action</P>  <P style="MARGIN: 0px"><B>13)</B> Soteriology: Ways and Goals of Salvation and Liberation</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART IV) THE SACRED AND THE SECULAR IN MODERNITY</B></P>  <P style="MARGIN: 0px"><B>14)</B> Secularization - New Religious Revitalization Movements - COntemporary Religious Fundamentalism</P>  <P style="MARGIN: 0px"><B>15)</B> Contemporary Challenges to Traditional Religion: The Status and the Roles of Women - Relations Between Religion and the State</P>  <P style="MARGIN: 0px">&nbsp;</P>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>1. Types of Performances</B></P>  <P style="MARGIN: 0px"><B>Classical: Instrumental</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Orchestra</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;Chamber Music</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Solo Recital</B></P>  <P style="MARGIN: 0px"><B>Classical: Vocal</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Solo Recital</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Choral</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Religious Choir</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Opera</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Popular Musical Theater</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Jazz &amp; Rock</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Concert Hall</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Club</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Festivals</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Folk, Traditional, and World</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>2. Discovering Opportunities to Hear Music</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Newspapers/Arts Sections</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Specialized Publications</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Radio</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Website</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mailing Lists</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Season Subscriptions</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Box Offices</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Saving Money (Student Rush, etc.)</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Open Rehearsals</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Special Needs/Assistance (Handicap access, hearing impaired, etc.)</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>3. Classical Instrumental Performances</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Preparing for the Concert</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What to Bring</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Program: How to Use It</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Types of Pieces</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Basic Terminology</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Etiquette and Behavior</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp; When to Applaud</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>4. Opera</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Preparation: Learning the Story&nbsp; </B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Program: How to Use It</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Why Aren&rsquo;t Operas Sung in English?&nbsp; </B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Supertitles and Other Aids</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Special Demands of Opera Singing</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Maximizing Your Enjoyment</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>5. Popular Musical Theater</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Preparation</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Original Productions vs. Revivals</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Program: How to Use It</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Etiquette and Behavior</B></P>  <P style="MARGIN: 0px"><B>&nbsp;Festivals: Survival Strategies</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>6. Rock and Jazz</B></P>  <P style="MARGIN: 0px"><B>&nbsp; &nbsp;Preparation</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Surviving Nightclubs and Bars</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Protecting Your Ears</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Etiquette and Behavior</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Festivals: Survival Strategies</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>7. Folk, World, and Traditional</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp; Understanding Different Cultures</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp; Preparing for the Concert</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp; Surviving Coffeehouses and Clubs</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp; Etiquette and Behavior</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>8. Writing About What You Hear </B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Taking Notes During Performances</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Using the Program</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Weighing Audience Reaction</B></P>  <P style="MARGIN: 0px"><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Evaluating Musical Performances</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Glossary</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Bibliography/Webography</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Appendix</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Concert Venues in Major University Towns</B></P>]]></d104>
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<d104 textformat="02"><![CDATA[For many students, the concert going experience is entirely new; they are not sure what to wear, how to plan for the event, when to applaud, how to use the program, and how to evaluate what they have heard.&nbsp; There are many different types of concert going opportunities: from traditional classical recitals to church choir performances to jazz and rock clubs,&nbsp;each having its own special etiquette and rules for behavior.&nbsp;This book will offer a concise, friendly guide for the student to how to attend and enjoy concerts as a lifelong activity.]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Part 1&nbsp; Writing for Readers</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>1&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Writers, Readers, and Communities</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Academic, Public, and Work Communities</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Analyzing Electronic Communities</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Myths and Realities about Writing</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Discovering and Planning</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Discovering Topics</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Generating Ideas</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Organizing Information</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Planning in Digital Environments</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>3&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Purpose, Thesis, and Audience</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Identifying Your Focus and Purpose&nbsp;</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Creating a Thesis</P>  <P style="MARGIN: 0px">c. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Understanding Your Readers </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>4&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Drafting</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Moving from Planning to Drafting</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Drafting Collaboratively</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Drafting&nbsp; in Digital Environments</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>5&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising, Editing, and Proofreading</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Making Major Revisions</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Making Minor Revisions</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising Collaboratively</P>  <P style="MARGIN: 0px">d.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising in Digital Environments</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing Collaboratively</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Proofreading</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>6&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Paragraphs</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unfocused Paragraphs</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising for Focus</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Incoherent Paragraphs</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising for Coherence</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Poorly Developed Paragraphs</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising for Development</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Using Special-Purpose Paragraphs</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>7&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Clear and Emphatic Sentences</B></P>  <P style="MARGIN: 0px">a.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unclear Sentences</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising for&nbsp; Clear Sentences</P>  <P style="MARGIN: 0px">c.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising for Variety and Emphasis</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 2&nbsp; Critical Reading, Thinking, and Argument</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>8&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reasoning Critically</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Recognizing Critical Reasoning</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Building a Chain of Reasoning</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Representing Your Reasoning</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>9&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reading Critically</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reading to Understand</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reading to Respond and Evaluate</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Using Journals to Turn Reading into Writing</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>10&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Arguing Persuasively </B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Recognizing an Issue</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Developing Your Stance</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Creating an Argumentative Thesis</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Developing Reasons and Evidence</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Acknowledging Other Perspectives</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Arguing Logically</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Writing a Position Paper</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>11&nbsp;&nbsp;&nbsp;&nbsp; Creating a Visual Argument</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Presenting an Issue</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Providing Evidence</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 3&nbsp; Presenting Your Work</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>12&nbsp;&nbsp;&nbsp;&nbsp; Designing Documents</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Goals of Document Design</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Format Choice</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Layout </P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Type Choice</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Visuals</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sample Documents</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>13&nbsp;&nbsp;&nbsp;&nbsp; Writing in Online Communities</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Online Expectations</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; E-mail Conventions</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Online Communities</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Web Pages</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Avoiding Plagiarism and Behaving Ethically Online</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>14&nbsp;&nbsp;&nbsp;&nbsp; Speaking Effectively</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oral Presentations</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Preparing an Oral Presentation</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Managing Speech Anxiety</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Fielding Questions</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 4&nbsp; Writing for Specific Communities</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>15&nbsp;&nbsp;&nbsp;&nbsp; Academic Writing: General Education</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Goals of General Academic Writing</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; General Academic Audiences</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; General Academic Writing Tasks</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Types of General Academic Writing</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Summary</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Annotated Bibliography</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Literature Review</P>  <P style="MARGIN: 0px">h.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Essay Exam</P>  <P style="MARGIN: 0px">i.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Short Documented Paper</P>  <P style="MARGIN: 0px">j.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Review</P>  <P style="MARGIN: 0px">k.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Position Paper</P>  <P style="MARGIN: 0px">l.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oral Presentation</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>16&nbsp;&nbsp;&nbsp;&nbsp; Academic Writing: Humanities and Literature </B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Goals of Writing in the Humanities</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Audiences in the Humanities</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Writing Tasks in the Humanities </P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Types of Writing in the Humanities</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ways of Reading Literary Texts</P>  <P style="MARGIN: 0px">f. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Literary Text Analysis</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Visual Text Analysis</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>17&nbsp;&nbsp;&nbsp;&nbsp; Academic Writing: Social and Natural Sciences</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Goals of Writing in the Social and Natural Sciences </P>  <P style="MARGIN: 0px">b. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Audiences in the Social and Natural Sciences</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Writing Tasks in the Social and Natural Sciences</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Types of Writing in the Social and Natural Sciences</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abstract</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Informative Report</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lab Report</P>  <P style="MARGIN: 0px">h.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Research Report</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>18&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Public Writing</B></P>  <P style="MARGIN: 0px">&nbsp;a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Goals of Public Writing</P>  <P style="MARGIN: 0px">&nbsp;b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Public Audiences</P>  <P style="MARGIN: 0px">&nbsp;c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Public Writing Tasks</P>  <P style="MARGIN: 0px">&nbsp;d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Types of Public Writing</P>  <P style="MARGIN: 0px">&nbsp;e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Public Flyer</P>  <P style="MARGIN: 0px">&nbsp;f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Letter to the Editor</P>  <P style="MARGIN: 0px">&nbsp;g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oral Presentation</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>19&nbsp;&nbsp;&nbsp;&nbsp; Workplace Writing</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Goals of Workplace Writing</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Workplace Audiences</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Workplace Writing Tasks</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Types of Workplace Writing</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Business Letter</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Memo</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; R&eacute;sum&eacute; and Application Letter</P>  <P style="MARGIN: 0px">h.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oral Presentation</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 5&nbsp; Researching and Writing</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>20&nbsp;&nbsp;&nbsp;&nbsp; Getting Started: Researching and Writing</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Beginning Your Research</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Types of Research Writing</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Developing a Research Question</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Developing a Preliminary Thesis</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Creating a Research File and a Timeline</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reading and Notetaking</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Summarizing, Paraphrasing, and Synthesizing</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>21&nbsp;&nbsp;&nbsp;&nbsp; Library Resources and Research Databases</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Developing a Search Strategy and Working Bibliography</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Searching Library Resources and Databases</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;General Resources</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Books and Online Catalogs</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Periodicals, Print or Electronic Indexes, and Government Documents</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Online Databases</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Evaluating Library Sources</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>22&nbsp;&nbsp;&nbsp;&nbsp; Web and Internet Resources</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Developing a Web and Internet Search Strategy</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Search Engines</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Web Sites and Internet Resources</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Evaluating Web and Internet Sources</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>23&nbsp;&nbsp;&nbsp;&nbsp; Fieldwork</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Interviewing</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Surveying, Polling, or Using Questionnaires</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Conducting an Ethnographic Study</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Obtaining Consent and Approval for Research on Human Subjects</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>24&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Avoiding Plagiarism and Integrating Sources</B></P>  <P style="MARGIN: 0px">&nbsp;a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Recognizing Plagiarism</P>  <P style="MARGIN: 0px">&nbsp;b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The Problem of Intention</P>  <P style="MARGIN: 0px">&nbsp;c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Recognizing When to Document Sources</P>  <P style="MARGIN: 0px">&nbsp;d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Working with Common Knowledge</P>  <P style="MARGIN: 0px">&nbsp;e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Citing Sources Responsibly</P>  <P style="MARGIN: 0px">&nbsp;f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Citing Sources in Context</P>  <P style="MARGIN: 0px">&nbsp;g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Integrating Sources for a Specific Purpose</P>  <P style="MARGIN: 0px">&nbsp;h.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Quoting Sources</P>  <P style="MARGIN: 0px">&nbsp;i.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Integrating Information and Ideas</P>  <P style="MARGIN: 0px">&nbsp;j.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Working with Common Knowledge </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>25&nbsp;&nbsp;&nbsp;&nbsp; Writing, Revising, and Presenting Your Research</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reviewing Your Research Questions</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Reviewing Your Purpose</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Building from a Thesis to a Draft</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Revising and Editing</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Presenting Your Research</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Part 6&nbsp; Documenting Sources: MLA Style</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>26&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MLA Documentation Style</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MLA In-Text (Parenthetical) Citations</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MLA List of Works Cited </P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sample MLA Paper</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Part 7&nbsp; Documenting Sources: APA Style</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>27&nbsp;&nbsp;&nbsp;&nbsp; APA Documentation Style</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; APA In-Text Citations</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;APA Reference List</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sample APA Paper</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Part 8&nbsp; Documenting Sources: CMS and CSE Style</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>28&nbsp;&nbsp;&nbsp;&nbsp; CMS Documentation Style</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Using CMS Endnotes or Footnotes</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Creating CMS Endnotes or Footnotes</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Creating a CMS Bibliography</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sample CMS Paper</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>29&nbsp;&nbsp;&nbsp;&nbsp; CSE Documentation Style</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CSE In-Text Citations</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CSE Reference List</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sample CSE Paper</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Part 9&nbsp; Grammar</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>30&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Words Working in Sentences</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Nouns and Articles</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Pronouns</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Verbs</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Adjectives</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Adverbs</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Prepositions</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Conjunctions</P>  <P style="MARGIN: 0px">h.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Interjections</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>31&nbsp;&nbsp;&nbsp;&nbsp; Sentence Parts and Patterns</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Subjects and Predicates</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Phrases</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Subordinate Clauses</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Different Types of Sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>32&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Using Verbs</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Simple Present and Past Tense Verbs</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing Present Tense Verbs</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing Past Tense Verbs</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Complex Tenses and Helping Verbs</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Editing Progressive and Perfect Tenses</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing Troublesome Verbs (lie, lay, sit, set)</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Clear Tense Sequence</P>  <P style="MARGIN: 0px">h.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Subjunctive Mood</P>  <P style="MARGIN: 0px">i.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Active and Passive Voice</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>33&nbsp;&nbsp;&nbsp;&nbsp; Using Pronouns</B></P>  <P style="MARGIN: 0px">a&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Pronoun Forms</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Editing Common Pronoun Forms</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<B></P>  <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px">34&nbsp;&nbsp;&nbsp;&nbsp; Making Sentence Parts Agree</P></B>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Agreement</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Creating Simple Subject-Verb Agreement </P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Creating Complex Subject-Verb Agreement </P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Creating Pronoun-Antecedent Agreement</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>35&nbsp;&nbsp;&nbsp;&nbsp; Using Adjectives and Adverbs</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What Adjectives and Adverbs Do</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing Adjectives and Adverbs</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Part 10&nbsp; Sentence Problems</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>36&nbsp;&nbsp;&nbsp;&nbsp; Sentence Fragments</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sentence Fragments</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Editing Sentence Fragments</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Using Partial Sentences</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>37&nbsp;&nbsp;&nbsp;&nbsp; Comma Splices and Fused Sentences</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Comma Splices</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Fused Sentences</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Editing Comma Splices and Fused Sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>38&nbsp;&nbsp;&nbsp;&nbsp; Creating Pronoun Reference</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unclear Pronoun Reference</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing for Clear Pronoun Reference</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>39&nbsp;&nbsp;&nbsp;&nbsp; Misplaced, Dangling, and Disruptive Modifiers</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Misplaced, Dangling, and Disruptive Modifiers</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Editing Misplaced, Dangling, and Disruptive Modifiers</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>40&nbsp;&nbsp;&nbsp;&nbsp; Making Shifts Consistent</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shifts in Person and Number</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shifts in Tense and Mood</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shifts in Active or Passive Voice</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shifts Between Direct and Indirect Quotations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>41&nbsp;&nbsp;&nbsp;&nbsp; Mixed and Incomplete Sentences</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mixed Sentences</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing Mixed Sentences</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Incomplete Sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>42&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Parallelism</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Faulty Parallelism</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing for Parallelism</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>43&nbsp;&nbsp;&nbsp;&nbsp; Coordination and Subordination</B></P>  <P style="MARGIN: 0px">&nbsp;a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Creating Coordination</P>  <P style="MARGIN: 0px">&nbsp;b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Creating Subordination</P>  <P style="MARGIN: 0px">&nbsp;c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing Coordination and Subordination</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Part 11&nbsp; Words and Style</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>44&nbsp;&nbsp;&nbsp;&nbsp; Being Concise</B></P>  <P style="MARGIN: 0px">&nbsp;a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Common Types of Wordiness</P>  <P style="MARGIN: 0px">&nbsp;b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing for Conciseness</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>45&nbsp;&nbsp;&nbsp;&nbsp; Choosing Appropriate Words</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Demands of Context and Purpose</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Editing for Precise Diction</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </P>  <P style="MARGIN: 0px"><B>46&nbsp;&nbsp;&nbsp;&nbsp; Using Respectful Language</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Home and Community Language Varieties</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Gender Stereotypes</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Racial, Ethnic, and Cultural Stereotypes</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>47&nbsp;&nbsp;&nbsp;&nbsp; Style, Vocabulary, and Dictionaries</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Style and Community</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Language Expectations</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Language Resources for Writers</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Dictionary and the Thesaurus</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Part 12&nbsp; Punctuation, Mechanics, and Spelling</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>48&nbsp;&nbsp;&nbsp;&nbsp; Commas</B></P>  <P style="MARGIN: 0px">&nbsp;a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Joining Sentences </P>  <P style="MARGIN: 0px">&nbsp;b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Setting Off Sentence Elements</P>  <P style="MARGIN: 0px">&nbsp;c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Setting Off Nonessential Modifiers</P>  <P style="MARGIN: 0px">&nbsp;d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Separating Items in a Series</P>  <P style="MARGIN: 0px">&nbsp;e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Separating Adjectives in a Sequence</P>  <P style="MARGIN: 0px">&nbsp;f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dates, Numbers, Addresses, Place Names, People&rsquo;s Titles, and Letters</P>  <P style="MARGIN: 0px">&nbsp;g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Commas with Quotations </P>  <P style="MARGIN: 0px">&nbsp;h.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Commas to Make Your Meaning Clear</P>  <P style="MARGIN: 0px">&nbsp;i.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eliminating Commas that Do Not Belong</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>49&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Semicolons and Colons</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Semicolons</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Colons</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>50&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Apostrophes</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Apostrophes that Mark Possession</P>  <P style="MARGIN: 0px">b. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Apostrophes that Mark Contractions and Omissions</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>51&nbsp;&nbsp;&nbsp;&nbsp; Marking Quotations</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Using Quotation Marks</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Titles of Short Works </P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Highlighting Words, Special Terms, and Tone of Voice</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>52&nbsp;&nbsp;&nbsp;&nbsp; Periods, Question Marks, and Exclamation Points</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Periods</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Question Marks</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Exclamation Points</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>53&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Other Punctuation Marks</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Parentheses</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Brackets</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dashes</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ellipses</P>  <P style="MARGIN: 0px">e.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Slashes</P>  <P style="MARGIN: 0px">f.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Symbols in Electronic Addresses</P>  <P style="MARGIN: 0px">g.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp; Combining Punctuation Marks</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>54&nbsp;&nbsp;&nbsp;&nbsp; Capitalizing</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Capitalizing to Begin Sentences</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Capitalizing Proper Names and Titles</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>55&nbsp;&nbsp;&nbsp;&nbsp; Italicizing (Underlining)</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Italics (Underlining) in Titles</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Italics for Specific Terms</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Underlining for Emphasis</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>56&nbsp;&nbsp;&nbsp;&nbsp; Hyphenating</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hyphenating to Join Words</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hyphenating to Divide Words</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>57&nbsp;&nbsp;&nbsp;&nbsp; Using Numbers</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Spelling Out Numbers</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Using Numerals</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>58&nbsp;&nbsp;&nbsp;&nbsp; Abbreviating</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Familiar Abbreviations</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Proofreading for Appropriate Abbreviations</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>59&nbsp;&nbsp;&nbsp;&nbsp; Spelling</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Starting with Your Spell Checker</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Watching for Common Patterns of Misspelling&nbsp;&nbsp; </P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Proofreading for Commonly Misspelled Words</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>60&nbsp;&nbsp;&nbsp;&nbsp; Assessing Writing</B></P>  <P style="MARGIN: 0px">a.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Assessing Your Own Writing</P>  <P style="MARGIN: 0px">b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Assessing Your Peers&rsquo; Writing</P>  <P style="MARGIN: 0px">c.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; How People Assess your Writing</P>  <P style="MARGIN: 0px">d.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Assessing Writing for Portfolios</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Glossary of Usage</P>  <P style="MARGIN: 0px">Index</P>]]></d104>
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<d102>18</d102>
<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px">The journey to better grades starts here.</P>  <P style="MARGIN: 0px">With easy-to-understand answers to the questions you have about grammar, the writing process, the research process, and documentation, <I>The Longman Writer&rsquo;s Companion,</I> Fourth Edition, will help you succeed in any course that calls for writing and research. With a distinctive focus on writing for different audiences&ndash;academic, public, and workplace&ndash;<I>The Longman Writer&rsquo;s Companion</I> will enable you to communicate more effectively, while its superior support for writing across the curriculum and its up-to-date documentation coverage will help you get better grades in all your courses.</P>  <P style="MARGIN: 0px">The new edition offers the following critical enhancements to help you succeed:</P>&bull; New coverage of visual argument (Ch. 11)<BR>&bull; New, practical advice about writing in online environments (Ch. 13) <BR>&bull; Expanded coverage of writing across the curriculum, with a new chapter on writing in the social and natural sciences (Ch. 17), an expanded chapter on writing in the humanities and literature (Ch. 16), and new student samples that provide models of different kinds of writing assignments in many disciplines <BR>&bull; Even more help in conducting online research, including expanded coverage of using databases (Ch. 21)<BR>&bull; New &ldquo;source samples&rdquo; in both MLA and APA documentation styles show screenshots of actual sources and explain how to cite them.<BR>&bull; Many new citation models (for blogs, podcasts, and more) help you easily cite any type of source in your papers.<BR>&bull; A new chapter on assessing writing (Ch. 60) helps you understand how others read and evaluate your writing, while also guiding you through making informed comments on peers&rsquo; papers.<BR>  <P style="MARGIN: 0px">Visit us at www.ablongman.com</P></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>PART 1 PLANNING, DRAFTING, AND REVISING </B></P>  <P style="MARGIN: 0px"><B>1 Think as a Writer</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1a Think about the process of communication</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1b Think about how to persuade others</P>  <P style="MARGIN: 0px">1c Think about your audience</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1d Think about your credibility</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1e Think about your purpose</P>  <P style="MARGIN: 0px"><B>2 Plan and Draft</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2a Think about the expectations of college readers</P>  <P style="MARGIN: 0px">2b Establish your goals</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2c Explore your topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2d Write a working thesis</P>  <P style="MARGIN: 0px">2e Plan a strategy</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2f Compose a draft</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2g Write as a member of a team</P>  <P style="MARGIN: 0px"><B>3 Compose Paragraphs </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3a Focus your paragraphs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3b Organize your paragraphs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3c Make your paragraphs coherent</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3d Consider paragraph length</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3e Link across paragraphs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3f Write effective beginning and ending paragraphs</P>  <P style="MARGIN: 0px"><B>4 Rewrite, Edit, and Proofread </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4a Switch from writer to reader</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4b Learn strategies for rewriting</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4c Respond to other writers&rsquo; drafts</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4d Edit for particular goals</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4e Proofread carefully</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4f Learn to edit the writing of others</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 2 WRITING FOR DIFFERENT PURPOSES</B></P>  <P style="MARGIN: 0px"><B>5 Read and View with a Critical Eye</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5a Become a critical reader</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5b Read actively</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5c Recognize verbal fallacies</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5d Become a critical viewer</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5e Recognize visual fallacies</P>  <P style="MARGIN: 0px"><B>6 Write to Analyze</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6a Understand the goal of a rhetorical analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6b Analyze the context and the text</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6c Organize and write a rhetorical analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6d Sample rhetorical analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6e Analyze images and other visual texts</P>  <P style="MARGIN: 0px"><B>7 Write to Reflect </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7a Find a reflective topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7b Identify a focus</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7c Organize and write a reflection</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7d Sample reflective essay</P>  <P style="MARGIN: 0px"><B>8 Write to Inform </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8a Find an informative topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8b Narrow your topic and write a thesis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8c Organize and write an informative essay</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8d Sample informative essay</P>  <P style="MARGIN: 0px"><B>9 Write Arguments </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9a Position arguments and proposal arguments</P>  <P style="MARGIN: 0px">9b Find an arguable topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9c Make an arguable claim</P>  <P style="MARGIN: 0px">9d Organize and write a position argument</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9e Sample position argument</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9f Organize and write a proposal argument</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9g Sample proposal arguments</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 3 WRITING IN THE DISCIPLINES</B></P>  <P style="MARGIN: 0px"><B>10 Learn to Write in Academic Disciplines</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 10a Become an academic writer</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 10b What counts as evidence in the disciplines?</P>  <P style="MARGIN: 0px"><B>11 Write in Specific Genres</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11a Write an essay examination</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11b Write an observation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11c Write a case study</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11d Write a lab report in the sciences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11e Write a letter of application</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11f Write a r&eacute;sum&eacute;</P>  <P style="MARGIN: 0px"><B>12 Write about Literature</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12a Become a critical reader of literature</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12b Develop an interpretation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12c Write a literary analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12d Sample literary analysis</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 4 DESIGNING AND PRESENTING</B></P>  <P style="MARGIN: 0px"><B>13 Communicate with Words, Images, and Graphics</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13a Write in multimedia</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13b Think about verbal and visual relationships</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13c Know where images and graphics work best</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13d Know where words work best</P>  <P style="MARGIN: 0px"><B>14 Design for Print and the Screen</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14a Start with your readers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14b Design pages</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14c Choose type </P>  <P style="MARGIN: 0px">14d Compose images</P>  <P style="MARGIN: 0px">14e Edit images</P>  <P style="MARGIN: 0px">14f Create tables, charts, and graphs</P>  <P style="MARGIN: 0px">14g Design a Web site</P>  <P style="MARGIN: 0px"><B>15 Design Presentations </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15a Plan a presentation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15b Design visuals for a presentation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15c Deliver an effective presentation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 5 RESEARCHING</B></P>  <P style="MARGIN: 0px"><B>16 Plan Your Research</B></P>  <P style="MARGIN: 0px">16a Analyze the research task</P>  <P style="MARGIN: 0px">16b Find a topic</P>  <P style="MARGIN: 0px">16c Determine what kind of research you need</P>  <P style="MARGIN: 0px">16d Draft a working thesis</P>  <P style="MARGIN: 0px">16e Start a working bibliography</P>  <P style="MARGIN: 0px"><B>17 Find and Evaluate Sources in Databases</B></P>  <P style="MARGIN: 0px">17a Know the strengths of database sources</P>  <P style="MARGIN: 0px">17b Find information in databases</P>  <P style="MARGIN: 0px">17c Construct effective database searches</P>  <P style="MARGIN: 0px">17d Evaluate database sources</P>  <P style="MARGIN: 0px">17e Locate elements of a citation in database sources</P>  <P style="MARGIN: 0px"><B>18 Find and Evaluate Sources on the Web</B></P>  <P style="MARGIN: 0px">18a Know the strengths and weaknesses of Web sources</P>  <P style="MARGIN: 0px">18b Find reliable Web sources</P>  <P style="MARGIN: 0px">18c Construct effective Web searches</P>  <P style="MARGIN: 0px">18d Find visual sources online</P>  <P style="MARGIN: 0px">18e Evaluate Web sources</P>  <P style="MARGIN: 0px">18f Locate elements of a citation in Web sources</P>  <P style="MARGIN: 0px"><B>19 Find and Evaluate Print Sources</B></P>  <P style="MARGIN: 0px">19a Know the strengths of print sources</P>  <P style="MARGIN: 0px">19b Find books</P>  <P style="MARGIN: 0px">19c Find journal articles</P>  <P style="MARGIN: 0px">19d Evaluate print sources</P>  <P style="MARGIN: 0px">19e Locate elements of a citation in print sources</P>  <P style="MARGIN: 0px"><B>20 Plan Field Research</B></P>  <P style="MARGIN: 0px">20a Know what you can obtain from field research</P>  <P style="MARGIN: 0px">20b Conduct interviews</P>  <P style="MARGIN: 0px">20c Administer surveys</P>  <P style="MARGIN: 0px">20d Make observations</P>  <P style="MARGIN: 0px"><B>21 Incorporate Sources and Avoid Plagiarism</B></P>  <P style="MARGIN: 0px">21a Understand the purposes of sources</P>  <P style="MARGIN: 0px">21b Incorporate sources</P>  <P style="MARGIN: 0px">21c Avoid plagiarism</P>  <P style="MARGIN: 0px">21d Quote sources without plagiarizing</P>  <P style="MARGIN: 0px">21e Summarize and paraphrase sources without plagiarizing</P>  <P style="MARGIN: 0px"><B>22 Write and Revise the Research Project</B></P>  <P style="MARGIN: 0px">22a Revisit your research</P>  <P style="MARGIN: 0px">22b Plan your organization</P>  <P style="MARGIN: 0px">22c Write a draft</P>  <P style="MARGIN: 0px">22d Select and introduce quotations</P>  <P style="MARGIN: 0px">22e Review your draft</P>  <P style="MARGIN: 0px">22f Revise, revise, revise</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 6 DOCUMENTING</B></P>  <P style="MARGIN: 0px"><B>Five Steps for Documenting Sources</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1 Which documentation style do I use?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2 What kind of source am I using?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3 When do I cite sources?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4 How do I cite a source in my paper?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5 How do I cite sources at the end of my paper?</P>  <P style="MARGIN: 0px"><B>23 MLA Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23a In-text citations in MLA style</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23b Books in MLA-style works cited</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23c Journals and magazines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23d Newspapers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23e Government documents, pamphlets, dissertations, and letters</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23f Library database publications</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23g Online publications</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23h CD-ROM, software, and unedited online sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23i Visual sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23j Multimedia sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23k Informational notes</P>  <P style="MARGIN: 0px">23l Sample research paper with MLA documentation</P>  <P style="MARGIN: 0px"><B>24 APA Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24a In-text citations in APA style</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24b Books and nonperiodical sources in the APA-style references list</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24c Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24d Online sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24e Visual, computer, and multimedia sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24f Sample paper with APA documentation</P>  <P style="MARGIN: 0px"><B>25 CMS Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25a Books and nonperiodical sources in CMS-style citations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25b Periodical sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25c Online and computer sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25d Multimedia sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25e Sample pages with CMS documentation</P>  <P style="MARGIN: 0px"><B>26 CSE Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26a In-text citations in CSE style</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26b Books and nonperiodical sources in CSE-style references</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26c Periodical sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26d Online sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26e Sample pages with CSE documentation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 7 EFFECTIVE STYLE AND LANGUAGE</B></P>  <P style="MARGIN: 0px"><B>27 Write with Power</B></P>  <P style="MARGIN: 0px">27a Pay attention to verbs</P>  <P style="MARGIN: 0px">27b Stay active</P>  <P style="MARGIN: 0px">27c Find agents</P>  <P style="MARGIN: 0px">27d Vary your sentences</P>  <P style="MARGIN: 0px">27e Give your writing personality</P>  <P style="MARGIN: 0px"><B>28 Write Concisely</B></P>  <P style="MARGIN: 0px">28a Eliminate unnecessary words</P>  <P style="MARGIN: 0px">28b Reduce wordy phrases</P>  <P style="MARGIN: 0px">28c Simplify tangled sentences</P>  <P style="MARGIN: 0px"><B>29 Write with Emphasis</B></P>  <P style="MARGIN: 0px">29a Manage emphasis in sentences</P>  <P style="MARGIN: 0px">29b Forge links across sentences</P>  <P style="MARGIN: 0px">29c Use parallel structure with parallel ideas</P>  <P style="MARGIN: 0px">29d Use parallel structure with lists</P>  <P style="MARGIN: 0px">29e Use parallel structure in paragraphs</P>  <P style="MARGIN: 0px"><B>30 Find the Right Words</B></P>  <P style="MARGIN: 0px">30a Be aware of levels of formality</P>  <P style="MARGIN: 0px">30b Be aware of denotation and connotation</P>  <P style="MARGIN: 0px">30c Use specific language</P>  <P style="MARGIN: 0px">30d Use effective figurative language</P>  <P style="MARGIN: 0px"><B>31 Write to Be Inclusive</B></P>  <P style="MARGIN: 0px">31a Be aware of stereotypes</P>  <P style="MARGIN: 0px">31b Be inclusive about gender</P>  <P style="MARGIN: 0px">31c Be inclusive about race and ethnicity</P>  <P style="MARGIN: 0px">31d Be inclusive about other differences</P>  <P style="MARGIN: 0px">31e Recognize international varieties of English</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 8 UNDERSTANDING GRAMMAR </B></P>  <P style="MARGIN: 0px"><B>32 Grammar Basics </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32a Sentence basics</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32b Word classes</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32c Clauses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32d Phrases</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32e Sentence types</P>  <P style="MARGIN: 0px"><B>33 Fragments, Run-ons, and Comma Splices </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 33a Fragments</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 33b Run-on sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 33c Comma splices</P>  <P style="MARGIN: 0px"><B>34 Subject-Verb Agreement </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34a Agreement in the present tense</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34b Singular and plural subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34c Indefinite pronouns as subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34d Collective nouns as subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34e Inverted word order</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34f Amounts, numbers, and pairs</P>  <P style="MARGIN: 0px"><B>35 Verbs </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35a Basic verb forms</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35b Irregular verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35c Transitive and intransitive verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35d Shifts in tense</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35e Shifts in mood</P>  <P style="MARGIN: 0px"><B>36 Pronouns </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36a Pronoun case</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36b Pronoun agreement</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36c Problems with pronouns and gender</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36d Vague reference</P>  <P style="MARGIN: 0px"><B>37 Modifiers </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37a Choose the correct modifier</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37b Place adjectives carefully</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37c Place adverbs carefully</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37d Revise disruptive modifiers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37e Revise dangling modifiers </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 9 UNDERSTANDING PUNCTUATION AND MECHANICS</B></P>  <P style="MARGIN: 0px"><B>38 Commas </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38a Commas with introductory elements</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38b Commas with compound clauses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38c Commas with nonrestrictive modifiers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38d Commas with items in a series</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38e Commas with coordinate adjectives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38f Commas with quotations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38g Commas with dates, numbers, titles, and addresses</P>  <P style="MARGIN: 0px">38h Commas to avoid confusion</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38i Unnecessary commas</P>  <P style="MARGIN: 0px"><B>39 Semicolons and Colons </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39a Semicolons with closely related main clauses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39b Semicolons together with commas</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39c Colons in sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39d Colons with lists</P>  <P style="MARGIN: 0px"><B>40 Hyphens </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40a Hyphens with compound modifiers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40b Hyphens with compound nouns</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40c Hyphens that divide words at the ends of lines</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40d Hyphens for clarity</P>  <P style="MARGIN: 0px"><B>41 Dashes and Parentheses </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41a Dashes and parentheses versus commas</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41b Dashes and parentheses to set off information</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41c Other punctuation with parentheses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41d Other punctuation with dashes</P>  <P style="MARGIN: 0px"><B>42 Apostrophes </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 42a Possessives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 42b Contractions and omitted letters</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 42c Plurals of letters, symbols, and words referred to as words</P>  <P style="MARGIN: 0px"><B>43 Quotation Marks </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43a Direct quotations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43b Titles of short works</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43c Other uses of quotation marks</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43d Misuses of quotation marks</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43e Other punctuation with quotation marks</P>  <P style="MARGIN: 0px"><B>44 Other Punctuation Marks </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44a Periods</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44b Question marks</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44c Exclamation points</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44d Brackets</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44e Ellipses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44f Slashes</P>  <P style="MARGIN: 0px"><B>45 Write with Accurate Spelling </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 45a Know the limitations of spelling checkers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 45b Distinguish homonyms </P>  <P style="MARGIN: 0px"><B>46 Capitalization and Italics </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 46a Capital letters</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 46b Italics</P>  <P style="MARGIN: 0px"><B>47 Abbreviations, Acronyms, and Numbers </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 47a Abbreviations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 47b Acronyms</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 47c Numbers</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 10 IF ENGLISH IS NOT YOUR FIRST LANGUAGE</B></P>  <P style="MARGIN: 0px"><B>48 Write in a Second Language</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48a Understand the demands of writing in a second language</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48b Use your native language as a resource</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48c Use dictionaries</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48d Understand English idioms</P>  <P style="MARGIN: 0px"><B>49 Nouns, Articles, and Prepositions</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49a Kinds of nouns</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49b Count and noncount nouns</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49c Singular and plural forms</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49d Articles</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49e Prepositions</P>  <P style="MARGIN: 0px"><B>50 Verbs </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50a Types of verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50b Be verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50c Modal auxiliary verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50d Verbs and infinitives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50e Verbs and -ing verbals</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50f Conditional sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50g Participial adjectives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50h Phrasal verbs</P>  <P style="MARGIN: 0px"><B>51 English Sentence Structure</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 51a Subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 51b English word order</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 51c Placement of modifiers</P>  <P style="MARGIN: 0px">51d Adjectives with prepositions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B><I>Glossary of Grammatical Terms and Usage </I></B></P>  <P style="MARGIN: 0px"><B><I>Index to Exercises</I></B></P>  <P style="MARGIN: 0px"><B><I>Index </I></B></P>  <P style="MARGIN: 0px">&nbsp;</P></DIV>]]></d104>
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<d102>01</d102>
<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Lester Faigley understands how students learn best.</B> The design and approach of <I>The Brief Penguin Handbook</I> started with ideas and suggestions from real students, and thus it is uniquely successful when it comes to giving students the information they need in a format they will actually use.&nbsp;This handbook continues to innovate in its design as well as its content to make handbook topics accessible.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">The third edition does this with enhanced visual examples, a new section on writing across the curriculum, more student samples than ever, and expanded documentation coverage including a new five-step guide to the documentation process. Research coverage has also been augmented to acknowledge that students begin their research online rather than in the library, and new &ldquo;staying on track&rdquo; boxes have been added to help students check themselves and avoid getting lost in the writing process.</P>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>PART 1 PLANNING, DRAFTING, AND REVISING </B></P>  <P style="MARGIN: 0px"><B>1 Think as a Writer</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1a Think about the process of communication</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1b Think about how to persuade others</P>  <P style="MARGIN: 0px">1c Think about your audience</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1d Think about your credibility</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1e Think about your purpose</P>  <P style="MARGIN: 0px"><B>2 Plan and Draft</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2a Think about the expectations of college readers</P>  <P style="MARGIN: 0px">2b Establish your goals</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2c Explore your topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2d Write a working thesis</P>  <P style="MARGIN: 0px">2e Plan a strategy</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2f Compose a draft</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2g Write as a member of a team</P>  <P style="MARGIN: 0px"><B>3 Compose Paragraphs </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3a Focus your paragraphs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3b Organize your paragraphs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3c Make your paragraphs coherent</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3d Consider paragraph length</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3e Link across paragraphs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3f Write effective beginning and ending paragraphs</P>  <P style="MARGIN: 0px"><B>4 Rewrite, Edit, and Proofread </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4a Switch from writer to reader</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4b Learn strategies for rewriting</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4c Respond to other writers&rsquo; drafts</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4d Edit for particular goals</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4e Proofread carefully</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4f Learn to edit the writing of others</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 2 WRITING FOR DIFFERENT PURPOSES</B></P>  <P style="MARGIN: 0px"><B>5 Read and View with a Critical Eye</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5a Become a critical reader</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5b Read actively</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5c Recognize verbal fallacies</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5d Become a critical viewer</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5e Recognize visual fallacies</P>  <P style="MARGIN: 0px"><B>6 Write to Analyze</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6a Understand the goal of a rhetorical analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6b Analyze the context and the text</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6c Organize and write a rhetorical analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6d Sample rhetorical analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6e Analyze images and other visual texts</P>  <P style="MARGIN: 0px"><B>7 Write to Reflect </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7a Find a reflective topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7b Identify a focus</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7c Organize and write a reflection</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7d Sample reflective essay</P>  <P style="MARGIN: 0px"><B>8 Write to Inform </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8a Find an informative topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8b Narrow your topic and write a thesis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8c Organize and write an informative essay</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8d Sample informative essay</P>  <P style="MARGIN: 0px"><B>9 Write Arguments </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9a Position arguments and proposal arguments</P>  <P style="MARGIN: 0px">9b Find an arguable topic</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9c Make an arguable claim</P>  <P style="MARGIN: 0px">9d Organize and write a position argument</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9e Sample position argument</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9f Organize and write a proposal argument</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9g Sample proposal arguments</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 3 WRITING IN THE DISCIPLINES</B></P>  <P style="MARGIN: 0px"><B>10 Learn to Write in Academic Disciplines</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 10a Become an academic writer</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 10b What counts as evidence in the disciplines?</P>  <P style="MARGIN: 0px"><B>11 Write in Specific Genres</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11a Write an essay examination</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11b Write an observation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11c Write a case study</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11d Write a lab report in the sciences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11e Write a letter of application</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11f Write a r&eacute;sum&eacute;</P>  <P style="MARGIN: 0px"><B>12 Write about Literature</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12a Become a critical reader of literature</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12b Develop an interpretation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12c Write a literary analysis</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12d Sample literary analysis</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 4 DESIGNING AND PRESENTING</B></P>  <P style="MARGIN: 0px"><B>13 Communicate with Words, Images, and Graphics</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13a Write in multimedia</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13b Think about verbal and visual relationships</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13c Know where images and graphics work best</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13d Know where words work best</P>  <P style="MARGIN: 0px"><B>14 Design for Print and the Screen</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14a Start with your readers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14b Design pages</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14c Choose type </P>  <P style="MARGIN: 0px">14d Compose images</P>  <P style="MARGIN: 0px">14e Edit images</P>  <P style="MARGIN: 0px">14f Create tables, charts, and graphs</P>  <P style="MARGIN: 0px">14g Design a Web site</P>  <P style="MARGIN: 0px"><B>15 Design Presentations </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15a Plan a presentation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15b Design visuals for a presentation</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15c Deliver an effective presentation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 5 RESEARCHING</B></P>  <P style="MARGIN: 0px"><B>16 Plan Your Research</B></P>  <P style="MARGIN: 0px">16a Analyze the research task</P>  <P style="MARGIN: 0px">16b Find a topic</P>  <P style="MARGIN: 0px">16c Determine what kind of research you need</P>  <P style="MARGIN: 0px">16d Draft a working thesis</P>  <P style="MARGIN: 0px">16e Start a working bibliography</P>  <P style="MARGIN: 0px"><B>17 Find and Evaluate Sources in Databases</B></P>  <P style="MARGIN: 0px">17a Know the strengths of database sources</P>  <P style="MARGIN: 0px">17b Find information in databases</P>  <P style="MARGIN: 0px">17c Construct effective database searches</P>  <P style="MARGIN: 0px">17d Evaluate database sources</P>  <P style="MARGIN: 0px">17e Locate elements of a citation in database sources</P>  <P style="MARGIN: 0px"><B>18 Find and Evaluate Sources on the Web</B></P>  <P style="MARGIN: 0px">18a Know the strengths and weaknesses of Web sources</P>  <P style="MARGIN: 0px">18b Find reliable Web sources</P>  <P style="MARGIN: 0px">18c Construct effective Web searches</P>  <P style="MARGIN: 0px">18d Find visual sources online</P>  <P style="MARGIN: 0px">18e Evaluate Web sources</P>  <P style="MARGIN: 0px">18f Locate elements of a citation in Web sources</P>  <P style="MARGIN: 0px"><B>19 Find and Evaluate Print Sources</B></P>  <P style="MARGIN: 0px">19a Know the strengths of print sources</P>  <P style="MARGIN: 0px">19b Find books</P>  <P style="MARGIN: 0px">19c Find journal articles</P>  <P style="MARGIN: 0px">19d Evaluate print sources</P>  <P style="MARGIN: 0px">19e Locate elements of a citation in print sources</P>  <P style="MARGIN: 0px"><B>20 Plan Field Research</B></P>  <P style="MARGIN: 0px">20a Know what you can obtain from field research</P>  <P style="MARGIN: 0px">20b Conduct interviews</P>  <P style="MARGIN: 0px">20c Administer surveys</P>  <P style="MARGIN: 0px">20d Make observations</P>  <P style="MARGIN: 0px"><B>21 Incorporate Sources and Avoid Plagiarism</B></P>  <P style="MARGIN: 0px">21a Understand the purposes of sources</P>  <P style="MARGIN: 0px">21b Incorporate sources</P>  <P style="MARGIN: 0px">21c Avoid plagiarism</P>  <P style="MARGIN: 0px">21d Quote sources without plagiarizing</P>  <P style="MARGIN: 0px">21e Summarize and paraphrase sources without plagiarizing</P>  <P style="MARGIN: 0px"><B>22 Write and Revise the Research Project</B></P>  <P style="MARGIN: 0px">22a Revisit your research</P>  <P style="MARGIN: 0px">22b Plan your organization</P>  <P style="MARGIN: 0px">22c Write a draft</P>  <P style="MARGIN: 0px">22d Select and introduce quotations</P>  <P style="MARGIN: 0px">22e Review your draft</P>  <P style="MARGIN: 0px">22f Revise, revise, revise</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 6 DOCUMENTING</B></P>  <P style="MARGIN: 0px"><B>Five Steps for Documenting Sources</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1 Which documentation style do I use?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2 What kind of source am I using?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3 When do I cite sources?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4 How do I cite a source in my paper?</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5 How do I cite sources at the end of my paper?</P>  <P style="MARGIN: 0px"><B>23 MLA Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23a In-text citations in MLA style</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23b Books in MLA-style works cited</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23c Journals and magazines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23d Newspapers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23e Government documents, pamphlets, dissertations, and letters</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23f Library database publications</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23g Online publications</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23h CD-ROM, software, and unedited online sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23i Visual sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23j Multimedia sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23k Informational notes</P>  <P style="MARGIN: 0px">23l Sample research paper with MLA documentation</P>  <P style="MARGIN: 0px"><B>24 APA Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24a In-text citations in APA style</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24b Books and nonperiodical sources in the APA-style references list</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24c Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24d Online sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24e Visual, computer, and multimedia sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24f Sample paper with APA documentation</P>  <P style="MARGIN: 0px"><B>25 CMS Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25a Books and nonperiodical sources in CMS-style citations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25b Periodical sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25c Online and computer sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25d Multimedia sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25e Sample pages with CMS documentation</P>  <P style="MARGIN: 0px"><B>26 CSE Documentation</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26a In-text citations in CSE style</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26b Books and nonperiodical sources in CSE-style references</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26c Periodical sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26d Online sources</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 26e Sample pages with CSE documentation</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 7 EFFECTIVE STYLE AND LANGUAGE</B></P>  <P style="MARGIN: 0px"><B>27 Write with Power</B></P>  <P style="MARGIN: 0px">27a Pay attention to verbs</P>  <P style="MARGIN: 0px">27b Stay active</P>  <P style="MARGIN: 0px">27c Find agents</P>  <P style="MARGIN: 0px">27d Vary your sentences</P>  <P style="MARGIN: 0px">27e Give your writing personality</P>  <P style="MARGIN: 0px"><B>28 Write Concisely</B></P>  <P style="MARGIN: 0px">28a Eliminate unnecessary words</P>  <P style="MARGIN: 0px">28b Reduce wordy phrases</P>  <P style="MARGIN: 0px">28c Simplify tangled sentences</P>  <P style="MARGIN: 0px"><B>29 Write with Emphasis</B></P>  <P style="MARGIN: 0px">29a Manage emphasis in sentences</P>  <P style="MARGIN: 0px">29b Forge links across sentences</P>  <P style="MARGIN: 0px">29c Use parallel structure with parallel ideas</P>  <P style="MARGIN: 0px">29d Use parallel structure with lists</P>  <P style="MARGIN: 0px">29e Use parallel structure in paragraphs</P>  <P style="MARGIN: 0px"><B>30 Find the Right Words</B></P>  <P style="MARGIN: 0px">30a Be aware of levels of formality</P>  <P style="MARGIN: 0px">30b Be aware of denotation and connotation</P>  <P style="MARGIN: 0px">30c Use specific language</P>  <P style="MARGIN: 0px">30d Use effective figurative language</P>  <P style="MARGIN: 0px"><B>31 Write to Be Inclusive</B></P>  <P style="MARGIN: 0px">31a Be aware of stereotypes</P>  <P style="MARGIN: 0px">31b Be inclusive about gender</P>  <P style="MARGIN: 0px">31c Be inclusive about race and ethnicity</P>  <P style="MARGIN: 0px">31d Be inclusive about other differences</P>  <P style="MARGIN: 0px">31e Recognize international varieties of English</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 8 UNDERSTANDING GRAMMAR </B></P>  <P style="MARGIN: 0px"><B>32 Grammar Basics </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32a Sentence basics</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32b Word classes</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32c Clauses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32d Phrases</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32e Sentence types</P>  <P style="MARGIN: 0px"><B>33 Fragments, Run-ons, and Comma Splices </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 33a Fragments</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 33b Run-on sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 33c Comma splices</P>  <P style="MARGIN: 0px"><B>34 Subject-Verb Agreement </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34a Agreement in the present tense</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34b Singular and plural subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34c Indefinite pronouns as subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34d Collective nouns as subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34e Inverted word order</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34f Amounts, numbers, and pairs</P>  <P style="MARGIN: 0px"><B>35 Verbs </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35a Basic verb forms</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35b Irregular verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35c Transitive and intransitive verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35d Shifts in tense</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35e Shifts in mood</P>  <P style="MARGIN: 0px"><B>36 Pronouns </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36a Pronoun case</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36b Pronoun agreement</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36c Problems with pronouns and gender</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 36d Vague reference</P>  <P style="MARGIN: 0px"><B>37 Modifiers </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37a Choose the correct modifier</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37b Place adjectives carefully</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37c Place adverbs carefully</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37d Revise disruptive modifiers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 37e Revise dangling modifiers </P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 9 UNDERSTANDING PUNCTUATION AND MECHANICS</B></P>  <P style="MARGIN: 0px"><B>38 Commas </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38a Commas with introductory elements</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38b Commas with compound clauses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38c Commas with nonrestrictive modifiers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38d Commas with items in a series</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38e Commas with coordinate adjectives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38f Commas with quotations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38g Commas with dates, numbers, titles, and addresses</P>  <P style="MARGIN: 0px">38h Commas to avoid confusion</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38i Unnecessary commas</P>  <P style="MARGIN: 0px"><B>39 Semicolons and Colons </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39a Semicolons with closely related main clauses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39b Semicolons together with commas</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39c Colons in sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39d Colons with lists</P>  <P style="MARGIN: 0px"><B>40 Hyphens </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40a Hyphens with compound modifiers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40b Hyphens with compound nouns</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40c Hyphens that divide words at the ends of lines</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40d Hyphens for clarity</P>  <P style="MARGIN: 0px"><B>41 Dashes and Parentheses </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41a Dashes and parentheses versus commas</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41b Dashes and parentheses to set off information</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41c Other punctuation with parentheses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41d Other punctuation with dashes</P>  <P style="MARGIN: 0px"><B>42 Apostrophes </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 42a Possessives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 42b Contractions and omitted letters</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 42c Plurals of letters, symbols, and words referred to as words</P>  <P style="MARGIN: 0px"><B>43 Quotation Marks </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43a Direct quotations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43b Titles of short works</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43c Other uses of quotation marks</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43d Misuses of quotation marks</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43e Other punctuation with quotation marks</P>  <P style="MARGIN: 0px"><B>44 Other Punctuation Marks </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44a Periods</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44b Question marks</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44c Exclamation points</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44d Brackets</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44e Ellipses</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44f Slashes</P>  <P style="MARGIN: 0px"><B>45 Write with Accurate Spelling </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 45a Know the limitations of spelling checkers</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 45b Distinguish homonyms </P>  <P style="MARGIN: 0px"><B>46 Capitalization and Italics </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 46a Capital letters</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 46b Italics</P>  <P style="MARGIN: 0px"><B>47 Abbreviations, Acronyms, and Numbers </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 47a Abbreviations</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 47b Acronyms</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 47c Numbers</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>PART 10 IF ENGLISH IS NOT YOUR FIRST LANGUAGE</B></P>  <P style="MARGIN: 0px"><B>48 Write in a Second Language</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48a Understand the demands of writing in a second language</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48b Use your native language as a resource</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48c Use dictionaries</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 48d Understand English idioms</P>  <P style="MARGIN: 0px"><B>49 Nouns, Articles, and Prepositions</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49a Kinds of nouns</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49b Count and noncount nouns</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49c Singular and plural forms</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49d Articles</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49e Prepositions</P>  <P style="MARGIN: 0px"><B>50 Verbs </B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50a Types of verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50b Be verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50c Modal auxiliary verbs</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50d Verbs and infinitives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50e Verbs and -ing verbals</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50f Conditional sentences</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50g Participial adjectives</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50h Phrasal verbs</P>  <P style="MARGIN: 0px"><B>51 English Sentence Structure</B></P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 51a Subjects</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 51b English word order</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 51c Placement of modifiers</P>  <P style="MARGIN: 0px">51d Adjectives with prepositions</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Glossary of Grammatical Terms and Usage </B></P>  <P style="MARGIN: 0px"><B>Index </B></P></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>PART 1 Planning, Drafting, and Revising </B></P>  <P style="MARGIN: 0px">1 Think as a Writer</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Think about the process of communication </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Think about how to persuade others</P>  <P style="MARGIN: 0px">c Think about your audience </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Think about your credibility </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Think about your purpose </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Think about the complex demands of writing today </P>  <P style="MARGIN: 0px">2 Plan and Draft </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Think about the expectations of college readers </P>  <P style="MARGIN: 0px">b Establish your goals </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Explore your topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Write a working thesis </P>  <P style="MARGIN: 0px">e Plan a strategy </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Compose a draft </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Write as a member of a team </P>  <P style="MARGIN: 0px">3 Compose Paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Focus your paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Organize your paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Make your paragraphs coherent </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Consider paragraph length </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Link across paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Write effective beginning and ending paragraphs </P>  <P style="MARGIN: 0px">4 Rewrite, Edit, and Proofread </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Switch from writer to reader </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Learn strategies for rewriting </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Respond to other writers&rsquo; drafts </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Edit for particular goals </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Proofread carefully </P>  <P style="MARGIN: 0px">f Learn to edit the writing of others </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 2 Writing for Different Purposes </B></P>  <P style="MARGIN: 0px">5 Read and View with a Critical Eye </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Become a critical reader </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Read actively </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Recognize verbal fallacies </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Become a critical viewer </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Recognize visual fallacies </P>  <P style="MARGIN: 0px">6 Write to Analyze </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Understand the goal of a rhetorical analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Analyze the context and the text </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Organize and write a rhetorical analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample rhetorical analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Analyze images and other visual texts </P>  <P style="MARGIN: 0px">7 Write to Reflect </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Find a reflective topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Identify a focus </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Organize and write a reflection </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample reflective essay </P>  <P style="MARGIN: 0px">8 Write to Inform </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Find an informative topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Narrow your topic and write a thesis </P>  <P style="MARGIN: 0px">c Organize and write an informative essay </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample informative essay </P>  <P style="MARGIN: 0px">9 Write Arguments </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Position arguments and proposal arguments </P>  <P style="MARGIN: 0px">b Find an arguable topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Make an arguable claim </P>  <P style="MARGIN: 0px">d Organize and write a position argument </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sample position argument </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Organize and write a proposal argument </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Sample proposal arguments </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 3 Writing in the Disciplines </B></P>  <P style="MARGIN: 0px">10 Learn to Write in Academic Disciplines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Become an academic writer </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b What counts as evidence in the disciplines? </P>  <P style="MARGIN: 0px">11 Write in Specific Genres </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Write an essay exam </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Write an observation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Write a case study </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Write a lab report </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Write a letter of application </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Write a r&eacute;sum&eacute; </P>  <P style="MARGIN: 0px">12 Write about Literature </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Become a critical reader of literature </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Develop an interpretation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Write a literary analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample literary analysis </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 4 Designing and Presenting </B></P>  <P style="MARGIN: 0px">13 Communicate with Words, Images, and Graphics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Write in multimedia </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Think about verbal and visual relationships </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Know where images and graphics work best </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Know where words work best </P>  <P style="MARGIN: 0px">14 Design for Print and the Screen </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Start with your readers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Design pages </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Choose type </P>  <P style="MARGIN: 0px">d Compose images </P>  <P style="MARGIN: 0px">e Edit images </P>  <P style="MARGIN: 0px">f Create tables, charts, and graphs </P>  <P style="MARGIN: 0px">g Design a Web site </P>  <P style="MARGIN: 0px">15 Design Presentations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Plan a presentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Design visuals for a presentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Deliver an effective presentation </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 5 Researching </B></P>  <P style="MARGIN: 0px">16 Plan Your Research </P>  <P style="MARGIN: 0px">a Analyze the research task </P>  <P style="MARGIN: 0px">b Find a topic </P>  <P style="MARGIN: 0px">c Determine what kind of research you need </P>  <P style="MARGIN: 0px">d Draft a working thesis </P>  <P style="MARGIN: 0px">e Start a working bibliography </P>  <P style="MARGIN: 0px">17 Find and Evaluate Sources in Databases </P>  <P style="MARGIN: 0px">a Know the strengths of database sources </P>  <P style="MARGIN: 0px">b Find information in databases </P>  <P style="MARGIN: 0px">c Construct effective database searches </P>  <P style="MARGIN: 0px">d Evaluate database sources </P>  <P style="MARGIN: 0px">e Locate elements of a citation in database sources </P>  <P style="MARGIN: 0px">18 Find and Evaluate Sources on the Web </P>  <P style="MARGIN: 0px">a Know the strengths and weaknesses of Web sources </P>  <P style="MARGIN: 0px">b Find reliable Web sources </P>  <P style="MARGIN: 0px">c Construct effective Web searches </P>  <P style="MARGIN: 0px">d Find visual sources online </P>  <P style="MARGIN: 0px">e Evaluate Web sources </P>  <P style="MARGIN: 0px">f Locate elements of a citation in Web sources </P>  <P style="MARGIN: 0px">19 Find and Evaluate Print Sources </P>  <P style="MARGIN: 0px">a Know the strengths of print sources </P>  <P style="MARGIN: 0px">b Find books </P>  <P style="MARGIN: 0px">c Find journal articles </P>  <P style="MARGIN: 0px">d Evaluate print sources </P>  <P style="MARGIN: 0px">e Locate elements of a citation in print sources </P>  <P style="MARGIN: 0px">20 Plan Field Research </P>  <P style="MARGIN: 0px">a Know what you can obtain from field research </P>  <P style="MARGIN: 0px">b Conduct interviews </P>  <P style="MARGIN: 0px">c Administer surveys </P>  <P style="MARGIN: 0px">d Make observations </P>  <P style="MARGIN: 0px">21 Incorporate Sources and Avoid Plagiarism </P>  <P style="MARGIN: 0px">a Understand the purposes of sources </P>  <P style="MARGIN: 0px">b Incorporate sources </P>  <P style="MARGIN: 0px">c Avoid plagiarism </P>  <P style="MARGIN: 0px">d Quote sources without plagiarizing </P>  <P style="MARGIN: 0px">e Summarize and paraphrase sources without plagiarizing </P>  <P style="MARGIN: 0px">22 Write and Revise the Research Project </P>  <P style="MARGIN: 0px">a Revisit your research </P>  <P style="MARGIN: 0px">b Plan your organization </P>  <P style="MARGIN: 0px">c Write a draft </P>  <P style="MARGIN: 0px">d Select and introduce quotations </P>  <P style="MARGIN: 0px">e Review your draft </P>  <P style="MARGIN: 0px">f Revise, revise, revise </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 6 Documenting </B></P>  <P style="MARGIN: 0px">Five Steps for Documenting Sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1 Which documentation style do I use? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2 What kind of source am I using? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3 When do I cite sources? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4 How do I cite a source in my paper? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5 How do I cite sources at the end of my paper? </P>  <P style="MARGIN: 0px">23 MLA Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a In-text citations in MLA style </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Books in MLA-style works cited </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Journals and magazines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Newspapers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Government documents, pamphlets, dissertations, and letters </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Library database publications </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Online publications </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; h CD-ROM, software, and unedited online sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; i Visual sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; j Multimedia sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; k Informational notes </P>  <P style="MARGIN: 0px">l Sample research paper with MLA documentation </P>  <P style="MARGIN: 0px">24 APA Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a In-text citations in APA style </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Books and nonperiodical sources in the APA-style references list </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Online sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Visual, computer, and multimedia sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Sample research paper with APA documentation </P>  <P style="MARGIN: 0px">25 CMS Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Books and nonperiodical sources in CMS-style citations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Online and computer sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Multimedia sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sample pages with CMS documentation </P>  <P style="MARGIN: 0px">26 CSE Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a In-text references in CSE style </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Books and nonperiodical sources in CSE-style references </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Online sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sample pages with CSE documentation </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 7 Effective Style and Language </B></P>  <P style="MARGIN: 0px">27 Write with Power </P>  <P style="MARGIN: 0px">a Pay attention to verbs </P>  <P style="MARGIN: 0px">b Stay active </P>  <P style="MARGIN: 0px">c Find agents </P>  <P style="MARGIN: 0px">d Vary your sentences </P>  <P style="MARGIN: 0px">e Give your writing personality </P>  <P style="MARGIN: 0px">28 Write Concisely </P>  <P style="MARGIN: 0px">a Eliminate unnecessary words </P>  <P style="MARGIN: 0px">b Reduce wordy phrases </P>  <P style="MARGIN: 0px">c Simplify tangled sentences </P>  <P style="MARGIN: 0px">29 Write with Emphasis </P>  <P style="MARGIN: 0px">a Manage emphasis in sentences </P>  <P style="MARGIN: 0px">b Forge links across sentences </P>  <P style="MARGIN: 0px">c Use parallel structure with parallel ideas </P>  <P style="MARGIN: 0px">d Use parallel structure with lists </P>  <P style="MARGIN: 0px">e Use parallel structure in paragraphs </P>  <P style="MARGIN: 0px">30 Find the Right Words </P>  <P style="MARGIN: 0px">a Be aware of levels of formality </P>  <P style="MARGIN: 0px">b Be aware of denotation and connotation </P>  <P style="MARGIN: 0px">c Use specific language </P>  <P style="MARGIN: 0px">d Use effective figurative language </P>  <P style="MARGIN: 0px">31 Write to Be Inclusive </P>  <P style="MARGIN: 0px">a Be aware of stereotypes </P>  <P style="MARGIN: 0px">b Be inclusive about gender </P>  <P style="MARGIN: 0px">c Be inclusive about race and ethnicity </P>  <P style="MARGIN: 0px">d Be inclusive about other differences </P>  <P style="MARGIN: 0px">e Recognize international varieties of English </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 8 Understanding Grammar </B></P>  <P style="MARGIN: 0px">32 Grammar Basics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Sentence basics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Word classes </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Clauses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Phrases </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sentence types </P>  <P style="MARGIN: 0px">33 Fragments, Run-ons, and Comma Splices </P>  <P style="MARGIN: 0px">a Fragments </P>  <P style="MARGIN: 0px" msonormal="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Run-on sentences </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Comma splices </P>  <P style="MARGIN: 0px">34 Subject-Verb Agreement </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Agreement in the present tense </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Singular and plural subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Indefinite pronouns as subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Collective nouns as subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Inverted word order </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Amounts, numbers, and pairs </P>  <P style="MARGIN: 0px">35 Verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Basic verb forms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Irregular verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Transitive and intransitive verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Shifts in tense </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Shifts in mood </P>  <P style="MARGIN: 0px">36 Pronouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Pronoun case </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Pronoun agreement </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Problems with pronouns and gender </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Vague reference </P>  <P style="MARGIN: 0px">37 Modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Choose the correct modifier </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Place adjectives carefully </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Place adverbs carefully </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Revise disruptive modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Revise dangling modifiers </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 9 Understanding Punctuation and Mechanics </B></P>  <P style="MARGIN: 0px">38 Commas </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Commas with introductory elements </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Commas with compound clauses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Commas with nonrestrictive modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Commas with items in a series </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Commas with coordinate adjectives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Commas with quotations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Commas with dates, numbers, titles, and addresses </P>  <P style="MARGIN: 0px">h Commas to avoid confusion </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; i Unnecessary commas </P>  <P style="MARGIN: 0px">39 Semicolons and Colons </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Semicolons with closely related main clauses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Semicolons together with commas </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Colons in sentences </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Colons with lists </P>  <P style="MARGIN: 0px">40 Hyphens </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Hyphens with compound modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Hyphens with compound nouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Hyphens that divide words at the ends of lines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Hyphens for clarity </P>  <P style="MARGIN: 0px">41 Dashes and Parentheses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Dashes and parentheses versus commas </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Dashes and parentheses to set off information </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Other punctuation with parentheses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Other punctuation with dashes </P>  <P style="MARGIN: 0px">42 Apostrophes </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Possessives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Contractions and omitted letters </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Plurals of letters, symbols, and words referred to as words </P>  <P style="MARGIN: 0px">43 Quotation Marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Direct quotations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Titles of short works </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Other uses of quotation marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Misuses of quotation marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Other punctuation with quotation marks </P>  <P style="MARGIN: 0px">44 Other Punctuation Marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Periods </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Question marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Exclamation points </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Brackets </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Ellipses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Slashes </P>  <P style="MARGIN: 0px">45 Write with Accurate Spelling </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Know the limitations of spelling checkers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Distinguish homonyms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Learn spelling rules </P>  <P style="MARGIN: 0px">46 Capitalization and Italics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Capital letters </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Italics </P>  <P style="MARGIN: 0px">47 Abbreviations, Acronyms, and Numbers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Abbreviations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Acronyms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Numbers </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 10 If English Is Not Your First Language </B></P>  <P style="MARGIN: 0px">48 Write in a Second Language </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Understand the demands of writing in a second language </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Use your native language as a resource </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Use dictionaries </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Understand English idioms </P>  <P style="MARGIN: 0px">49 Nouns, Articles, and Prepositions </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Kinds of nouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Count and noncount nouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Singular and plural forms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Articles </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Prepositions </P>  <P style="MARGIN: 0px">50 Verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Types of verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b <I>Be</I> verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Modal auxiliary verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Verbs and infinitives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Verbs and <I>-ing</I> verbals </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Conditional sentences </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Participial adjectives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; h Phrasal verbs </P>  <P style="MARGIN: 0px">51 English Sentence Structure </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b English word order </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Placement of modifiers </P>  <P style="MARGIN: 0px"><I>&nbsp;</I></P>  <P style="MARGIN: 0px"><I>Glossary of Grammatical Terms and Usage </I></P>  <P style="MARGIN: 0px"><I>Index </I></P></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>PART 1 Planning, Drafting, and Revising </B></P>  <P style="MARGIN: 0px">1 Think as a Writer</P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Think about the process of communication </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Think about how to persuade others</P>  <P style="MARGIN: 0px">c Think about your audience </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Think about your credibility </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Think about your purpose </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Think about the complex demands of writing today </P>  <P style="MARGIN: 0px">2 Plan and Draft </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Think about the expectations of college readers </P>  <P style="MARGIN: 0px">b Establish your goals </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Explore your topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Write a working thesis </P>  <P style="MARGIN: 0px">e Plan a strategy </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Compose a draft </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Write as a member of a team </P>  <P style="MARGIN: 0px">3 Compose Paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Focus your paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Organize your paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Make your paragraphs coherent </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Consider paragraph length </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Link across paragraphs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Write effective beginning and ending paragraphs </P>  <P style="MARGIN: 0px">4 Rewrite, Edit, and Proofread </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Switch from writer to reader </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Learn strategies for rewriting </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Respond to other writers&rsquo; drafts </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Edit for particular goals </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Proofread carefully </P>  <P style="MARGIN: 0px">f Learn to edit the writing of others </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 2 Writing for Different Purposes </B></P>  <P style="MARGIN: 0px">5 Read and View with a Critical Eye </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Become a critical reader </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Read actively </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Recognize verbal fallacies </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Become a critical viewer </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Recognize visual fallacies </P>  <P style="MARGIN: 0px">6 Write to Analyze </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Understand the goal of a rhetorical analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Analyze the context and the text </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Organize and write a rhetorical analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample rhetorical analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Analyze images and other visual texts </P>  <P style="MARGIN: 0px">7 Write to Reflect </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Find a reflective topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Identify a focus </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Organize and write a reflection </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample reflective essay </P>  <P style="MARGIN: 0px">8 Write to Inform </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Find an informative topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Narrow your topic and write a thesis </P>  <P style="MARGIN: 0px">c Organize and write an informative essay </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample informative essay </P>  <P style="MARGIN: 0px">9 Write Arguments </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Position arguments and proposal arguments </P>  <P style="MARGIN: 0px">b Find an arguable topic </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Make an arguable claim </P>  <P style="MARGIN: 0px">d Organize and write a position argument </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sample position argument </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Organize and write a proposal argument </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Sample proposal arguments </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 3 Writing in the Disciplines </B></P>  <P style="MARGIN: 0px">10 Learn to Write in Academic Disciplines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Become an academic writer </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b What counts as evidence in the disciplines? </P>  <P style="MARGIN: 0px">11 Write in Specific Genres </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Write an essay exam </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Write an observation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Write a case study </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Write a lab report </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Write a letter of application </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Write a r&eacute;sum&eacute; </P>  <P style="MARGIN: 0px">12 Write about Literature </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Become a critical reader of literature </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Develop an interpretation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Write a literary analysis </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Sample literary analysis </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 4 Designing and Presenting </B></P>  <P style="MARGIN: 0px">13 Communicate with Words, Images, and Graphics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Write in multimedia </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Think about verbal and visual relationships </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Know where images and graphics work best </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Know where words work best </P>  <P style="MARGIN: 0px">14 Design for Print and the Screen </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Start with your readers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Design pages </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Choose type </P>  <P style="MARGIN: 0px">d Compose images </P>  <P style="MARGIN: 0px">e Edit images </P>  <P style="MARGIN: 0px">f Create tables, charts, and graphs </P>  <P style="MARGIN: 0px">g Design a Web site </P>  <P style="MARGIN: 0px">15 Design Presentations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Plan a presentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Design visuals for a presentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Deliver an effective presentation </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 5 Researching </B></P>  <P style="MARGIN: 0px">16 Plan Your Research </P>  <P style="MARGIN: 0px">a Analyze the research task </P>  <P style="MARGIN: 0px">b Find a topic </P>  <P style="MARGIN: 0px">c Determine what kind of research you need </P>  <P style="MARGIN: 0px">d Draft a working thesis </P>  <P style="MARGIN: 0px">e Start a working bibliography </P>  <P style="MARGIN: 0px">17 Find and Evaluate Sources in Databases </P>  <P style="MARGIN: 0px">a Know the strengths of database sources </P>  <P style="MARGIN: 0px">b Find information in databases </P>  <P style="MARGIN: 0px">c Construct effective database searches </P>  <P style="MARGIN: 0px">d Evaluate database sources </P>  <P style="MARGIN: 0px">e Locate elements of a citation in database sources </P>  <P style="MARGIN: 0px">18 Find and Evaluate Sources on the Web </P>  <P style="MARGIN: 0px">a Know the strengths and weaknesses of Web sources </P>  <P style="MARGIN: 0px">b Find reliable Web sources </P>  <P style="MARGIN: 0px">c Construct effective Web searches </P>  <P style="MARGIN: 0px">d Find visual sources online </P>  <P style="MARGIN: 0px">e Evaluate Web sources </P>  <P style="MARGIN: 0px">f Locate elements of a citation in Web sources </P>  <P style="MARGIN: 0px">19 Find and Evaluate Print Sources </P>  <P style="MARGIN: 0px">a Know the strengths of print sources </P>  <P style="MARGIN: 0px">b Find books </P>  <P style="MARGIN: 0px">c Find journal articles </P>  <P style="MARGIN: 0px">d Evaluate print sources </P>  <P style="MARGIN: 0px">e Locate elements of a citation in print sources </P>  <P style="MARGIN: 0px">20 Plan Field Research </P>  <P style="MARGIN: 0px">a Know what you can obtain from field research </P>  <P style="MARGIN: 0px">b Conduct interviews </P>  <P style="MARGIN: 0px">c Administer surveys </P>  <P style="MARGIN: 0px">d Make observations </P>  <P style="MARGIN: 0px">21 Incorporate Sources and Avoid Plagiarism </P>  <P style="MARGIN: 0px">a Understand the purposes of sources </P>  <P style="MARGIN: 0px">b Incorporate sources </P>  <P style="MARGIN: 0px">c Avoid plagiarism </P>  <P style="MARGIN: 0px">d Quote sources without plagiarizing </P>  <P style="MARGIN: 0px">e Summarize and paraphrase sources without plagiarizing </P>  <P style="MARGIN: 0px">22 Write and Revise the Research Project </P>  <P style="MARGIN: 0px">a Revisit your research </P>  <P style="MARGIN: 0px">b Plan your organization </P>  <P style="MARGIN: 0px">c Write a draft </P>  <P style="MARGIN: 0px">d Select and introduce quotations </P>  <P style="MARGIN: 0px">e Review your draft </P>  <P style="MARGIN: 0px">f Revise, revise, revise </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 6 Documenting </B></P>  <P style="MARGIN: 0px">Five Steps for Documenting Sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1 Which documentation style do I use? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2 What kind of source am I using? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3 When do I cite sources? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4 How do I cite a source in my paper? </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5 How do I cite sources at the end of my paper? </P>  <P style="MARGIN: 0px">23 MLA Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a In-text citations in MLA style </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Books in MLA-style works cited </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Journals and magazines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Newspapers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Government documents, pamphlets, dissertations, and letters </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Library database publications </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Online publications </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; h CD-ROM, software, and unedited online sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; i Visual sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; j Multimedia sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; k Informational notes </P>  <P style="MARGIN: 0px">l Sample research paper with MLA documentation </P>  <P style="MARGIN: 0px">24 APA Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a In-text citations in APA style </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Books and nonperiodical sources in the APA-style references list </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Online sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Visual, computer, and multimedia sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Sample research paper with APA documentation </P>  <P style="MARGIN: 0px">25 CMS Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Books and nonperiodical sources in CMS-style citations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Online and computer sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Multimedia sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sample pages with CMS documentation </P>  <P style="MARGIN: 0px">26 CSE Documentation </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a In-text references in CSE style </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Books and nonperiodical sources in CSE-style references </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Periodical sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Online sources </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sample pages with CSE documentation </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 7 Effective Style and Language </B></P>  <P style="MARGIN: 0px">27 Write with Power </P>  <P style="MARGIN: 0px">a Pay attention to verbs </P>  <P style="MARGIN: 0px">b Stay active </P>  <P style="MARGIN: 0px">c Find agents </P>  <P style="MARGIN: 0px">d Vary your sentences </P>  <P style="MARGIN: 0px">e Give your writing personality </P>  <P style="MARGIN: 0px">28 Write Concisely </P>  <P style="MARGIN: 0px">a Eliminate unnecessary words </P>  <P style="MARGIN: 0px">b Reduce wordy phrases </P>  <P style="MARGIN: 0px">c Simplify tangled sentences </P>  <P style="MARGIN: 0px">29 Write with Emphasis </P>  <P style="MARGIN: 0px">a Manage emphasis in sentences </P>  <P style="MARGIN: 0px">b Forge links across sentences </P>  <P style="MARGIN: 0px">c Use parallel structure with parallel ideas </P>  <P style="MARGIN: 0px">d Use parallel structure with lists </P>  <P style="MARGIN: 0px">e Use parallel structure in paragraphs </P>  <P style="MARGIN: 0px">30 Find the Right Words </P>  <P style="MARGIN: 0px">a Be aware of levels of formality </P>  <P style="MARGIN: 0px">b Be aware of denotation and connotation </P>  <P style="MARGIN: 0px">c Use specific language </P>  <P style="MARGIN: 0px">d Use effective figurative language </P>  <P style="MARGIN: 0px">31 Write to Be Inclusive </P>  <P style="MARGIN: 0px">a Be aware of stereotypes </P>  <P style="MARGIN: 0px">b Be inclusive about gender </P>  <P style="MARGIN: 0px">c Be inclusive about race and ethnicity </P>  <P style="MARGIN: 0px">d Be inclusive about other differences </P>  <P style="MARGIN: 0px">e Recognize international varieties of English </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 8 Understanding Grammar </B></P>  <P style="MARGIN: 0px">32 Grammar Basics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Sentence basics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Word classes </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Clauses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Phrases </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Sentence types </P>  <P style="MARGIN: 0px">33 Fragments, Run-ons, and Comma Splices </P>  <P style="MARGIN: 0px">a Fragments </P>  <P style="MARGIN: 0px" msonormal="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Run-on sentences </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Comma splices </P>  <P style="MARGIN: 0px">34 Subject-Verb Agreement </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Agreement in the present tense </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Singular and plural subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Indefinite pronouns as subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Collective nouns as subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Inverted word order </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Amounts, numbers, and pairs </P>  <P style="MARGIN: 0px">35 Verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Basic verb forms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Irregular verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Transitive and intransitive verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Shifts in tense </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Shifts in mood </P>  <P style="MARGIN: 0px">36 Pronouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Pronoun case </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Pronoun agreement </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Problems with pronouns and gender </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Vague reference </P>  <P style="MARGIN: 0px">37 Modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Choose the correct modifier </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Place adjectives carefully </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Place adverbs carefully </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Revise disruptive modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Revise dangling modifiers </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 9 Understanding Punctuation and Mechanics </B></P>  <P style="MARGIN: 0px">38 Commas </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Commas with introductory elements </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Commas with compound clauses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Commas with nonrestrictive modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Commas with items in a series </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Commas with coordinate adjectives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Commas with quotations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Commas with dates, numbers, titles, and addresses </P>  <P style="MARGIN: 0px">h Commas to avoid confusion </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; i Unnecessary commas </P>  <P style="MARGIN: 0px">39 Semicolons and Colons </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Semicolons with closely related main clauses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Semicolons together with commas </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Colons in sentences </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Colons with lists </P>  <P style="MARGIN: 0px">40 Hyphens </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Hyphens with compound modifiers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Hyphens with compound nouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Hyphens that divide words at the ends of lines </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Hyphens for clarity </P>  <P style="MARGIN: 0px">41 Dashes and Parentheses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Dashes and parentheses versus commas </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Dashes and parentheses to set off information </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Other punctuation with parentheses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Other punctuation with dashes </P>  <P style="MARGIN: 0px">42 Apostrophes </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Possessives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Contractions and omitted letters </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Plurals of letters, symbols, and words referred to as words </P>  <P style="MARGIN: 0px">43 Quotation Marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Direct quotations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Titles of short works </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Other uses of quotation marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Misuses of quotation marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Other punctuation with quotation marks </P>  <P style="MARGIN: 0px">44 Other Punctuation Marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Periods </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Question marks </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Exclamation points </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Brackets </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Ellipses </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Slashes </P>  <P style="MARGIN: 0px">45 Write with Accurate Spelling </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Know the limitations of spelling checkers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Distinguish homonyms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Learn spelling rules </P>  <P style="MARGIN: 0px">46 Capitalization and Italics </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Capital letters </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Italics </P>  <P style="MARGIN: 0px">47 Abbreviations, Acronyms, and Numbers </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Abbreviations </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Acronyms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Numbers </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>PART 10 If English Is Not Your First Language </B></P>  <P style="MARGIN: 0px">48 Write in a Second Language </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Understand the demands of writing in a second language </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Use your native language as a resource </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Use dictionaries </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Understand English idioms </P>  <P style="MARGIN: 0px">49 Nouns, Articles, and Prepositions </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Kinds of nouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b Count and noncount nouns </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Singular and plural forms </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Articles </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Prepositions </P>  <P style="MARGIN: 0px">50 Verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Types of verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b <I>Be</I> verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Modal auxiliary verbs </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; d Verbs and infinitives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; e Verbs and <I>-ing</I> verbals </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; f Conditional sentences </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; g Participial adjectives </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; h Phrasal verbs </P>  <P style="MARGIN: 0px">51 English Sentence Structure </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a Subjects </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; b English word order </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; c Placement of modifiers </P>  <P style="MARGIN: 0px"><I>&nbsp;</I></P>  <P style="MARGIN: 0px"><I>Glossary of Grammatical Terms and Usage </I></P>  <P style="MARGIN: 0px"><I>Index </I></P></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Preface for Students: Using This Book</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Preface for Instructors</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>I. THE WRITING PROCESS</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>1. Assessing the Writing Situation</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Understanding how writing happens</P>  <P style="MARGIN: 0px">b. Analyzing the writing situation</P>  <P style="MARGIN: 0px">c. Discovering and limiting a subject</P>  <P style="MARGIN: 0px">d. Considering the audience</P>  <P style="MARGIN: 0px">e. Defining a purpose</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>2. Developing and Shaping Ideas</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Discovering ideas</P>  <P style="MARGIN: 0px">b. Developing a thesis</P>  <P style="MARGIN: 0px">c. Organizing ideas</P>  <P style="MARGIN: 0px">Sample essay&nbsp; </P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>3. Drafting and Revising</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Writing the first draft</P>  <P style="MARGIN: 0px">b. Revising the first draft</P>  <P style="MARGIN: 0px">c. Examining a sample revision</P>  <P style="MARGIN: 0px">d. Editing the revised draft</P>  <P style="MARGIN: 0px">e. Preparing and proofreading the final draft</P>  <P style="MARGIN: 0px">f. Examining a final draft</P>  <P style="MARGIN: 0px">Sample essay&nbsp; </P>  <P style="MARGIN: 0px">g. Giving and receiving comments</P>  <P style="MARGIN: 0px">h. Preparing a writing portfolio</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>4. Writing and Revising Paragraphs</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Maintaining paragraph unity</P>  <P style="MARGIN: 0px">b. Achieving paragraph coherence</P>  <P style="MARGIN: 0px">c. Developing the paragraph</P>  <P style="MARGIN: 0px">d. Writing special kinds of paragraphs</P>  <P style="MARGIN: 0px">e. Linking paragraphs in the essay</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>5. Designing Documents</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Designing academic papers and other documents</P>  <P style="MARGIN: 0px">b. Considering principles of design</P>  <P style="MARGIN: 0px">c. Using the elements of design</P>  <P style="MARGIN: 0px">d. Using illustrations</P>  <P style="MARGIN: 0px">e. Considering readers with disabilities</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>II. READING AND WRITING IN COLLEGE</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>6. Writing in Academic Situations</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Becoming an academic writer</P>  <P style="MARGIN: 0px">b. Analyzing audience</P>  <P style="MARGIN: 0px">c. Determining purpose</P>  <P style="MARGIN: 0px">d. Choosing structure and content</P>  <P style="MARGIN: 0px">e. Using academic language</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>7. Studying Effectively and Taking Exams</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Managing your time</P>  <P style="MARGIN: 0px">b. Listening and taking notes in class</P>  <P style="MARGIN: 0px">c. Reading for comprehension</P>  <P style="MARGIN: 0px">d. Preparing for and taking exams</P>  <P style="MARGIN: 0px">Sample essay exams</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>8. Forming a Critical Perspective</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Thinking and reading critically</P>  <P style="MARGIN: 0px">b. Viewing images critically</P>  <P style="MARGIN: 0px">c. Writing critically</P>  <P style="MARGIN: 0px">Sample critique of a text</P>  <P style="MARGIN: 0px">Sample critique of an image</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>9. Reading Arguments Critically</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Recognizing the elements of argument</P>  <P style="MARGIN: 0px">b. Testing claims</P>  <P style="MARGIN: 0px">c. Weighing evidence</P>  <P style="MARGIN: 0px">d. Discovering assumptions</P>  <P style="MARGIN: 0px">e. Watching language, hearing tone</P>  <P style="MARGIN: 0px">f. Judging reasonableness</P>  <P style="MARGIN: 0px">g. Recognizing fallacies</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>10. Writing an Argument</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Finding a subject</P>  <P style="MARGIN: 0px">b. Conceiving a thesis statement</P>  <P style="MARGIN: 0px">c. Analyzing your purpose and your audience</P>  <P style="MARGIN: 0px">d. Using reason</P>  <P style="MARGIN: 0px">e. Using evidence</P>  <P style="MARGIN: 0px">f. Reaching your readers</P>  <P style="MARGIN: 0px">g. Organizing your argument</P>  <P style="MARGIN: 0px">h. Revising your argument</P>  <P style="MARGIN: 0px">i. Examining a sample argument</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>11. Reading and Using Visual Arguments</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Reading visual arguments critically</P>  <P style="MARGIN: 0px">b. Using visual arguments effectively</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>III. GRAMMATICAL SENTENCES</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>12. Understanding Sentence Grammar</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Understanding the basic sentence</P>  <P style="MARGIN: 0px">b. Expanding the basic sentence with single words</P>  <P style="MARGIN: 0px">c. Expanding the basic sentence with word groups</P>  <P style="MARGIN: 0px">d. Compounding words, phrases, and clauses</P>  <P style="MARGIN: 0px">e. Changing the usual order of the sentence</P>  <P style="MARGIN: 0px">f. Classifying sentences</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>13. Case of Nouns and Pronouns</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Compound subjects and complements</P>  <P style="MARGIN: 0px">b. Compound objects</P>  <P style="MARGIN: 0px">c. <I>We </I>or <I>us</I> with a noun</P>  <P style="MARGIN: 0px">d. Appositives</P>  <P style="MARGIN: 0px">e. Pronoun after <I>than</I> or <I>as</I> in a comparison</P>  <P style="MARGIN: 0px">f. Subjects and objects of infinitives</P>  <P style="MARGIN: 0px">g. <I>Who</I> vs. <I>whom</I> </P>  <P style="MARGIN: 0px">h. Case before a gerund</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>14. Verbs</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><I>Verb Forms</I></P>  <P style="MARGIN: 0px">a. Regular and irregular verbs</P>  <P style="MARGIN: 0px">b. <I>Sit</I> and <I>set</I>; <I>lie</I> and <I>lay</I>; <I>rise</I> and <I>raise</I></P>  <P style="MARGIN: 0px">c. Omitted <I>&ndash;s</I> and <I>&ndash;ed</I> endings </P>  <P style="MARGIN: 0px">d. Helping verbs</P>  <P style="MARGIN: 0px">e. Verb plus gerund or infinitive</P>  <P style="MARGIN: 0px">f. Verb plus particle</P>  <P style="MARGIN: 0px"><I>Tense</I></P>  <P style="MARGIN: 0px">g. Appropriate tense for meaning</P>  <P style="MARGIN: 0px">h. Sequence of tenses</P>  <P style="MARGIN: 0px"><I>Mood</I></P>  <P style="MARGIN: 0px">i. Subjunctive verb forms</P>  <P style="MARGIN: 0px"><I>Voice</I></P>  <P style="MARGIN: 0px">j. Active vs. passive voice</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>15. Agreement</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Agreement between subject and verb</P>  <P style="MARGIN: 0px">b. Agreement between pronoun and antecedent</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>16. Adjectives and Adverbs</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Adjectives only with nouns and pronouns</P>  <P style="MARGIN: 0px">b. Adjectives with linking verbs</P>  <P style="MARGIN: 0px">c. Adjectives with objects; adverbs with verbs</P>  <P style="MARGIN: 0px">d. Comparative and superlative forms</P>  <P style="MARGIN: 0px">e. Double negatives</P>  <P style="MARGIN: 0px">f. Overuse of nouns as modifiers</P>  <P style="MARGIN: 0px">g. Present and past participles as adjectives</P>  <P style="MARGIN: 0px">h. <I>A</I>, <I>an</I>, <I>the</I>, and other determiners</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>IV. CLEAR SENTENCES</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>17. Sentence Fragments</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Tests for sentence completeness; revision of fragments</P>  <P style="MARGIN: 0px">b. Subordinate clause</P>  <P style="MARGIN: 0px">c. Verbal or prepositional phrase</P>  <P style="MARGIN: 0px">d. Other fragments</P>  <P style="MARGIN: 0px">e. Acceptable uses of incomplete sentences</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>18. Comma Splices and Fused Sentences</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><I>Comma Splices</I></P>  <P style="MARGIN: 0px">a. Main clauses not joined by coordinating conjunction</P>  <P style="MARGIN: 0px">b. Main clauses related by a conjunctive adverb or transitional expression</P>  <P style="MARGIN: 0px"><I>Fused Sentences</I></P>  <P style="MARGIN: 0px">c. Main clauses with no conjunction or punctuation</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>19. Pronoun Reference</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Clear reference to one antecedent</P>  <P style="MARGIN: 0px">b. Clear placement of pronoun and antecedent</P>  <P style="MARGIN: 0px">c. Reference to specific antecedent</P>  <P style="MARGIN: 0px">d. Indefinite use of <I>it </I>and<I> they</I></P>  <P style="MARGIN: 0px">e. Indefinite use of <I>you</I></P>  <P style="MARGIN: 0px">f. Clear use of <I>it</I></P>  <P style="MARGIN: 0px">g. Appropriate use of relative pronouns</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>20. Shifts</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Person and number</P>  <P style="MARGIN: 0px">b. Tense and mood</P>  <P style="MARGIN: 0px">c. Subject and voice</P>  <P style="MARGIN: 0px">d. Indirect and direct quotations and questions</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>21. Misplaced and Dangling Modifiers</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><I>Misplaced Modifiers</I></P>  <P style="MARGIN: 0px">a. Clear placement of modifiers</P>  <P style="MARGIN: 0px">b. Limiting modifiers</P>  <P style="MARGIN: 0px">c. Squinting modifiers</P>  <P style="MARGIN: 0px">d. Separation of subjects, verbs, and objects</P>  <P style="MARGIN: 0px">e. Separation of parts of infinitives or verb phrases</P>  <P style="MARGIN: 0px">f. Position of adverbs</P>  <P style="MARGIN: 0px">g. Order of adjectives</P>  <P style="MARGIN: 0px"><I>Dangling modifiers</I></P>  <P style="MARGIN: 0px">h. Dangling modifiers</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>22. Mixed and Incomplete Sentences</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><I>Mixed Sentences</I></P>  <P style="MARGIN: 0px">a. Mixed grammar </P>  <P style="MARGIN: 0px">b. Mixed meaning (faulty predication)</P>  <P style="MARGIN: 0px"><I>Incomplete Sentences</I></P>  <P style="MARGIN: 0px">c. Compound constructions</P>  <P style="MARGIN: 0px">d. Comparisons</P>  <P style="MARGIN: 0px">e. Careless omissions</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>V. EFFECTIVE SENTENCES</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>23. Emphasizing Ideas</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using subjects and verbs effectively</P>  <P style="MARGIN: 0px">b. Using sentence beginnings and endings</P>  <P style="MARGIN: 0px">c. Arranging parallel elements effectively</P>  <P style="MARGIN: 0px">d. Repeating ideas</P>  <P style="MARGIN: 0px">e. Separating ideas</P>  <P style="MARGIN: 0px">f. Being concise</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>24. Using Coordination and Subordination</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Coordinaing to relate equal ideas</P>  <P style="MARGIN: 0px">b. Subordinating to distinguish main ideas</P>  <P style="MARGIN: 0px">c. Choosing clear connectors</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>25. Using Parallelism</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using parallelism for coordinate elements</P>  <P style="MARGIN: 0px">b. Using parallelism to increase coherence</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>26. Achieving Variety</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Varying sentence length and structure</P>  <P style="MARGIN: 0px">b. Varying sentence beginnings</P>  <P style="MARGIN: 0px">c. Inverting the normal word order</P>  <P style="MARGIN: 0px">d. Mixing types of sentences</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>VI. PUNCTUATION</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><I>Chart</I></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>27. End Punctuation</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. The period</P>  <P style="MARGIN: 0px">b. The question mark</P>  <P style="MARGIN: 0px">c. The exclamation point</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>28. The Comma</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Main clauses linked by coordinating conjunction</P>  <P style="MARGIN: 0px">b. Introductory elements</P>  <P style="MARGIN: 0px">c. Nonessential elements</P>  <P style="MARGIN: 0px">d. Absolute phrases</P>  <P style="MARGIN: 0px">e. Phrases expressing contrast</P>  <P style="MARGIN: 0px">f. Series and coordinate adjectives</P>  <P style="MARGIN: 0px">g. Dates, addresses, place names, long numbers</P>  <P style="MARGIN: 0px">h. With quotations</P>  <P style="MARGIN: 0px">i. To prevent misreading</P>  <P style="MARGIN: 0px">j. Misuse and overuse</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>29. The Semicolon</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Main clauses not joined by a coordinating conjunction</P>  <P style="MARGIN: 0px">b. Main clauses related by a conjunctive adverb or transitional expression</P>  <P style="MARGIN: 0px">c. Long or internally punctuated main clauses</P>  <P style="MARGIN: 0px">d. Long or internally punctuated series items</P>  <P style="MARGIN: 0px">e. Misuse and overuse</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>30. The Apostrophe</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Posessive case</P>  <P style="MARGIN: 0px">b. Misuse with noun plurals, verbs, and personal pronouns</P>  <P style="MARGIN: 0px">c. Contractions</P>  <P style="MARGIN: 0px">d. Plurals of abbreviations, dates, and words or characters named as words</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>31. Quotation Marks</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><I>Chart</I></P>  <P style="MARGIN: 0px">a. Direct quotations</P>  <P style="MARGIN: 0px">b. Quotation within a quotation</P>  <P style="MARGIN: 0px">c. Dialog</P>  <P style="MARGIN: 0px">d. Titles of songs, short stories, and so on</P>  <P style="MARGIN: 0px">e. Words used in a special sense</P>  <P style="MARGIN: 0px">f. Overuse</P>  <P style="MARGIN: 0px">g. Placement with other quotation marks</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>32. Other Punctuation Marks</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. The colon</P>  <P style="MARGIN: 0px">b. The dash</P>  <P style="MARGIN: 0px">c. Parentheses</P>  <P style="MARGIN: 0px">d. Brackets</P>  <P style="MARGIN: 0px">e. The ellipsis mark</P>  <P style="MARGIN: 0px">f. The slash</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>VII. MECHANICS</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>33. Capitals</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. First word of a sentence</P>  <P style="MARGIN: 0px">b. Titles of works</P>  <P style="MARGIN: 0px">c. Pronoun <I>I</I> and interjection <I>O</I></P>  <P style="MARGIN: 0px">d. Proper nouns and adjectives</P>  <P style="MARGIN: 0px">e. Titles before proper names</P>  <P style="MARGIN: 0px">f. Misuses of capitals</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>34. Underlining or Italics</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Underlining vs. italics</P>  <P style="MARGIN: 0px">b. Titles of books and periodicals</P>  <P style="MARGIN: 0px">c. Names of ships, aircraft, spacecraft, trains</P>  <P style="MARGIN: 0px">d. Foreign words and phrases</P>  <P style="MARGIN: 0px">e. Words, letters, and numbers named as words</P>  <P style="MARGIN: 0px">f. For emphasis</P>  <P style="MARGIN: 0px">g. In online communication</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>35. Abbreviations</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Titles before and after proper names</P>  <P style="MARGIN: 0px">b. Familiar abbreviations and acronyms</P>  <P style="MARGIN: 0px">c. <I>BC, AD, AM, PM, no.,</I> and <I>$</I></P>  <P style="MARGIN: 0px">d. Latin abbreviations</P>  <P style="MARGIN: 0px">e. <I>Inc., Bros., Co.,</I> and <I>&amp;</I></P>  <P style="MARGIN: 0px">f. Misuse with units of measurement, geographical names, and so on</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>36. Numbers</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Numerals vs. words</P>  <P style="MARGIN: 0px">b. For dates, addresses, and so on</P>  <P style="MARGIN: 0px">c. Beginning sentences</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>VIII. EFFECTIVE WORDS</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>37. Using Appropriate Language</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Revising nonstandard dialect</P>  <P style="MARGIN: 0px">b. Using regionalisms only when appropriate</P>  <P style="MARGIN: 0px">c. Using slang only when appropriate</P>  <P style="MARGIN: 0px">d. Using colloquial language only when appropriate</P>  <P style="MARGIN: 0px">e. Revising neologisms</P>  <P style="MARGIN: 0px">f. Using technical words with care</P>  <P style="MARGIN: 0px">g. Revising indirect or pretentious writing</P>  <P style="MARGIN: 0px">h. Revising sexist and other biased language</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>38. Using Exact Language</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using the right word for your meaning</P>  <P style="MARGIN: 0px">b. Balancing the abstract and concrete, the general and specific</P>  <P style="MARGIN: 0px">c. Using idioms</P>  <P style="MARGIN: 0px">d. Using figurative language</P>  <P style="MARGIN: 0px">e. Using fresh expressions</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>39. Writing Concisely</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Focusing on subject and verb</P>  <P style="MARGIN: 0px">b. Cutting or shortening empty words and phrases</P>  <P style="MARGIN: 0px">c. Cutting unnecessary repetition</P>  <P style="MARGIN: 0px">d. Reducing clauses to phrases, phrases to single words</P>  <P style="MARGIN: 0px">e. Eliminating <I>there is</I> and <I>it is</I> constructions</P>  <P style="MARGIN: 0px">f. Combining sentences</P>  <P style="MARGIN: 0px">g. Rewriting jargon</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>40. Using Dictionaries</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Choosing a dictionary</P>  <P style="MARGIN: 0px">b. Working with a dictionary&rsquo;s contents</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>41. Spelling and the Hyphen</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Recognizing typical spelling problems</P>  <P style="MARGIN: 0px">b. Following spelling rules</P>  <P style="MARGIN: 0px">c. Developing spelling skills</P>  <P style="MARGIN: 0px">d. Using the hyphen to form or divide words</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>IX. RESEARCH WRITING </B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>42. Planning a Research Project</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Starting out</P>  <P style="MARGIN: 0px">b. Finding a researchable subject and question</P>  <P style="MARGIN: 0px">c. Developing a research strategy</P>  <P style="MARGIN: 0px">d. Making a working, annotated bibliography</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>43. Finding Sources</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Searching electronically</P>  <P style="MARGIN: 0px">b. Finding reference works</P>  <P style="MARGIN: 0px">c. Finding books</P>  <P style="MARGIN: 0px">d. Finding periodicals</P>  <P style="MARGIN: 0px">e. Finding sources on the Web</P>  <P style="MARGIN: 0px">f. Finding other online sources</P>  <P style="MARGIN: 0px">g. Finding government publications</P>  <P style="MARGIN: 0px">h. Finding images</P>  <P style="MARGIN: 0px">i. Generating your own sources</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>44. Working with Sources</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Evaluating sources</P>  <P style="MARGIN: 0px">b. Synthesizing sources</P>  <P style="MARGIN: 0px">c. Mining and interacting with sources</P>  <P style="MARGIN: 0px">d. Using summary, paraphrase, and quotation</P>  <P style="MARGIN: 0px">e. Integrating sources into your text</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>45. Avoiding Plagiarism and Documenting Sources</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Committing and detecting plagiarism on the Internet </P>  <P style="MARGIN: 0px">b. Knowing what you need not acknowledge</P>  <P style="MARGIN: 0px">c. Knowing what you <I>must</I> acknowledge</P>  <P style="MARGIN: 0px">d. Using and acknowledging online sources</P>  <P style="MARGIN: 0px">e. Documenting sources</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>46. Writing the Paper</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Developing a thesis statement</P>  <P style="MARGIN: 0px">b. Creating a structure</P>  <P style="MARGIN: 0px">c. Drafting the paper</P>  <P style="MARGIN: 0px">d. Revising and editing the paper</P>  <P style="MARGIN: 0px">e. Preparing and proofreading the final draft</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>47. Using MLA Documentation and Format</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using MLA in-text citations</P>  <P style="MARGIN: 0px">b. Preparing the MLA list of works cited</P>  <P style="MARGIN: 0px">c. Understanding abbreviations</P>  <P style="MARGIN: 0px">d. Using MLA document format</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>48. Two Research Papers in MLA Style</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">&ldquo;Closing the Digital Divide&rdquo;</P>  <P style="MARGIN: 0px">&ldquo;Annie Dillard&rsquo;s Healing Vision&rdquo; </P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>X. WRITING IN THE ACADEMIC DISCIPLINES&nbsp;</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>49. Working with the Goals and Requirements&nbsp;of the Disciplines</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using methods and evidence&nbsp;</P>  <P style="MARGIN: 0px">b. Understanding writing assignments&nbsp;</P>  <P style="MARGIN: 0px">c. Using tools and language&nbsp;<I>000</I></P>  <P style="MARGIN: 0px">d. Following styles for source citations and document format&nbsp;</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>50. Reading and Writing About Literature&nbsp;</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using the methods and evidence of literary analysis&nbsp; </P>  <P style="MARGIN: 0px">b. Understanding writing assignments in literature&nbsp;</P>  <P style="MARGIN: 0px">c. Using the tools and language of literary analysis&nbsp;</P>  <P style="MARGIN: 0px">d. Citing sources and formatting documents in writing about literature&nbsp;</P>  <P style="MARGIN: 0px">e. Drafting and revising a literary analysis&nbsp;</P>  <P style="MARGIN: 0px">Sample analysis of a short story</P>  <P style="MARGIN: 0px">f. Writing about fiction, poetry, and drama</P>  <P style="MARGIN: 0px">Sample analaysis of a poem</P>  <P style="MARGIN: 0px">Sample analysis of a play</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>51. Writing in Other Humanities&nbsp;</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using the methods and evidence of the humanities&nbsp; </P>  <P style="MARGIN: 0px">b. Understanding writing assignments in the humanities&nbsp;</P>  <P style="MARGIN: 0px">c. Using the tools and language of the humanities&nbsp;</P>  <P style="MARGIN: 0px">d. Citing sources in Chicago style&nbsp;</P>  <P style="MARGIN: 0px">e. Formatting documents in Chicago style&nbsp;</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>52. Writing in the Social Sciences&nbsp;</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using the methods and evidence of the social sciences&nbsp;</P>  <P style="MARGIN: 0px">b. Understanding writing assignments in the social sciences&nbsp;</P>  <P style="MARGIN: 0px">c. Using the tools and language of the social sciences&nbsp; </P>  <P style="MARGIN: 0px">d. Citing sources in APA style&nbsp;</P>  <P style="MARGIN: 0px">e. Formatting documents in APA style&nbsp;</P>  <P style="MARGIN: 0px">f. Examining a sample social science paper&nbsp;</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>53. Writing in the Natural and Applied Sciences&nbsp;</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Using the methods and evidence of the sciences&nbsp;</P>  <P style="MARGIN: 0px">b. Understanding writing assignments in the sciences&nbsp;</P>  <P style="MARGIN: 0px">c. Using the tools and language of the sciences&nbsp;</P>  <P style="MARGIN: 0px">d. Citing sources in CSE style&nbsp;</P>  <P style="MARGIN: 0px">e. Formatting documents in CSE style&nbsp; </P>  <P style="MARGIN: 0px">f. Examining a sample science paper&nbsp;</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>XI. SPECIAL WRITING SITUATIONS&nbsp;</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px"><B>54. Writing Online </B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Writing effective electronic mail</P>  <P style="MARGIN: 0px">b. Collaborating online</P>  <P style="MARGIN: 0px">c. Creating effective Web compositions</P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>55. Public Writing</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Writing business letters and memos</P>  <P style="MARGIN: 0px">Sample letter and memo&nbsp; </P>  <P style="MARGIN: 0px">b. Writing a job application</P>  <P style="MARGIN: 0px">Sample letter and r&eacute;sum&eacute;s&nbsp; </P>  <P style="MARGIN: 0px">b. Writing reports and proposals</P>  <P style="MARGIN: 0px">Sample report and proposal&nbsp; </P>  <P style="MARGIN: 0px">c. Writing for community work</P>  <P style="MARGIN: 0px">Sample flyer, newsletter, and brochure&nbsp; </P></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>56. Oral Presentations&nbsp;</B></P>  <BLOCKQUOTE>  <P style="MARGIN: 0px">a. Writing and speaking&nbsp;</P>  <P style="MARGIN: 0px">b. Considering purpose and audience&nbsp;</P>  <P style="MARGIN: 0px">c. Organizing the presentation</P>  <P style="MARGIN: 0px">d. Delivering the presentation&nbsp;</P></BLOCKQUOTE></BLOCKQUOTE>  <P style="MARGIN: 0px"><B>Glossary of Usage</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Glossary of Terms&nbsp;</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>Index</B></P>  <DIV></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px" soNormal>The most trusted and authoritative name in handbooks, <I>The Little, Brown Compact Handbook</I> is an easy-to-use reference that will answer any question you may have in grammar, writing, or research.&nbsp; This edition offers the latest information on writing with computers, writing online, analyzing visuals, and researching effectively on the Internet.&nbsp; With clear explanations, a wealth of examples, and quick reference checklists and boxes, <I>The Little, Brown Compact Handbook</I> will makes it easy to find what you need and use the information you find.</P>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">Ten Success Strategies for Learning and Studying Academic Disciplines</P>  <P style="MARGIN: 0px"><B>Part One &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A Handbook for Reading and Thinking in College&nbsp; </B></P>  <P style="MARGIN: 0px">1&nbsp;&nbsp;&nbsp;&nbsp; Active Reading and Thinking Strategies</P>  <P style="MARGIN: 0px">2&nbsp;&nbsp;&nbsp;&nbsp; Vocabulary Building&nbsp; </P>  <P style="MARGIN: 0px">3&nbsp;&nbsp;&nbsp;&nbsp; Thesis, Main Ideas, Supporting Details, and Transitions&nbsp;</P>  <P style="MARGIN: 0px">4&nbsp;&nbsp;&nbsp;&nbsp; Organizational Patterns&nbsp;</P>  <P style="MARGIN: 0px">5&nbsp;&nbsp;&nbsp;&nbsp; Making Inferences&nbsp; </P>  <P style="MARGIN: 0px">6&nbsp;&nbsp;&nbsp;&nbsp;Critical Reading&nbsp;</P>  <P style="MARGIN: 0px">7&nbsp;&nbsp;&nbsp;&nbsp; Organizing Ideas&nbsp;</P>  <P style="MARGIN: 0px">8&nbsp;&nbsp;&nbsp;&nbsp; Improving and Adjusting Your Reading Rate&nbsp;</P>  <P style="MARGIN: 0px">9&nbsp;&nbsp;&nbsp;&nbsp; Reading and Evaluating Electronic Sources&nbsp;</P>  <P style="MARGIN: 0px"><B>Part Two&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; Readings for Academic Disciplines</B></P>  <P style="MARGIN: 0px">Introduction to Reading Across the Disciplines</P>  <P style="MARGIN: 0px">10&nbsp;&nbsp;&nbsp; Social Sciences</P>  <P style="MARGIN: 0px">11&nbsp;&nbsp;&nbsp;Communication/Speech</P>  <P style="MARGIN: 0px">12&nbsp;&nbsp;&nbsp; Anthropology</P>  <P style="MARGIN: 0px">13&nbsp;&nbsp;&nbsp;&nbsp;Arts/Humanities/Literature</P>  <P style="MARGIN: 0px">14&nbsp;&nbsp;&nbsp;&nbsp;Public Policy/Contemporary Issues</P>  <P style="MARGIN: 0px">15&nbsp;&nbsp;&nbsp;&nbsp;Political Science/Government/ History</P>  <P style="MARGIN: 0px">16&nbsp;&nbsp;&nbsp;&nbsp;Business/Advertising/Economics</P>  <P style="MARGIN: 0px">17&nbsp;&nbsp;&nbsp; Technology/Computers</P>  <P style="MARGIN: 0px">18&nbsp;&nbsp;&nbsp;&nbsp;Health-Related Fields</P>  <P style="MARGIN: 0px">19&nbsp;&nbsp;&nbsp;&nbsp;Life Sciences</P>  <P style="MARGIN: 0px">20&nbsp;&nbsp;&nbsp;&nbsp;Physical Sciences/Mathematics</P>  <P style="MARGIN: 0px">21&nbsp;&nbsp;&nbsp;&nbsp;Workplace/Career Fields</P>  <P style="MARGIN: 0px"><B>Part THREE Textbook Chapter Readings</B></P>  <P style="MARGIN: 0px">22&nbsp;&nbsp;&nbsp;&nbsp;Psychology Textbook Chapter</P>]]></d104>
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<b039>Laura E.</b039>
<b040>Berk</b040>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">Laura E. Berk is a distinguished professor of psychology at Illinois State University, where she has taught child and human development to both undergraduate and graduate students for more than three decades. She received her bachelor&rsquo;s degree in psychology from the University of California, Berkeley, and her master&rsquo;s and doctoral degrees in child development and educational psychology from the University of Chicago. She has been a visiting scholar at Cornell University, UCLA, Stanford University, and the University of South Australia. </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Berk has published widely on the effects of school environments on children&rsquo;s development, the development of private speech, and most recently, the role of makebelieve play in development. Her research has been funded by the U.S. Office of Education and the National Institute of Child Health and Human Development. It has appeared in many prominent journals, including <I>Child Development, Developmental Psychology,Merrill-Palmer Quarterly, Journal of Abnormal Child Psychology, Development and Psychopathology, </I>and <I>Early Childhood Research Quarterly. </I>Her empirical studies have attracted the attention of the general public, leading to contributions to <I>Psychology Today </I>and <I>Scientific American.</I></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Berk has served as research editor for <I>Young Children </I>and consulting editor for <I>Early Childhood Research Quarterly </I>and the <I>Journal of Cognitive Education and Psychology. </I>She is a frequent contributor to edited volumes on early childhood development, having recently authored chapters on the importance of parenting, on make-believe play and self-regulation, and on the kindergarten child. She has also written the chapter on development for <I>The Many Faces of Psychological Research in the Twenty-First Century </I>(Society for the Teaching of Psychology), the chapter on social development for <I>The Chicago Companion to the Child, </I>the article on Vygotsky for the <I>Encyclopedia of Cognitive Science, </I>and the chapter on storytelling as a teaching strategy for <I>Voices of Experience: Memorable Talks from the National Institute on the Teaching of Psychology </I>(Association for Psychological Science). Berk&rsquo;s books include <I>Private Speech: From Social Interaction to Self-Regulation, Scaffolding Children&rsquo;s Learning: Vygotsky and Early Childhood Education, </I>and <I>Landscapes of Development: An Anthology of Readings. </I>In addition to <I>Infants, Children, and Adolescents, </I>she is author of the best-selling texts <I>Child Development </I>and <I>Development Through the Lifespan, </I>published by Allyn and Bacon. Her book for parents and teachers is <I>Awakening Children&rsquo;s Minds: How Parents and Teachers Can Make a Difference. </I></P>  <P style="MARGIN: 0px"><I>&nbsp;</I></P>  <P style="MARGIN: 0px">Berk is active in work for children&rsquo;s causes. In addition to service in her home community, she is a member of the national board of directors of Jumpstart, a nonprofit organization&nbsp;that provides early literacy intervention to thousands of low-income preschoolers across the United States, using college and university students as interveners. Berk is a fellow of the American Psychological Association, Division, 7: Developmental Psychology.</P>  <P style="MARGIN: 0px">&nbsp;</P>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">I. THEORY AND RESEARCH IN CHILD DEVELOPMENT. </P>  <P style="MARGIN: 0px">1. History, Theory, and Applied Directions. </P>  <P style="MARGIN: 0px">2. Research Strategies. </P>  <P style="MARGIN: 0px">.</P>  <P style="MARGIN: 0px">II. FOUNDATIONS OF DEVELOPMENT. </P>  <P style="MARGIN: 0px">3. Biological Foundations, Prenatal Development, and Birth. </P>  <P style="MARGIN: 0px">4. Infancy: Early Learning, Motor Skills, and Perceptual Capacities. </P>  <P style="MARGIN: 0px">5. Physical Growth. </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">III. COGNITIVE AND LANGUAGE DEVELOPMENT. </P>  <P style="MARGIN: 0px">6. Cognitive Development: Piagetian, Core Knowledge, and Vygotskian Perspectives. </P>  <P style="MARGIN: 0px">7. Cognitive Development: An Information-Processing Perspective. </P>  <P style="MARGIN: 0px">8. Intelligence. </P>  <P style="MARGIN: 0px">9. Language Development. </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">IV. PERSONALITY AND SOCIAL DEVELOPMENT. </P>  <P style="MARGIN: 0px">10. Emotional Development. </P>  <P style="MARGIN: 0px">11. Self and Social Understanding. </P>  <P style="MARGIN: 0px">12. Moral Development. </P>  <P style="MARGIN: 0px">13. Development of Sex Differences and Gender Roles. </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">V. CONTEXTS FOR DEVELOPMENT. </P>  <P style="MARGIN: 0px">14. The Family. </P>  <P style="MARGIN: 0px">15. Peers, Media, and Schooling. </P>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">Read by more than half a million students worldwide<B>, </B>Berk&rsquo;s <I>Child Development </I>has been the standard for 20 years. Now, this 20th anniversary edition builds on its long and successful history with the most cutting-edge research, pedagogy, and supplements package available! Laura Berk has taught thousands of students with diverse majors, future goals, interests, and needs. Her work is continually at the forefront of changes in the field. The Eighth Edition includes the most up-to-date scholarship while retaining all the hallmark features for which Laura Berk&rsquo;s texts are known &mdash; unique story-telling, practical applications, meticulous research, and much more!</P>]]></d104>
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<b037>O'Connor, Karen J.</b037>
<b039>Karen J.</b039>
<b040>O'Connor</b040>
<b046>American University</b046>
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<b039>Larry J.</b039>
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<d104 textformat="02"><![CDATA[<B>  <P style="MARGIN: 0px">I. FOUNDATIONS OF GOVERNMENT.</P>  <P style="MARGIN: 0px"></B>&nbsp;&nbsp;&nbsp;&nbsp;1. The Political Landscape. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;2. The Constitution. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;3. Federalism. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;4. Civil Liberties. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;5. Civil Rights. </P><B>  <P style="MARGIN: 0px">II. INSTITUTIONS OF GOVERNMENT.</P>  <P style="MARGIN: 0px"></B>&nbsp;&nbsp;&nbsp;&nbsp;6. Congress. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;7. The Presidency. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;8. The Executive Branch and the Federal Bureaucracy. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;9. The Judiciary. </P><B>  <P style="MARGIN: 0px">III. POLITICAL BEHAVIOR.</P>  <P style="MARGIN: 0px"></B>&nbsp;&nbsp;&nbsp;&nbsp;10. Public Opinion and the News Media. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;11. Political Parties and Interest Groups. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;12. Campaigns, Elections, and Voting. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;13. Domestic and Economic Policy. </P>  <P style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;14. Foreign and Defense Policy. </P>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Features:</B></P>  <P style="MARGIN: 0px"></P>  <DIV sercontent>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>"The Living Constitution" boxes. &nbsp;</B>Reflecting the texts&rsquo; emphasis on the constitutional underpinnings of <B>government and its focus on the origins of America&rsquo;s democratic system, The Living Constitution</B> boxes appear at the beginning of every chapter to examine the chapter&#39;s topic in light of what the Constitution says&mdash;or fails to say&mdash;about it. Living Constitution boxes are broken down into four components: an excerpt from the Constitution, an explanation of the excerpt, some historical context and a discussion of how the clause continues to be relevant today, noting recent court cases, ongoing debates, or political challenges related to it. <B>A carefully annotated</B> <B>Constitution of the United States </B>appears after Ch. 2, The Constitution, providing students with an accessible and insightful walkthrough of this seminal document.&nbsp;</DIV></LI></UL></DIV>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>"Politics Now" boxes </B>examine contemporary issues to illustrate how American politics has evolved. &nbsp;Excerpts from news articles are followed by critical thinking questions that allow students to analyze current political issues for themselves. New boxes discuss Nancy Pelosi&rsquo;s style as House Speaker, presidential signing statements, media coverage of the Supreme Court, and the impact of frontloading on the 2008 Democratic presidential nomination contest. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>"Join the Debate" boxes</B> explore provocative, student-oriented topics and provide extensive, well-balanced coverage of both sides of a debate. Each box begins with a topic overview, provides accessible summaries of the opposing arguments, and concludes with critical thinking questions that allow students to examine their own stance on the topic and suggested readings for further research. New topics in this edition include the living wage movement, budget allocations for the Iraq War, and voting rights for felons.</DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Analyzing Visuals&rdquo;</B> features ask students to closely examine and assess a variety of different types of images including photographs, tables, bar graphs, line graphs, and maps. These features have been redesigned to emphasize open-ended, critical thinking questions. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Superior coverage of the diverse groups comprising the American electorate </B>is a hallmark of O&rsquo;Connor/Sabato. Karen O&rsquo;Connor, founder and director of the Women and Politics Institute in the School of Public Affairs at American University, draws on her own research as well as the work of other scholars to provide extensive coverage of the role of women in American government since the Founding. Gender issues and their close relationship with issues of race and ethnicity are addressed in every chapter of the text. Age, sexual orientation, and disability status are also examined throughout the book. This edition features increased attention to the immigration debate and its affect on politics in the United States, as well as expanded coverage of Hispanic Americans and Asian Pacific American populations.</DIV></LI></UL>  <DIV></DIV>  <DIV></DIV>  <P style="MARGIN: 0px">  <HR>    <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>New to this Edition:</B></P>  <DIV sercontent>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>An inspired re-design</B> of the text&rsquo;s layout uses color, type and graphical elements to increase the book&rsquo;s student appeal and to make it a more navigable and more effective study tool. &nbsp;A new graphical program features redrawn tables, charts, and graphs critiqued by a political science expert in data and statistics.&nbsp; A new photo program includes more conceptual, more action-oriented images to illustrate key points, more TV and film stills for greater connections to pop culture, and political cartoons to jumpstart class discussions.&nbsp;&nbsp;&nbsp;&nbsp;</DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;How to Study from this Book&rdquo; primer </B>in the beginning of the text features pointers for reading maps, tables, and visuals [from previous edition&rsquo;s Analyzing Visuals: A Brief Guide] as well as offers study tips to help students get the most from their reading.&nbsp; A <B>Spanish Glossary </B>defines key terms to provide support for ESL students.&nbsp; </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Illustrated Historical Timelines </B>provide students with a simple, effective, and inviting way to view the development of key American Government events and issues like the right to privacy, political parties, civil rights legislation, campaign tactics, and development of the news media and the war on terrorism.&nbsp; </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Ideas into Action&rdquo;</B> boxes show how political participation affects government and then provides them with doable, practical, and useful suggestions for active involvement in the political process and concludes with open ended discussion questions, and online resources for further research.&nbsp; &nbsp;Topics include celebrating Constitution Day, becoming a Congressional intern, and filing an <I>amicus curiae</I> brief. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Roots of&rdquo; </B>and<B> &ldquo;Toward Reform&rdquo; </B>sections highlight the text&rsquo;s emphasis on the importance of the history of American Government, as well as the dynamic cycle of reassessment and reform that allows the United States to continue to evolve and change for its relevance and vitality. Every chapter begins with a &ldquo;Roots of&rdquo; section that gives a historical overview of the topic at hand, and ends with a &ldquo;Toward Reform&rdquo; section devoted to a contentious or unresolved aspect of the topic being discussed.&nbsp; For example, the Constitution chapter begins with a &ldquo;Roots of&rdquo; section detailing the growing pains of a new nation, from trade and taxation to the Declaration of Independence, and ends with a &ldquo;Toward Reform&rdquo; section discussing methods of amending the Constitution to account for the challenges facing a mature nation with problems unforeseeable by the framers. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Thinking Globally </B>features underscore the commonalities and differences between the United States and other nations and bring a stronger comparative perspective to the text on a range of issues, including global environmentalism, indigenous legal systems, and parliamentary systems and their impact on parties and the executive branch. Three or more Thinking Globally prompts appear in each chapter and consist of a brief overview of a key comparative topic followed by critical thinking questions that ask students to examine some of Americas&rsquo; most commonly held assumptions about how government does or should function. (A corresponding Thinking Nationally feature occurs in the Texas Edition.)</DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;What Should I Know?&rdquo; </B>and <B>&ldquo;What Should I Have Learned?&rdquo; </B>help students preview and review the key topics and concepts explored in each chapter. Every chapter begins with a set of &ldquo;What Should I Know?&rdquo; questions as well as a bulleted list of section descriptions that follow the opening vignette, preview the key content of the chapter and prime students for the material.&nbsp; A &ldquo;What Should I Have Learned?&rdquo; section at the end of each chapter revisits the &ldquo;What Should I Know?&rdquo; questions and answers them with succinct summary paragraphs. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>To Learn More&mdash;To Do More</B> features serve as a capstone to every chapter&rsquo;s opening vignette and provide students with an online reference for participation in or further information about the vignette&rsquo;s topic.</DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Expanded</B> <B>"Politics Now" </B>boxes use excerpts from news articles to discuss Nancy Pelosi&rsquo;s style as House Speaker, presidential signing statements, media coverage of the Supreme Court, and the impact of frontloading on the 2008 presidential contest. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Revised "Join the Debate" </B>topics include the living wage movement, budget allocations for the Iraq War, and voting rights for felons. </DIV></LI></UL><A href="http:///hepm.pearsoned.com/editable/#logoHREF" umptop></A>  <DIV></DIV>  <DIV></DIV></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Guided by the belief that readers must first understand the origins of American government to fully understand the issues facing the United States today, this market-leading text offers the strongest coverage of both history and current events of any college textbook devoted to American politics. &nbsp;</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px">From hallmark features like &ldquo;The Living Constitution&rdquo; to new features like the illustrated historical timelines, <I>Essentials of American Government: Continuity and Change </I>provides the historical context&nbsp;readers need to understand our government and the most crucial and controversial issues affecting the nation in the 21st century.&nbsp; This Essentials edition includes the coverage found in the comprehensive version of the text but in a condensed format.&nbsp; </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">This bestselling book has been extensively revised to provide in-depth coverage of the 2008 presidential and congressional elections, President George W. Bush&rsquo;s second administration and the 110<SUP>th</SUP> Congress, continued controversies related to the wars in Iraq and Afghanistan and the war on terrorism, and domestic concerns related to rising gas and food prices and the subprime mortgage crisis. </P>]]></d104>
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<b035>A01</b035>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>I. Foundations of Government</B></P>  <P style="MARGIN: 0px">1. The Political Landscape</P>  <P style="MARGIN: 0px">2. The Constitution</P>  <P style="MARGIN: 0px">3. Federalism</P>  <P style="MARGIN: 0px">4. Civil Liberties</P>  <P style="MARGIN: 0px">5. Civil Rights</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>II. Institutions of Government</B></P>  <P style="MARGIN: 0px">6. Congress</P>  <P style="MARGIN: 0px">7. The Presidency</P>  <P style="MARGIN: 0px">8. The Executive Branch and the Federal Bureaucracy</P>  <P style="MARGIN: 0px">9. The Judiciary</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>III. Political Behavior</B></P>  <P style="MARGIN: 0px">10. Public Opinion and the News Media</P>  <P style="MARGIN: 0px">11. Political Parties and Interest Groups</P>  <P style="MARGIN: 0px">12. Campaigns, Elections, and Voting</P>  <P style="MARGIN: 0px">13. Domestic and Economic Policy</P>  <P style="MARGIN: 0px">14. Foreign and Defense Policy</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>IV. Texas Government</B></P>  <P style="MARGIN: 0px">15. The Context for Texas Politics and Government</P>  <P style="MARGIN: 0px">16. The Texas Constitution</P>  <P style="MARGIN: 0px">17. Local Government and Politics in Texas</P>  <P style="MARGIN: 0px">18. The Texas Legislature</P>  <P style="MARGIN: 0px">19. The Governor and Bureaucracy in Texas</P>  <P style="MARGIN: 0px">20. The Texas Judiciary</P>  <P style="MARGIN: 0px">21. Political Parties, Interest Groups, Elections, and Campaigns in Texas</P>  <P style="MARGIN: 0px">&nbsp;</P>]]></d104>
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<d102>01</d102>
<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Guided by the belief that students must first understand the origins of American government to fully understand the issues facing the United States today, this market-leading text offers the strongest coverage of both history and current events of any college textbook devoted to American politics. &nbsp;</B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px">From hallmark features like &ldquo;The Living Constitution&rdquo; to new features like the illustrated historical timelines, <I>Essentials of American and Texas Government: Continuity and Change </I>provides the historical context students need to understand our government and the most crucial and controversial issues affecting the nation in the 21st century.&nbsp; This Essentials edition includes the coverage found in the comprehensive Texas version of the text but in a condensed format.&nbsp; </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">This bestselling book has been extensively revised to provide in-depth coverage of the 2008 presidential and congressional elections, President George W. Bush&rsquo;s second administration and the 110<SUP>th</SUP> Congress, continued controversies related to the wars in Iraq and Afghanistan and the war on terrorism, and domestic concerns related to rising gas and food prices and the subprime mortgage crisis. </P>  <DIV></DIV>  <DIV></DIV>  <DIV></DIV>  <DIV></DIV>  <DIV></DIV>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Edwards, George C.</b037>
<b039>George C.</b039>
<b040>Edwards</b040>
<b046>Texas A&amp;M University</b046>
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<b035>A01</b035>
<b037>Lineberry, Robert L.</b037>
<b039>Robert L.</b039>
<b040>Lineberry</b040>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">&nbsp; 1. Introducing Government in America.<BR>&nbsp; 2. The Constitution.<BR>&nbsp; 3. Federalism.<BR>&nbsp; 4. Civil Liberties.</P>  <P style="MARGIN: 0px">&nbsp; 5. Civil Rights.<BR>&nbsp; 6. Public Opinion and Political Action.<BR>&nbsp; 7. The Mass Media and the Political Agenda.<BR>&nbsp; 8. Political Parties.<BR>&nbsp; 9. Campaigns and Voting Behavior.<BR>10. Interest Groups.<BR>11. Congress.<BR>12. The Presidency.</P>  <P style="MARGIN: 0px">13. The Federal Bureaucracy.</P>  <P style="MARGIN: 0px">14. The Federal Courts.</P>  <P style="MARGIN: 0px">15. The Congress, the President, and the Budget: Politics of Taxing and Spending.</P>  <P style="MARGIN: 0px">16. Social Welfare Policymaking.<BR>17. National Security Policy Making.</P>  <P style="MARGIN: 0px">Issues of the Times</P>]]></d104>
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<d102>18</d102>
<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Features:</B></P>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>"Why It Matters"</B> marginal boxes encourage students to think critically about an aspect of government, politics, or policy and ask them to consider the impact&ndash;usually on themselves&ndash;if things worked differently.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Young People and Politics&rdquo; </B>boxes illustrate how politics specifically impact young adults, how their political behavior patterns are unique and important, and how their particular political desires are being met or ignored by public officials.&nbsp; </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;You Are the Policymaker&rdquo;</B> boxes throughout the text put students in the role of policymaker, asking them to analyze two sides of an issue and reach a policy decision. </DIV>  <LI>  <DIV style="MARGIN: 0px">&ldquo;<B>A Generation of Change</B>&rdquo; compares current aspects of politics, government, and public policy to that of a generation ago.&nbsp;&nbsp;An 18-year old student in 2009 was born in 1991, when the first President Bush took office.&nbsp;&nbsp;Because students have little idea of just how much things have changed between then and now,&nbsp;this feature provides students with some historical perspective on how politics and public policy has changed, made all the more engaging because it is framed around their lifetime. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;How</B>&nbsp;<B>You</B>&nbsp;<B>Can Make a Difference&rdquo;</B> boxes provide students with information on how they can get involved with issues in order to influence how government works or help decide what policies are established. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>"America in Perspective"</B> features examine how the United States compares to other countries in areas such as tax rates, voter turnout, and the delivery of public services. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Issues of the Times&rdquo;</B>&nbsp;appendix features articles on the issues of the day pulled directly from the <I>New York Times.&nbsp; </I>These articles at the back of the book are accompanied by a short introduction and overlaying pedagogy that asks students to think critically about the news and how it affects them.&nbsp; In essence, students get a <I>New York Times</I> reader in every copy of their book! </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Get Connected&rdquo;</B> <B>chapter-ending boxes </B>underscore the &ldquo;politics matters&rdquo; theme by asking students to get involved,&nbsp;investigate current political issues on the web, and then answer critical thinking questions about what they&#39;ve seen. The exercises demonstrate key points in each chapter and are designed to work well as homework assignments. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Tools for Understanding Government in America.&rdquo; </B>This primer at the start of the text provides helpful guidance on how to get the most information from newspapers, study charts and graphs (especially in this book), and the Internet.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>MyPoliSciLab</B> access comes at no additional charge when an access card is packaged with the book. </DIV></LI></UL>  <P style="MARGIN: 0px">  <HR>    <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>New to this Edition:</B></P>  <DIV sercontent>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;My State.&rdquo;</B>&nbsp; Making politics personal, <B>&ldquo;My State&rdquo;</B> presents information, data, and maps showing where each of the fifty states falls on topics like education spending, unemployment rates, voter turnout, abortion laws, and immigrant populations. Questions for Discussion ask students to consider the reasons for their state&rsquo;s policies and political culture and how it might change in the future. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Chapter Tests. </B>&nbsp;&nbsp;To ensure student&rsquo;s are making progress in the course, this edition offers even more assessment opportunities, including a test at the end of every chapter to check students&rsquo; understanding of key points before they move on to the next topic.</DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Engaging New Design.</B>&nbsp; To better appeal to students, the design has been completely re-envisioned with more effective graphics, bigger and more frequent visuals, and a more seamless, connective feel amongst the elements of the book.&nbsp; To enhance the book&rsquo;s coverage, photos have been reexamined with an eye toward including images that are more journalistic or conceptual in nature.&nbsp;&nbsp;&nbsp; </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Updated throughout.&nbsp; </B>The Fourteenth Edition includes comprehensive coverage of the 2008 presidential campaign and election results, the latest Supreme Court decisions on federalism, civil liberties, and civil rights, and the most recent available data in its charts, tables, and graphs.&nbsp; </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px">New topics in &ldquo;<B>A Generation of Change</B>&rdquo; &nbsp;the shrinking gender wage gap, changing regulation trends, immigration reforms, and the rising trade balance deficit. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>"America in Perspective"</B> sections include new comparisons of the US and other nations on issues like minority rights, free speech and religious extremists, China&rsquo;s booming economy, and immigration policy in Europe.&nbsp; </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B><I>New &ldquo;Issues of</I></B><B> <I>the Times&rdquo;</I> readings.&nbsp; </B>This bonus collection of thought-provoking articles pulled directly from The New York Times covers such hot new topics as how the internet is changing politics, how political parties are collecting your personal data, the efforts of non-citizen residents to secure the right to vote in local elections, whether municipal governments should hire lobbyists, and the legal and ethical implications of genetic discrimination.</DIV></LI></UL>  <P style="MARGIN: 0px"><B>  <HR>  </B>  <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px"><B>A Generation of Change</B></P>  <P style="MARGIN: 0px">Functions of Federal Grants (Chapter 3)</P>  <P style="MARGIN: 0px">The Shrinking Gap Between Men&rsquo;s and Women&rsquo;s Wages (Chapter 5)</P>  <P style="MARGIN: 0px">Trends in Regulation (Chapter 15)</P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>  <P style="MARGIN: 0px"><B>My State</B></P>  <P style="MARGIN: 0px">The Length of State Constitutions (Chapter 2)</P>  <P style="MARGIN: 0px">State and Local Spending on Public Education (Chapter 3)</P>  <P style="MARGIN: 0px">Laws on Abortions for Minors (Chapter 4)</P>  <P style="MARGIN: 0px">A Nation of Minorities (Chapter 5)</P>  <P style="MARGIN: 0px">Immigrants as a Percentage of State Population (Chapter 6)</P>  <P style="MARGIN: 0px">How Candidates Visited Some States Far More Than Others During the 2008 Nomination Campaign (Chapter 9)</P>  <P style="MARGIN: 0px">Turnout of Adult Citizens in 2004 (Chapter 10)</P>  <P style="MARGIN: 0px">Labor Union Membership as a Percentage of State Workforces (Chapter 11)</P>  <P style="MARGIN: 0px">Federal Civilian Employees (Chapter 15)</P>  <P style="MARGIN: 0px">The Federal Judicial Circuits (Chapter 16)</P>  <P style="MARGIN: 0px">Unemployment Rates by State, 2008 (Chapter 17)</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>America</B><B> in Perspective</B></P>  <P style="MARGIN: 0px">The Unusual Rigidity of the U.S. Constitution (Chapter 2)</P>  <P style="MARGIN: 0px">Tolerance for Free Speech Rights of Religious Extremists (Chapter 4)</P>  <P style="MARGIN: 0px">Respect for Minority Rights (Chapter 5)</P>  <P style="MARGIN: 0px">Membership in Environmental Groups (Chapter 11)</P>  <P style="MARGIN: 0px">Malapportionment in the Upper House (Chapter 12)</P>  <P style="MARGIN: 0px">The Tenure of Supreme Court Judges (Chapter 16)</P>  <P style="MARGIN: 0px">The Roar of the Dragon:&nbsp; China&rsquo;s Economy (Chapter 17)</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>You Are the Policymaker</B></P>  <P style="MARGIN: 0px">Should PACs Be Eliminated?&nbsp; (Chapter 11)</P>  <P style="MARGIN: 0px"></P></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>Framing its content within a resonant &ldquo;politics matters&rdquo; theme and emphasizing public policy throughout, this accessible text illustrates the impact that government has on the daily lives of each and every American, particularly its effect on students.&nbsp; </B></P>  <P style="MARGIN: 0px">&nbsp;</P>Through engaging and interactive boxed features and a focus on the issues that matter to most, this practical text motivates&nbsp;readers&nbsp;to become active participants in our political system, and helps overcome apathy toward government.&nbsp; The brief edition of this bestselling text includes the streamlined content of the comprehensive version.&nbsp; </DIV>]]></d104>
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<b035>A01</b035>
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<d104 textformat="02"><![CDATA[1. Introducing Government in America.<BR>&nbsp; 2. The Constitution.<BR>&nbsp; 3. Federalism.<BR>&nbsp; 4. Civil Liberties.   <P style="MARGIN: 0px">&nbsp; 5. Civil Rights.<BR>&nbsp; 6. Public Opinion and Political Action.<BR>&nbsp; 7. The Mass Media and the Political Agenda.<BR>&nbsp; 8. Political Parties.<BR>&nbsp; 9. Campaigns and Voting Behavior.<BR>10. Interest Groups.<BR>11. Congress.<BR>12. The Presidency.</P>  <P style="MARGIN: 0px">13. The Federal Bureaucracy.</P>  <P style="MARGIN: 0px">14. The Federal Courts.</P>  <P style="MARGIN: 0px">15. The Congress, the President, and the Budget: Politics of Taxing and Spending.</P>  <P style="MARGIN: 0px">16. Social Welfare Policymaking.<BR>17. National Security Policy Making.</P>  <P style="MARGIN: 0px">Issues of the Times</P>]]></d104>
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<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>Framing its content within a resonant &ldquo;politics matters&rdquo; theme and emphasizing public policy throughout, this accessible text illustrates the impact that government has on the daily lives of each and every American.&nbsp; </B></P>  <P style="MARGIN: 0px">&nbsp;</P>Through engaging and interactive boxed features and a focus on the issues that matter to most, this practical text motivates&nbsp;readers to become active participants in our political system, and helps overcome public apathy toward government.&nbsp; The brief study edition of this bestseller includes the streamlined content of the comprehensive version plus built-in, perforated <B>Practice Tests</B> at the back of the text that&nbsp;readers can use for self-study.&nbsp;&nbsp; </DIV>]]></d104>
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<b034>1</b034>
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<b037>Edwards, George C.</b037>
<b039>George C.</b039>
<b040>Edwards</b040>
<b046>Texas A&amp;M University</b046>
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<b037>Wattenberg, Martin P.</b037>
<b039>Martin P.</b039>
<b040>Wattenberg</b040>
<b046>University of California, Irvine</b046>
</contributor>
<contributor>
<b034>3</b034>
<b035>A01</b035>
<b037>Lineberry, Robert L.</b037>
<b039>Robert L.</b039>
<b040>Lineberry</b040>
<b046>University of Houston</b046>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">1. Introducing Government in America.<BR></P><B>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Part 1:&nbsp; Constitutional Foundations</P>  <P style="MARGIN: 0px"></B>2. The Constitution.<BR>3. Federalism.<BR>4. Civil Liberties and Public Policy.</P>  <P style="MARGIN: 0px">5. Civil Rights and Public Policy.<BR></P>  <P style="MARGIN: 0px">&nbsp;</P><B>  <P style="MARGIN: 0px">Part 2:&nbsp; People and Politics</P>  <P style="MARGIN: 0px"></B>6. Public Opinion and Political Action.<BR>7. The Mass Media and the Political Agenda.<BR>8. Political Parties.<BR>9. Nominations and Campaigns.</P>  <P style="MARGIN: 0px">10. Elections and Voting Behavior.<BR>11. Interest Groups.<BR></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 3:&nbsp; The Policymakers</B></P>  <P style="MARGIN: 0px">12. Congress.<BR>13. The Presidency.</P>  <P style="MARGIN: 0px">14. The Congress, the President, and the Budget: Politics of Taxing and Spending.</P>  <P style="MARGIN: 0px">15. The Federal Bureaucracy.<BR>16. The Federal Courts.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 4:&nbsp; Policies</B></P>  <P style="MARGIN: 0px">17. Economic Policy Making.</P>  <P style="MARGIN: 0px">18. Social Welfare Policymaking.<BR>19. Policymaking for Healthcare and the Environment.</P>  <P style="MARGIN: 0px">20. National Security Policy Making.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 5:&nbsp; State and Local Government</B></P>  <P style="MARGIN: 0px">21. The New Face of State and Local Government.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Issues of the Times</P>]]></d104>
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<d102>01</d102>
<d104 textformat="02"><![CDATA[<DIV sercontent>  <P style="MARGIN: 0px"><B>Framing its content within a resonant &ldquo;politics matters&rdquo; theme and emphasizing public policy throughout, this accessible text illustrates the impact that government has on the daily lives of each and every American.&nbsp; &nbsp; </B></P>  <P style="MARGIN: 0px"><B>&nbsp;</B></P>Through engaging and interactive boxed features and a focus on the issues that matter to most, this practical text motivates&nbsp;readers to become active participants in our political system, and helps overcome public apathy toward government. </DIV>]]></d104>
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<b035>A01</b035>
<b037>Edwards, George C.</b037>
<b039>George C.</b039>
<b040>Edwards</b040>
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<b035>A01</b035>
<b037>Wattenberg, Martin P.</b037>
<b039>Martin P.</b039>
<b040>Wattenberg</b040>
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<b037>Lineberry, Robert L.</b037>
<b039>Robert L.</b039>
<b040>Lineberry</b040>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">1. Introducing Government in America.<BR></P><B>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Part 1:&nbsp; Constitutional Foundations</P>  <P style="MARGIN: 0px"></B>2. The Constitution.<BR>3. Federalism.<BR>4. Civil Liberties and Public Policy.</P>  <P style="MARGIN: 0px">5. Civil Rights and Public Policy.<BR></P>  <P style="MARGIN: 0px">&nbsp;</P><B>  <P style="MARGIN: 0px">Part 2:&nbsp; People and Politics</P>  <P style="MARGIN: 0px"></B>6. Public Opinion and Political Action.<BR>7. The Mass Media and the Political Agenda.<BR>8. Political Parties.<BR>9. Nominations and Campaigns.</P>  <P style="MARGIN: 0px">10. Elections and Voting Behavior.<BR>11. Interest Groups.<BR></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 3:&nbsp; The Policymakers</B></P>  <P style="MARGIN: 0px">12. Congress.<BR>13. The Presidency.</P>  <P style="MARGIN: 0px">14. The Congress, the President, and the Budget: Politics of Taxing and Spending.</P>  <P style="MARGIN: 0px">15. The Federal Bureaucracy.<BR>16. The Federal Courts.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 4:&nbsp; Policies</B></P>  <P style="MARGIN: 0px">17. Economic Policy Making.</P>  <P style="MARGIN: 0px">18. Social Welfare Policymaking.<BR>19. Policymaking for Healthcare and the Environment.</P>  <P style="MARGIN: 0px">20. National Security Policy Making.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part 5:&nbsp; State and Local Government</B></P>  <P style="MARGIN: 0px">21. The New Face of State and Local Government.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Issues of the Times</P>  <DIV></DIV>]]></d104>
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<b034>1</b034>
<b035>A01</b035>
<b037>Fiorina, Morris P.</b037>
<b039>Morris P.</b039>
<b040>Fiorina</b040>
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<b034>2</b034>
<b035>A01</b035>
<b037>Peterson, Paul E.</b037>
<b039>Paul E.</b039>
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<b034>3</b034>
<b035>A01</b035>
<b037>Johnson, Bertram</b037>
<b039>Bertram</b039>
<b040>Johnson</b040>
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<b034>4</b034>
<b035>A01</b035>
<b037>Mayer, William G.</b037>
<b039>William G.</b039>
<b040>Mayer</b040>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Morris P. Fiorina</B> is Professor of Political Science and Senior Fellow of the Hoover Institution at Stanford University.&nbsp; He has published numerous books, including <I>Representatives, Rolls, and Constituencies</I>; <I>Congress &ndash; Keystone of the Washington Establishment</I>; and most recently <I>Culture War: The Myth of a Polarized America</I>.&nbsp; Fiorina has served on the editorial boards of a dozen journals in the field of political science, economics, law, and public policy, and he is a member of the National Academy of Sciences.&nbsp; </P>  <P style="MARGIN: 0px"></B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Paul E. Peterson </B>is the Henry Lee Shattuck Professor of Government and Director of the Center for American Political Studies at Harvard University.&nbsp; He received the Woodrow Wilson Award from the American Political Science Association for his book <I>City Limits</I>, and the Aaron Wildavsky Award for the best book on public policy for his <I>The Price of Federalism</I>.&nbsp; Peterson is a member of the American Academy of Arts and Sciences.</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Bert Johnson</B> is an Assistant Professor of Political Science at Middlebury College.&nbsp; He received his B.A. from Carleton College and his Ph.D. from Harvard University.&nbsp; Johnson has written on federalism, intergovernmental relations, and campaign finance.</P><B>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">William G. Mayer </B>is an Associate Professor of Political Science at Northeastern University.&nbsp; He has authored numerous publications, including <I>In Pursuit of the White House 2000: How We Choose Our Presidential Nominees, </I>"Mass Partisanship, 1946-1996," and <I>Divided Democrats: Ideological Unity, Party Reform, and Presidential Elections.</I><I>&nbsp; Mayer&rsquo;s areas of study include American politics, public opinion, and the media. </I></P>]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">Preface.</P>  <P style="MARGIN: 0px">&nbsp;<B></P>  <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px">I. FOUNDATIONS OF AMERICA&rsquo;S NEW DEMOCRACY</B></P>  <P style="MARGIN: 0px">1. Democracy in the United States</P>  <P style="MARGIN: 0px">2. The U.S. Constitution</P>  <P style="MARGIN: 0px">3. Federalism</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>II. CHANNELS OF INFLUENCE IN AMERICA&rsquo;S NEW DEMOCRACY</B></P>  <P style="MARGIN: 0px">4. American Political Culture</P>  <P style="MARGIN: 0px">5. Public Opinion</P>  <P style="MARGIN: 0px">6. The Media</P>  <P style="MARGIN: 0px">7. Individual Participation</P>  <P style="MARGIN: 0px">8. National Elections</P>  <P style="MARGIN: 0px">9. Political Parties and Interest Groups</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>III. THE INSTITUTIONS OF AMERICA&rsquo;S NEW DEMOCRACY</B></P>  <P style="MARGIN: 0px">10. The Congress</P>  <P style="MARGIN: 0px">11. The Presidency</P>  <P style="MARGIN: 0px">12. The Bureaucracy</P>  <P style="MARGIN: 0px">13. The Judiciary</P><B>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">IV. OUTPUTS FROM AMERICA&rsquo;S NEW DEMOCRACY</P></B>  <P style="MARGIN: 0px">14. Civil Liberties</P>  <P style="MARGIN: 0px">15. Civil Rights</P>  <P style="MARGIN: 0px">16. Public Policy</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Appendix</P>  <P style="MARGIN: 0px">Glossary</P>  <P style="MARGIN: 0px">Endnotes</P>]]></d104>
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<d102>18</d102>
<d104 textformat="02"><![CDATA[<B>  <P style="MARGIN: 0px">Features:</P></B>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Inexpensive</B> <B>and brief,</B> this book is an excellent foundation for professors who want to add supplementary texts, additional readings, or periodicals.&nbsp; </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Coverage of hot topics in American political culture </B>includes values-based conflicts over gay rights, the ongoing immigration debate, and bias in the mass media. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Strong attention to civil rights and liberties</B>,&nbsp;presents the most recent Supreme Court cases on issues such as affirmative action and the war on terror. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Up-to-date coverage on public policy</B>, including recent changes in social welfare policy and prescription drug coverage. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>In-depth coverage of important and often overlooked topics</B>, includes discussions of&nbsp;unconventional participation, religion and politics, and linguistic minorities. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>A hallmark of text, completely up-to-date scholarship</B> incorporates the most recent political science research available. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Chapter-opening vignettes</B> introduce the subject matter with high-interest issues such as Hurricane Katrina (Chapter 3) and the role of race and gender in the 2008 campaign (Chapter 15).</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Election Voices&rdquo;</B> essays explore the various sides of important, current public policy debates on such topics as the constitutionality of the death penalty, arguments for and against restrictions on lobbying, and the complex matter of U.S. energy policy.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;On the Web&rdquo;</B> list of links found at the end of each chapter directs students to pertinent web sites for further study.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Chapter Summary, Key Terms, and annotated Suggested Readings </B>are also found at the end of each chapter.</DIV></LI></UL>  <P style="MARGIN: 0px">  <HR>    <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>New to this Edition:</B></P>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Updated throughout</B> to include results of the 2008 presidential election and coverage of key political events and issues of the last two years. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Public opinion and the media are now treated in two separate chapters</B>, for more complete and effective coverage of these distinct topics.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Expanded! New Election Voices essays</B> on the national drinking age (Chapter 3) and whether the government should enact a nationwide civics program (Chapter 5). </DIV>  <LI>  <DIV style="MARGIN: 0px">Covers the <B>most recent developments in American politics</B>, including the ongoing issue of illegal immigration (Chapter 4);public opinion on the Iraq War (Chapter 5); the importance of the Internet as a news source (Chapter 6); the role of video sharing sites like &ldquo;YouTube&rdquo; and the blogosphere (Chapter 6); changes in the Supreme Court&rsquo;s interpretation of the Second Amendment guarantee of the right to bear arms (Chapter 14); and the implications of the recession of 2008 (Chapter 16). </DIV>  <LI>  <DIV style="MARGIN: 0px">Several <B>important topics have increased and/or updated coverage</B> in this edition: traditional conceptions of democracy (Chapter 1); group differences in public opinion (new text material and figure in Chapter 5); the role of superdelegates in the presidential nomination process (Chapter 8); the power of parties in Congress (new text material and a figure showing that congressional parties are more unified today than a decade ago in Chapter 10); privatization as a means to control bureaucratic expansion (Chapter 12); and Supreme Court judges&rsquo; approaches to constitutional interpretation (Chapter 13).</DIV>  <LI>  <DIV style="MARGIN: 0px">Features the most <B>up-to-date political science research</B>, such as Jane Mansbridge&rsquo;s work on rethinking representation (Chapter 1) and Barbara Sinclair&rsquo;s work on unorthodox lawmaking (Chapter 10). . </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Enhanced, interactive graphs and charts! </B>The book&rsquo;s already excellent figures have been improved with questions that inspire higher order thinking and analysis of the data.</DIV></LI></UL>]]></d104>
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<d102>01</d102>
<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>This concise, highly affordable text&nbsp;provides an engaging, analytical approach to American Government that stresses the importance of elections in contemporary American politics.</B> </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Written in a strong narrative voice and brimming with student-relevant examples,&nbsp;<I>America&rsquo;s New Democracy</I> provides a focused and stimulating treatment of politics in the United States. Illustrating popular influence across the political system in defense of a central theme&ndash;-that elections matter more in America&rsquo;s political system today than they have in the past or do in other democracies-&ndash;the book challenges the pessimistic view that government seldom listens to ordinary people. <I>America&rsquo;s New Democracy</I> encourages readers to see that in a system where votes are the main currency, both power and responsibility rest on the shoulders of <I>all</I> citizens.</P>]]></d104>
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<b035>A01</b035>
<b037>Fiorina, Morris P.</b037>
<b039>Morris P.</b039>
<b040>Fiorina</b040>
<b046>Stanford University</b046>
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<b035>A01</b035>
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<b039>Paul E.</b039>
<b040>Peterson</b040>
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<b034>3</b034>
<b035>A01</b035>
<b037>Johnson, Bertram</b037>
<b039>Bertram</b039>
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<b046>Middlebury College</b046>
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<b034>4</b034>
<b035>A01</b035>
<b037>Mayer, William G.</b037>
<b039>William G.</b039>
<b040>Mayer</b040>
<b046>Northeastern University</b046>
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<d104 textformat="02"><![CDATA[<B>  <P style="MARGIN: 0px">I. THE FOUNDATIONS OF A NEW AMERICAN DEMOCRACY. </P>  <P style="MARGIN: 0px"></B>1. Democracy in the United States. </P>  <P style="MARGIN: 0px">2. Establishing a Constitutional Democracy. </P>  <P style="MARGIN: 0px">3. Federalism: Division of Power Among National, State, and Local Governments. </P>  <P style="MARGIN: 0px">4. American Political Culture. </P>  <P style="MARGIN: 0px"><B>II. THE INGREDIENTS OF THE NEW AMERICAN DEMOCRACY.</B> </P>  <P style="MARGIN: 0px">5. Public Opinion. </P>  <P style="MARGIN: 0px">6. Individual Participation. </P>  <P style="MARGIN: 0px">7. Interest-Group Participation in American Democracy. </P>  <P style="MARGIN: 0px">8. Political Parties. </P>  <P style="MARGIN: 0px">9. The Media. </P><B>  <P style="MARGIN: 0px">III. CAMPAIGNS AND ELECTIONS. </P>  <P style="MARGIN: 0px"></B>10. Electing the President. </P>  <P style="MARGIN: 0px">11. Choosing the Congress. </P><B>  <P style="MARGIN: 0px">IV. THE GOVERNMENT. </P>  <P style="MARGIN: 0px"></B>12. The Congress and Its Work. </P>  <P style="MARGIN: 0px">13. The Presidency: Powers and Practice. </P>  <P style="MARGIN: 0px">14. The Bureaucracy. </P>  <P style="MARGIN: 0px">15. The Courts. </P><B>  <P style="MARGIN: 0px">V. CIVIL LIBERTIES AND CIVIL RIGHTS. </P>  <P style="MARGIN: 0px"></B>16. Civil Liberties. </P>  <P style="MARGIN: 0px">17. Civil Rights. </P><B>  <P style="MARGIN: 0px">APPENDICES. </P>  <P style="MARGIN: 0px"></B>The Declaration of Independence. </P>  <P style="MARGIN: 0px">The Constitution of the United States of America. </P>  <P style="MARGIN: 0px">The Federalist No. 10. </P>  <P style="MARGIN: 0px">The Federalist No. 51. </P>  <P style="MARGIN: 0px">Presidents of the United States of America. </P>]]></d104>
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<d104 textformat="02"><![CDATA[<B>  <P style="MARGIN: 0px">Features:</P></B>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Famous, highly-respected author, Morris Fiorina</B>, continues to helm this book.&nbsp; His acclaim, exposure, and influence &mdash; bolstered by the success of his other Longman text, <I>Culture War? The Myth of a Polarized America</I> &mdash; help to make this book one of the most prestigious American government books available.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Elegant, <I>two-color </I>design</B> underscores the prestige of the title, avoids clutter or &ldquo;pandering&rdquo; to students, and offers a look and feel that is appealing to faculty who know and admire Fiorina and Peterson&rsquo;s work. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Chapter-opening vignettes</B> introduce the subject matter with high-interest issues such as Hurricane Katrina (Chapter 3) and the role of race and gender in the 2008 campaign. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Making the Connection&rdquo; </B>features follow each vignette, relating its themes to the chapter content and preparing students for the material to follow.<B>&ldquo;Election Voices.&rdquo;&nbsp; </B>Fifteen essays presenting opposing viewpoints on controversial political topics &mdash; supplemented with critical thinking questions to encourage students to formulate their own opinions &mdash; constitute a &ldquo;debate style reader built into the text for free.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;International Comparison.&rdquo;</B> These boxes compare elements of American Government with similar elements in other countries, putting the U.S. system in global context and giving students a better understanding of its strengths and limitations.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Election Connection.&rdquo; </B>Illustrating the book&rsquo;s focus on electoral forces, these features describe the relationship between elections and institutions or policies using real-life examples such as &nbsp;the Harriet Miers nomination to the Supreme Court.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Marginal definitions </B>are provided for key terms that are boldfaced in the text and included in the end-of-book Glossary.&nbsp; </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>On the Web </B>sections at the end of each chapter direct readers to Web sites where they can find more information on the topics discussed.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Chapter Summary, Key Terms, and annotated Suggested Readings </B>are also found at the end of each chapter.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>MyPoliSciLab</B> access comes at no additional charge when an access card is packaged with the book. </DIV></LI></UL>  <P style="MARGIN: 0px">  <HR>    <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>New to this Edition:</B></P>  <DIV sercontent>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>More theory and foundations in Chapter 1.</B> Chapter 1 now includes more foundational coverage of the basic functions of government, as well as expanded coverage of the classic types of government and modern types of democracy.</DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Expanded, in-depth international coverage, including many more &ldquo;International Comparison&rdquo; boxes,</B> enhances this book&rsquo;s strong comparative aspect, helps students develop a more global perspective on government and politics.&nbsp; Several International Comparison boxes have been expanded, and many are now accompanied by maps to build students&rsquo; geographical skills. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Enhanced, interactive graphs and charts! </B>The book&rsquo;s already superior figures have also been redesigned with a bolder, more modern look, captions that highlight the key ideas of the graphic, and questions that call for analysis of the data. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Five new &ldquo;Election Voices&rdquo; essays</B> explore the election and its impact on controversial issues like the drinking age, lobbying restrictions, direct democracy, affirmative action and the question of whether judges should be elected.&nbsp; An expanded &ldquo;Election Connection&rdquo; box discusses Federalism and The Homeland Security Grant Program.&nbsp; </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Updated and expanded material throughout</B> further bolsters the elections theme and provides the latest coverage on such topics as immigration, public opinion on the Iraq war, blogosphere and podcasts in politics, recent Supreme Court decisions, the end of the George W. Bush administration, and the 2008 Presidential Election results. </DIV></LI></UL>  <DIV></DIV></DIV>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">&nbsp;</P>]]></d104>
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<d102>01</d102>
<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>With an emphasis on elections and their importance in the American political system, this groundbreaking offers a stimulating, analytical approach to American government and a unique perspective on contemporary politics.</B></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">Noted scholars and teachers all, the authors propose in their text that politicians today are perpetually engaged in the election process&mdash;a &ldquo;permanent campaign&rdquo;&mdash;which has profoundly affected how our government functions today.&nbsp; The proliferation of public opinion polls, the growing influence of the Internet, the ubiquitous nature of the news media, and the increasingly important role of interest groups&ndash;all demonstrate that America is moving toward a more popular democracy and have blurred the lines between politicians campaigning and governing.&nbsp; </P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px">The sixth edition of this prestigious text will have been brought completely up-to-date through the end of the George W. Bush administration and 2008 Presidential Election, by its publication.&nbsp; The alternate version of <I>The New American Democracy </I>includes the exact same coverage as the comprehensive version without the policy chapters.&nbsp; </P>  <DIV></DIV>  <DIV></DIV>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>I. THE FOUNDATIONS OF A NEW AMERICAN DEMOCRACY.</B> </P>  <P style="MARGIN: 0px">1. Democracy in the United States. </P>  <P style="MARGIN: 0px">2. Establishing a Constitutional Democracy. </P>  <P style="MARGIN: 0px">3. Federalism: Division of Power Among National, State, and Local Governments. </P>  <P style="MARGIN: 0px">4. American Political Culture </P>  <P style="MARGIN: 0px"><B>II. THE INGREDIENTS OF THE NEW AMERICAN DEMOCRACY.</B> </P>  <P style="MARGIN: 0px">5. Public Opinion. </P>  <P style="MARGIN: 0px">6. Individual Participation. </P>  <P style="MARGIN: 0px">7. Interest-Group Participation in American Democracy. </P>  <P style="MARGIN: 0px">8. Political Parties. </P>  <P style="MARGIN: 0px">9. The Media. </P><B>  <P style="MARGIN: 0px">III. CAMPAIGNS AND ELECTIONS. </P>  <P style="MARGIN: 0px"></B>10. Electing the President. </P>  <P style="MARGIN: 0px">11. Choosing the Congress. </P><B>  <P style="MARGIN: 0px">IV. THE GOVERNMENT. </P>  <P style="MARGIN: 0px"></B>12. The Congress and Its Work. </P>  <P style="MARGIN: 0px">13. The Presidency: Powers and Practice. </P>  <P style="MARGIN: 0px">14. The Bureaucracy. </P>  <P style="MARGIN: 0px">15. The Courts. </P><B>  <P style="MARGIN: 0px">V. CIVIL LIBERTIES AND CIVIL RIGHTS. </P>  <P style="MARGIN: 0px"></B>16. Civil Liberties. </P>  <P style="MARGIN: 0px">17. Civil Rights. </P><B>  <P style="MARGIN: 0px">VI.&nbsp;PUBLIC POLICY.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</P>  <P style="MARGIN: 0px"></B>18. Domestic Policy.</P>  <P style="MARGIN: 0px">19. Economic Policy.</P>  <P style="MARGIN: 0px">20. Foreign and Defense Policy.</P><B>  <P style="MARGIN: 0px">APPENDICES. </P>  <P style="MARGIN: 0px"></B>The Declaration of Independence. </P>  <P style="MARGIN: 0px">The Constitution of the United States of America. </P>  <P style="MARGIN: 0px">The Federalist No. 10. </P>  <P style="MARGIN: 0px">The Federalist No. 51. </P>  <P style="MARGIN: 0px">Presidents of the United States of America. </P>]]></d104>
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<d104 textformat="02"><![CDATA[<B>  <P style="MARGIN: 0px">Features:</P></B>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Famous, highly-respected author, Morris Fiorina</B>, continues to helm this book.&nbsp; His acclaim, exposure, and influence &ndash; bolstered by the success of his other Longman text, <I>Culture War? The Myth of a Polarized America</I> &ndash; help to make this book one of the most prestigious American government books available.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Elegant, <I>two-color </I>design</B> underscores the prestige of the title, avoids clutter or &ldquo;pandering&rdquo; to students, and offers a look and feel that is appealing to faculty who know and admire Fiorina and Peterson&rsquo;s work. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Chapter-opening vignettes</B> introduce the subject matter with high-interest issues such as Hurricane Katrina (Chapter 3) and the role of race and gender in the 2008 campaign. </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Making the Connection&rdquo; </B>features follow each vignette, relating its themes to the chapter content and preparing students for the material to follow.<B>&ldquo;Election Voices.&rdquo;&nbsp; </B>Fifteen essays presenting opposing viewpoints on controversial political topics &ndash; supplemented with critical thinking questions to encourage students to formulate their own opinions &ndash; constitute a &ldquo;debate style reader built into the text for free.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;International Comparison.&rdquo;</B> These boxes compare elements of American Government with similar elements in other countries, putting the U.S. system in global context and giving students a better understanding of its strengths and limitations.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>&ldquo;Election Connection.&rdquo; </B>Illustrating the book&rsquo;s focus on electoral forces, these features describe the relationship between elections and institutions or policies using real-life examples such as &nbsp;the Harriet Miers nomination to the Supreme Court.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Marginal definitions </B>are provided for key terms that are boldfaced in the text and included in the end-of-book Glossary.&nbsp; </DIV>  <LI>  <DIV style="MARGIN: 0px"><B>On the Web </B>sections at the end of each chapter direct readers to Web sites where they can find more information on the topics discussed.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>Chapter Summary, Key Terms, and annotated Suggested Readings </B>are also found at the end of each chapter.</DIV>  <LI>  <DIV style="MARGIN: 0px"><B>MyPoliSciLab</B> access comes at no additional charge when an access card is packaged with the book. </DIV></LI></UL>  <P style="MARGIN: 0px">  <HR>    <P style="MARGIN: 0px"></P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>New to this Edition:</B></P>  <DIV sercontent>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>More theory and foundations in Chapter 1.</B> Chapter 1 now includes more foundational coverage of the basic functions of government, as well as expanded coverage of the classic types of government and modern types of democracy.</DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Expanded, in-depth international coverage, including many more &ldquo;International Comparison&rdquo; boxes,</B> enhances this book&rsquo;s strong comparative aspect, helps students develop a more global perspective on government and politics.&nbsp; Several International Comparison boxes have been expanded, and many are now accompanied by maps to build students&rsquo; geographical skills. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Enhanced, interactive graphs and charts! </B>The book&rsquo;s already superior figures have also been redesigned with a bolder, more modern look, captions that highlight the key ideas of the graphic, and questions that call for analysis of the data. </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Five new &ldquo;Election Voices&rdquo; essays</B> explore the election and its impact on controversial issues like the drinking age, lobbying restrictions, direct democracy, affirmative action and the question of whether judges should be elected.&nbsp; An expanded &ldquo;Election Connection&rdquo; box discusses Federalism and The Homeland Security Grant Program.&nbsp; </DIV></LI></UL>  <UL>  <LI>  <DIV style="MARGIN: 0px"><B>Updated and expanded material throughout</B> further bolsters the elections theme and provides the latest coverage on such topics as immigration, public opinion on the Iraq war, blogosphere and podcasts in politics, recent Supreme Court decisions, the end of the George W. Bush administration, and the 2008 Presidential Election results. </DIV></LI></UL>  <P style="MARGIN: 0px"></P></DIV>]]></d104>
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<b039>Bertram</b039>
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<b203>Interpersonal Communication</b203>
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<b034>1</b034>
<b035>A01</b035>
<b037>Lane, Shelley D.</b037>
<b039>Shelley D.</b039>
<b040>Lane</b040>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px"><B>Part I. The Basics</B></P>  <P style="MARGIN: 0px"><I><B><I>Chapter 1: Introduction to Interpersonal Communication</I></B></I></P>  <P style="MARGIN: 0px">The Study of Interpersonal Communication</P>  <P style="MARGIN: 0px">Interpersonal Communication Competence</P>  <P style="MARGIN: 0px">Contetxs and Interpersonal CommunicationTypes of Communication</P>  <P style="MARGIN: 0px">Metacommunication</P>  <P style="MARGIN: 0px">Principles of Communication</P>  <P style="MARGIN: 0px">Components in a Transactional Model of Communication</P>  <P style="MARGIN: 0px"><I><B><I>Chapter 2: Perception</I></B></I></P>  <P style="MARGIN: 0px">Introduction to Perception</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Perception and Communication</P>  <P style="MARGIN: 0px">The Stages in the Perception Process</P>  <P style="MARGIN: 0px">Perceptual Biases</P>  <P style="MARGIN: 0px">Describing Sense Data and Perception Checking to Prevent Perceptual Bias</P>  <P style="MARGIN: 0px">Contexts and Perception</P>  <P style="MARGIN: 0px">Contexts and Improving Communication Competence</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Stereotyping and Prejudice</P>  <P style="MARGIN: 0px"><B><I><B>Chapter 3: The Self-Concept and Communication</B></I></B></P>  <P style="MARGIN: 0px">Introduction to the Self Concept</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Self-Concept</P>  <P style="MARGIN: 0px">Characteristics and Components of the Self-Concept</P>  <P style="MARGIN: 0px">The "Face" We Present to Others</P>  <P style="MARGIN: 0px">Contexts and Self-Concepts</P>  <P style="MARGIN: 0px">Defensiveness and Non-Defensive Reactions</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Inflated Self-Esteem</P>  <P style="MARGIN: 0px"><B><I><B>Chapter 4: Emotion and Communication</B></I></B></P>  <P style="MARGIN: 0px">Introduction to Emotion</P>  <P style="MARGIN: 0px">Emotions and Physiology: Fast-Track and Slow-Track Circuit Emotions</P>  <P style="MARGIN: 0px">Types of Emotions</P>  <P style="MARGIN: 0px">Managing Our Emotions</P>  <P style="MARGIN: 0px">Expressing Our Emotions</P>  <P style="MARGIN: 0px">Contexts and Emotions</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Workplace Bullying and Mobbing</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part II. Creating Competent Messages</B></P>  <P style="MARGIN: 0px"><B><I>Chapter 5: Creating Competent Messages</I></B></P>  <P style="MARGIN: 0px">Introduction to Verbal Communication</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Verbal Communication</P>  <P style="MARGIN: 0px">Verbal Communication and Meaning</P>  <P style="MARGIN: 0px">Skills for Improving Verbal Communication</P>  <P style="MARGIN: 0px">Verbal Communication&#39;s Influence on Thought</P>  <P style="MARGIN: 0px">Contexts and Verbal Communication</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Gender-Biased Language</P>  <P style="MARGIN: 0px"><B><I><B>Chapter 6: Nonverbal Communication</B></I></B></P>  <P style="MARGIN: 0px">Introduction to Nonverbal Communication</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Nonverbal Communication</P>  <P style="MARGIN: 0px">Functions of Nonverbal Communication</P>  <P style="MARGIN: 0px">Types of Nonverbal Communication</P>  <P style="MARGIN: 0px">Nonverbal Immediacy Behaviors</P>  <P style="MARGIN: 0px">Contexts and Nonverbal Communication</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Stalking</P>  <P style="MARGIN: 0px"><I><B>Chapter 7: Conversation and Communication Style</B></I></P>  <P style="MARGIN: 0px">Introduction to Conversation and Communication Style</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Conversation</P>  <P style="MARGIN: 0px">Conversation, Communication, Apprehension, and Motivation</P>  <P style="MARGIN: 0px">How Conversation Functions</P>  <P style="MARGIN: 0px">Skills of Competent Conversationalists</P>  <P style="MARGIN: 0px">Contexts, Conversations, and Communication Style</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Conversational Dilemmas</P>  <P style="MARGIN: 0px"><B><I>Chapter 8: Listening and Confirming Responses</I></B></P>  <P style="MARGIN: 0px">Introduction to Listening and Confirming Responses</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Listening and Confirming Responses</P>  <P style="MARGIN: 0px">Stages in the Listening Process</P>  <P style="MARGIN: 0px">Types of Confirmimg Responses</P>  <P style="MARGIN: 0px">Contexts, Listening, and Confirming Responses</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Face-Threatening Acts</P>  <P style="MARGIN: 0px">&nbsp;</P>  <P style="MARGIN: 0px"><B>Part III. Communication Competency in Relationships</B></P>  <P style="MARGIN: 0px"><B><I>Chapter 9: Disconfirming Commmunication and Setting Boundaries</I></B></P>  <P style="MARGIN: 0px">Introduction to Disconfirming Communication and Setting Boundaries</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Disconfirming Communication and Setting Boundaries</P>  <P style="MARGIN: 0px">Assertive, Aggressive, and Submissive Communication</P>  <P style="MARGIN: 0px">Setting Boundaries with Assertive Communication</P>  <P style="MARGIN: 0px">Contexts and Their Influence on Disconfirming Communication and setting Boundaries</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Covert Verbal Abuse</P>  <P style="MARGIN: 0px"><B><I>Chapter 10: Interpersonal Relationships</I></B></P>  <P style="MARGIN: 0px">Introducing Interpersonal Relationships</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Interpersonal Relationships</P>  <P style="MARGIN: 0px">Theoretical Perspectives About Interpersonal Relationships and Self-Disclosure</P>  <P style="MARGIN: 0px">Models of Relational Development</P>  <P style="MARGIN: 0px">Skills in the Life Cycle of a Relationship</P>  <P style="MARGIN: 0px">Contexts and Interpersonal Relationships</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Relational Transgressions</P>  <P style="MARGIN: 0px"><B><I><B>Chapter 11: Interpersonal Conflict</B></I></B></P>  <P style="MARGIN: 0px">Introduction to Interpersonal Conflict</P>  <P style="MARGIN: 0px">Why It&#39;s Important to Study Interpersonal Conflict</P>  <P style="MARGIN: 0px">Types of Interpersonal Conflict</P>  <P style="MARGIN: 0px">Personal Conflict Styles</P>  <P style="MARGIN: 0px">Collaborative Conflict Resolution</P>  <P style="MARGIN: 0px">Communicating Apologies and Forgiveness</P>  <P style="MARGIN: 0px">Contexts and Interpersonal Conflict</P>  <P style="MARGIN: 0px">Overcoming Communication Challenges: Couple Violence</P>]]></d104>
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<d102>01</d102>
<d104 textformat="02"><![CDATA[This highly readable&nbsp;book provides interpersonal communication theories, concepts, and applications based on a unique model of communication competence. Studying interpersonal communication through this distinct framework will provide a foundation for readers&rsquo; <I>motivation </I>to communicate competently, increase their <I>knowledge</I> about communication, and enhance their acquisition and performance of communication <I>skills</I>. With engaging examples and an attention-getting design, this Second Edition covers a broad range of interpersonal communication themes, including strategic alternatives and solutions to communication challenges.]]></d104>
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<d102>04</d102>
<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">Chapter 1. Global Issues: Challenges of Globalization </P>  <P style="MARGIN: 0px">Chapter 2. The Struggle for Primacy in a Global Society</P>  <P style="MARGIN: 0px">Chapter 3. Human Rights</P>  <P style="MARGIN: 0px">Chapter 4. Promoting Democracy</P>  <P style="MARGIN: 0px">Chapter 5. Global Terrorism</P>  <P style="MARGIN: 0px">Chapter 6. Weapons Proliferation</P>  <P style="MARGIN: 0px">Chapter 7. Global Trade</P>  <P style="MARGIN: 0px">Chapter 8. Global Inequality</P>  <P style="MARGIN: 0px">Chapter 9. Environmental Issues</P>  <P style="MARGIN: 0px">Chapter 10. Population and Migration</P>  <P style="MARGIN: 0px">Chapter 11. Global Crime</P>  <P style="MARGIN: 0px">Chapter 12. The Globalization of Disease</P>  <P style="MARGIN: 0px">Chapter 13. Cultural Clashes and Conflict Resolution</P>]]></d104>
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<d104 textformat="02"><![CDATA[<P style="MARGIN: 0px">Chapter 1. Global Issues: Challenges of Globalization </P>  <P style="MARGIN: 0px">Chapter 2. The Struggle for Primacy in a Global Society</P>  <P style="MARGIN: 0px">Chapter 3. Human Rights</P>  <P style="MARGIN: 0px">Chapter 4. Promoting Democracy</P>  <P style="MARGIN: 0px">Chapter 5. Global Terrorism</P>  <P style="MARGIN: 0px">Chapter 6. Weapons Proliferation</P>  <P style="MARGIN: 0px">Chapter 7. Global Trade</P>  <P style="MARGIN: 0px">Chapter 8. Global Inequality</P>  <P style="MARGIN: 0px">Chapter 9. Environmental Issues</P>  <P style="MARGIN: 0px">Chapter 10. Population and Migration</P>  <P style="MARGIN: 0px">Chapter 11. Global Crime</P>  <P style="MARGIN: 0px">Chapter 12. The Globalization of Disease</P>  <P style="MARGIN: 0px">Chapter 13. Cultural Clashes and Conflict Resolution</P>]]></d104>
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<b039>Eduardo</b039>
<b040>Zayas-Bazán</b040>
<b046>Emeritus, East Tennessee State University</b046>
</contributor>
<contributor>
<b034>2</b034>
<b035>A01</b035>
<b037>Bacon, Susan M.</b037>
<b039>Susan M.</b039>
<b040>Bacon</b040>
<b046>Emeritus, University of Cincinnati</b046>
</contributor>
<contributor>
<b034>3</b034>
<b035>A01</b035>
<b037>Garcia, Dulce M.</b037>
<b039>Dulce M.</b039>
<b040>Garcia</b040>
<b046>The City College of New York, C.U.N.Y</b046>
</contributor>
<b057>4</b057>
<language>
<b253>01</b253>
<b252>eng</b252>
</language>
<b061>48</b061>
<b073>05</b073
